{"id":1821,"date":"2026-10-25T23:56:52","date_gmt":"2026-10-25T23:56:52","guid":{"rendered":"https:\/\/beyondyesterday.org\/?page_id=1821"},"modified":"2026-10-26T07:49:42","modified_gmt":"2026-10-26T07:49:42","slug":"cronologia-manakia","status":"publish","type":"page","link":"https:\/\/beyondyesterday.org\/el\/cronologia-manakia\/","title":{"rendered":"The Map of Time"},"content":{"rendered":"\n<div class=\"tm\">\n<style>\nbody.page-id-1821 .entry-title,body.page-id-1821 .ast-archive-description{display:none!important}\nbody.page-id-1821 .site-content .ast-container{max-width:none!important;padding-left:0!important;padding-right:0!important}\nbody.page-id-1821 .site-content{background:#f4f1ea}\nbody.page-id-1821 .by-home-em{background:rgba(255,253,249,.94)!important;box-shadow:inset 0 0 0 1px #d8d0c0!important}\nbody.page-id-1821 .by-home-em i::before{border-color:#6b6253!important}\nbody.page-id-1821 .by-home-em 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class=\"chip\" id=\"chip\"><\/div>\n\n<div class=\"tm-h\">\n<h1>Ianaki \u0219i Milton Manakia<\/h1>\n<p>Doi fra\u021bi din Avdela, sat arom\u00e2nesc din Pind. Au deschis un atelier fotografic la Bitola \u0219i au filmat primele imagini \u00een mi\u0219care din Balcani. \u00centre prima \u0219i ultima lor fotografie, Bitola a apar\u021binut la cinci state.<\/p>\n<\/div>\n\n<div class=\"mapwrap\">\n<div class=\"maplab\"><b>Harta timpului<\/b><span>1878\u20131964 \u00b7 click pe un punct<\/span><\/div>\n<div class=\"mapscroll\"><div class=\"canvas\" id=\"canvas\"><\/div><\/div>\n<div class=\"leg\">\n<s><em style=\"background:#a3661f\"><\/em>fotografie<\/s>\n<s><em style=\"background:#6f7d8c\"><\/em>film<\/s>\n<s><em style=\"background:#fffdf9;border:2px dashed #b3a894\"><\/em>f\u0103r\u0103 dat\u0103<\/s>\n<s>f\u00e2\u0219ia de sus: Bitola \u2014 statele care s-au succedat acolo<\/s>\n<s>f\u00e2\u0219ia de jos: satele \u0219i ora\u0219ele lor din sud \u2014 Avdela, Ioannina, Salonic \u2014 care trec la Grecia \u00een 1913<\/s>\n<\/div>\n<\/div>\n\n<div class=\"tl\" id=\"tl\">\n<div class=\"ent\" data-y=\"1878\" data-t=\"Ianaki se na\u0219te la Avdela\">\n<div class=\"yr\"><span>1878<\/span><\/div><div class=\"bd\">\n<h3>Ianaki se na\u0219te la Avdela<\/h3>\n<p>Se na\u0219te pe 18 mai, la Avdela, sat arom\u00e2nesc din Pind, pe atunci \u00een Imperiul Otoman; ast\u0103zi \u00een Grecia, \u00een \u021binutul Grevenei. Vara, turmele urcau la munte; toamna coborau \u00een Tesalia.<\/p>\n<p>Satul avea de unsprezece ani prima \u0219coal\u0103 rom\u00e2neasc\u0103 din regiune, deschis\u0103 \u00een 1867 de Apostol M\u0103rg\u0103rit, el \u00eensu\u0219i din Avdela.<\/p>\n<figure class=\"ph cut w720\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/mntr-avdela-v2.webp\" alt=\"Vedere general\u0103 a satului Avdela, \u00een Mun\u021bii Pind\" loading=\"lazy\">\n<figcaption><b>Vedere general\u0103 a satului Avdela.<\/b><span class=\"cote\"><span class=\"prov\">MN\u021aR<\/span>Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n, nr. inv. 1939<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1880\" data-t=\"Se na\u0219te Milton\">\n<div class=\"yr\"><span>1880<\/span><\/div><div class=\"bd\">\n<h3>Se na\u0219te Milton<\/h3>\n<p>Fratele mai mic, tot la Avdela. Unele surse dau 1882. Milton e cel care filmeaz\u0103. \u0218i cel care r\u0103m\u00e2ne la Bitola.<\/p>\n<div class=\"gal g2 w720\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/vrani-milton-portret.webp\" alt=\"Portret de atelier al lui Milton Manakia\" loading=\"lazy\">\n<figcaption><b>Milton Manakia.<\/b> Scris pe fotografie: <i>\u201eAmintire din tinere\u021be&#8221;<\/i>, semnat <i>Milton Manakia<\/i>, <i>Monastir<\/i>.<\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/vrani-milton-verso-v2-scaled.webp\" alt=\"Versoul fotografiei: carte po\u0219tal\u0103 scris\u0103 de m\u00e2n\u0103, adresat\u0103 la Salonic\" loading=\"lazy\">\n<figcaption><b>Versoul.<\/b> <i>Monsieur Jan Manakia, odos Konstantinopoleos 17, Tesalonic.<\/i> \u0218tampila po\u0219tal\u0103: Bitolj. Textul e \u00een rom\u00e2n\u0103 \u0219i se \u00eencheie cu <i>\u201ete s\u0103rut, Milton&#8221;<\/i>.<\/figcaption><\/figure>\n<\/div>\n<p style=\"margin-top:14px\"><span class=\"prov\">Vrani<\/span><span class=\"cote\" style=\"display:inline\">Arhiva familiei Vrani, Salonic \u2014 scanare C\u0103t\u0103lin D. Constantin<\/span><\/p>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1893\" data-t=\"Ianaki la Monastir\">\n<div class=\"yr\"><span>anii 1890<\/span><\/div><div class=\"bd\">\n<h3>Ianaki la Monastir<\/h3>\n<p>Face liceul rom\u00e2nesc din Monastir, ora\u0219ul care azi se nume\u0219te Bitola. Termin\u0103 \u00een anul \u0219colar 1896\u20131897. E bun la desen \u0219i caligrafie.<\/p>\n<figure class=\"ph cut w560\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-bitola-profesori-liceul-roman.jpg\" alt=\"Grup de profesori ai liceului rom\u00e2nesc de b\u0103ie\u021bi din Bitola\" loading=\"lazy\">\n<figcaption><b>Profesori ai liceului rom\u00e2nesc de b\u0103ie\u021bi din Bitola.<\/b> Kuzmescu, din Gope\u0219, primul din st\u00e2nga; Chumiti la mijloc; Pileta, din Samarina.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>DARM, Departamentul Bitola, fond 580, GPN 5643<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1898\" data-t=\"Atelierul de la Ioannina\">\n<div class=\"yr\"><span>1898<\/span><\/div><div class=\"bd\">\n<h3>Atelierul de la Ioannina<\/h3>\n<figure class=\"ph cut sideR\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-ioannina-panorama.jpg\" alt=\"Vedere asupra ora\u0219ului Ioannina, cu minaret \u0219i mun\u021bi \u00eenz\u0103pezi\u021bi \u00een fundal\" loading=\"lazy\">\n<figcaption><b>Ioannina.<\/b> T\u00e2rgul de sub ora\u0219, minaretul, mun\u021bii cu z\u0103pad\u0103.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 2134<\/span><\/figcaption><\/figure>\n<p>Ianaki deschide un atelier la Ioannina, \u00een Epir, \u0219i pred\u0103 desen \u0219i caligrafie la \u0219colile rom\u00e2ne\u0219ti de acolo. Milton vine dup\u0103 el \u0219i \u00eenva\u021b\u0103 meseria. Nu se \u0219tie pe ce strad\u0103 era atelierul.<\/p>\n<div style=\"clear:both\"><\/div>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1901\" data-t=\"Drumurile\">\n<div class=\"yr\"><span>1898\u20131905<\/span><\/div><div class=\"bd\">\n<h3>Drumurile<\/h3>\n<p>Legendele de sub cartoanele ajunse la Bucure\u0219ti sunt scrise de m\u00e2na lui Ianaki. Termenii sunt ai lui \u0219i ai vremii lui; le-am l\u0103sat cum stau pe carton.<\/p>\n<p>Pe l\u00e2ng\u0103 portretele comandate, fotografiaz\u0103 satele. Familii, pie\u021be, \u00eenv\u0103\u021b\u0103tori, hore, munca la c\u00e2mp. Toamna, drumul turmelor spre iernatec. S-au identificat cel pu\u021bin 370 de fotografii din ace\u0219ti ani, din peste patruzeci de localit\u0103\u021bi; optzeci \u0219i \u0219ase sunt f\u0103cute la Ioannina. Avdela, Samarina, Perivole, B\u0103iasa, Laista, Smixi, Metsovo, Grebeni\u021bi \u2014 cele mai multe sunt ast\u0103zi \u00een Grecia.<\/p>\n<div class=\"gal g2\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/mntr-iernatec-15-v2.jpg\" alt=\"Familii arom\u00e2ne\u0219ti pe drum, cu animale \u00eenc\u0103rcate, spre locul de iernat\" loading=\"lazy\">\n<figcaption><b>Scris de m\u00e2n\u0103 pe carton:<\/b> <i>\u201eFamilii rom\u00e2ne\u0219ti \u00een drum spre locul de iernatec.&#8221;<\/i> Avdela, 1906.<span class=\"cote\"><span class=\"prov\">MN\u021aR<\/span>nr. inv. 15<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/mntr-iernatec-90-scaled.webp\" alt=\"Oameni \u0219i animale la popas, pe drumul spre iernat\" loading=\"lazy\">\n<figcaption><b>Scris de m\u00e2n\u0103 pe carton:<\/b> <i>\u201eRom\u00e2ni din Avdela la popas, \u00een drum spre iernatec.&#8221;<\/i> Pind, 1906.<span class=\"cote\"><span class=\"prov\">MN\u021aR<\/span>nr. inv. 90<\/span><\/figcaption><\/figure>\n<\/div>\n<figure class=\"ph cut w560\" style=\"margin-top:26px\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/femei-costum-fade.webp\" alt=\"\u0218ir de femei \u00een costum arom\u00e2nesc, \u00een fa\u021ba unui p\u00e2lc de copaci\" loading=\"lazy\">\n<figcaption><b>Femei \u00een costum.<\/b> Semnat <i>Manaki<\/i>, cu alb, \u00een col\u021bul din dreapta jos.<span class=\"cote\"><span class=\"prov\">Vrani<\/span>Arhiva familiei Vrani, Salonic \u2014 scanare C\u0103t\u0103lin D. Constantin<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1903\" data-t=\"\u00cenmorm\u00e2ntarea lui Apostol M\u0103rg\u0103rit\">\n<div class=\"yr\"><span>1903<\/span><\/div><div class=\"bd\">\n<h3>\u00cenmorm\u00e2ntarea lui Apostol M\u0103rg\u0103rit<\/h3>\n<p>M\u0103rg\u0103rit se n\u0103scuse la Avdela, \u00een satul lor, \u00een 1832. A deschis acolo, \u00een 1867, prima \u0219coal\u0103 rom\u00e2neasc\u0103 din regiune, iar apoi, ca inspector, zeci de altele \u00een Macedonia \u0219i Albania. Moare la Bitola, \u00een ora\u0219ul lor.<\/p>\n<p>Fra\u021bii \u00eei fotografiaz\u0103 \u00eenmorm\u00e2ntarea. Mul\u021bimea umple strada de la un cap\u0103t la altul.<\/p>\n<figure class=\"ph cut w720\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/mntr-margarit.webp\" alt=\"Mul\u021bime umpl\u00e2nd o strad\u0103 la \u00eenmorm\u00e2ntarea lui Apostol M\u0103rg\u0103rit\" loading=\"lazy\">\n<figcaption><b>Legenda, scris\u0103 de m\u00e2n\u0103 pe carton:<\/b> <i>\u201e\u00cenmorm\u00e2ntarea Marelui Lupt\u0103tor pentru De\u0219teptarea rom\u00e2nismului \u00een Macedonia \u0219i Epir Apostol Margarit, primul inspector general al \u0219coalelor \u0219i bisericelor rom\u00e2ne din Imperiul Otoman. la 12\/X\/902.&#8221;<\/i> Sursele dau moartea la 19 octombrie 1903; diferen\u021ba vine, cel mai probabil, din calendarul iulian.\n<span class=\"cote\"><span class=\"prov\">MN\u021aR<\/span>nr. inv. 1924<\/span><\/figcaption><\/figure>\n<div class=\"cor\"><b>Scrisul<\/b><span>Legendele de m\u00e2n\u0103 de pe cartoanele ajunse la Bucure\u0219ti au fost crezute mult\u0103 vreme, la muzeu, noti\u021bele lui Alexandru Tzigara-Samurca\u0219, fondatorul institu\u021biei. \u00cen 2025, venit la Bucure\u0219ti, arhivistul <b style=\"display:inline;font-size:inherit;letter-spacing:0;text-transform:none;color:#2f2b25\">Dimitar Gjorgjievski<\/b>, de la Bitola, a recunoscut scrisul: e al lui Ianaki Manakia. Care era, de meserie, profesor de caligrafie.<\/span><\/div>\n<figure class=\"ph cut w560\" style=\"margin-top:4px\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-mormant-margarit-bitola.jpg\" alt=\"Lespede de morm\u00e2nt cu numele lui Apostol M\u0103rg\u0103rit, acoperit\u0103 de licheni\" loading=\"lazy\">\n<figcaption><b>Lespedea lui, \u00een cimitirul din Bitola.<\/b> <i>Apostol Margarit * 1832 \u2013 1903 \u2020<\/i>. Piatra d\u0103 anul pe care \u00eel dau \u0219i sursele.<span class=\"cote\">Fotografie C\u0103t\u0103lin D. Constantin, 2023<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1905\" data-t=\"Avdela\">\n<div class=\"yr\"><span>1905<\/span><\/div><div class=\"bd\">\n<h3>Avdela<\/h3>\n<p>Sunt anii Luptei pentru Macedonia, c\u00e2nd mi\u0219c\u0103rile na\u021bionale rivale \u021bin cete armate \u00een mun\u021bi \u0219i satele pl\u0103tesc. \u00cen octombrie arde biserica rom\u00e2neasc\u0103 Sf\u00e2nta Maria din Avdela.<\/p>\n<p>Fra\u021bii o fotografiaz\u0103 dup\u0103 incendiu. Legenda de sub imagine e scris\u0103 de m\u00e2na lor:<\/p>\n<figure class=\"ph cut w560\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/mntr-altar-v2.jpg\" alt=\"Altarul bisericii rom\u00e2ne\u0219ti Sf\u00e2nta Maria din Avdela, dup\u0103 incendiu\" loading=\"lazy\">\n<figcaption><b>Scris pe carton:<\/b> <i>\u201eTemplul bisericii rom\u00e2ne Sf. Maria din Avdela, ars de antar\u021bii greci la 23\/X\/905.&#8221;<\/i>\n<span class=\"cote\"><span class=\"prov\">MN\u021aR<\/span>nr. inv. 18<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1905.5\" data-t=\"Atelierul din Monastir\">\n<div class=\"yr\"><span>1904\u20131906<\/span><\/div><div class=\"bd\">\n<h3>Atelierul din Monastir<\/h3>\n<p>Cump\u0103r\u0103 un spa\u021biu pe Shirok Sokak, strada mare a ora\u0219ului, \u0219i deschid Atelierul de fotografie artistic\u0103. Anul difer\u0103 de la o surs\u0103 la alta.<\/p>\n<p>De la balconul atelierului vor fotografia, ani la r\u00e2nd, ce trece pe strad\u0103 dedesubt: parade, cortegii, primiri oficiale. Multe dintre imaginile lor celebre sunt luate de acolo, de sus.<\/p>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1906\" data-t=\"Bucure\u0219tiul\">\n<div class=\"yr\"><span>1906\u20131907<\/span><\/div><div class=\"bd\">\n<h3>Bucure\u0219tiul<\/h3>\n<p>Expun la Expozi\u021bia General\u0103 Rom\u00e2n\u0103, \u00een anul jubiliar al lui Carol I. Se fotografiaz\u0103 acolo, \u00een atelierul lui Hristo Duraco.<\/p>\n<p>Juriul recompenselor le d\u0103 diploma de colaborator cu plachet\u0103. \u00cen mai, Ministerul Afacerilor Str\u0103ine \u00eei trimisese lui Milton brevetul Medaliei Jubilare Carol I. Pe am\u00e2ndou\u0103 h\u00e2rtiile, sub nume, st\u0103 scris acela\u0219i loc: Ianina.<\/p>\n<p>Fotografiile din Pind \u0219i Macedonia intr\u0103 \u00een muzeu un an mai t\u00e2rziu, cedate de Ministerul Domeniilor \u0219i Instruc\u021biunii Publice.<\/p>\n<figure class=\"ph cut sideR\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-carol-i.jpg\" alt=\"Portret \u00een profil al regelui Carol I, \u00een uniform\u0103 cu ordine\" loading=\"lazy\">\n<figcaption><b>Carol I.<\/b> Placa se p\u0103streaz\u0103 \u00een fondul lor, la Bitola.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 5673<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut w720\" style=\"clear:both\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-clisura-leagan-1906-v2.jpg\" alt=\"Femeie \u00een costum, cro\u0219et\u00e2nd, l\u00e2ng\u0103 un leag\u0103n de lemn cu un copil \u00eenf\u0103\u0219at\" loading=\"lazy\">\n<figcaption><b>Femeie cro\u0219et\u00e2nd, cu copil \u00een leag\u0103n. Clisura.<\/b> Fotografia premiat\u0103 la Bucure\u0219ti. Jos, \u00een st\u00e2nga, zg\u00e2riat \u00een emulsie: <i>Fr\u00e8res Manakia, Bitolia\u2013Janina<\/i>.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 1581<\/span><\/figcaption><\/figure>\n<div class=\"gal g2\" style=\"margin-top:30px\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/doc-bitola-diploma-colaborator-1906.webp\" alt=\"Diplom\u0103 litografiat\u0103 a Expozi\u021biei Generale Rom\u00e2ne din 1906, pe h\u00e2rtie \u00eeng\u0103lbenit\u0103, cu col\u021bul rupt\" loading=\"lazy\">\n<figcaption><b>Diploma de colaborator cu plachet\u0103.<\/b> <i>Bucure\u0219ti, 5\/18 noiembrie 1906<\/i>, nr. 3338, pe numele lui Milton Manakia.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, 1.8<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/doc-bitola-brevet-medalia-carol-i-1906.webp\" alt=\"Brevetul Medaliei Jubilare Carol I, tip\u0103rit la Imprimeria Statului, cu sigiliul Cancelariei Ordinelor\" loading=\"lazy\">\n<figcaption><b>Brevetul \u201eMedaliei Jubilare Carol I\u201d.<\/b> <i>1906, maiu 10<\/i>, nr. 2146, Ministerul Afacerilor Str\u0103ine.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, 1.7<\/span><\/figcaption><\/figure>\n<\/div>\n<div class=\"gal g2\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-1906-frati-bucuresti.jpg\" alt=\"Portret al fra\u021bilor Ianaki \u0219i Milton Manakia, Bucure\u0219ti, 1906\" loading=\"lazy\">\n<figcaption><b>Ianaki \u0219i Milton Manakia. Bucure\u0219ti, 1906.<\/b> \u00cen st\u00e2nga Ianaki, \u00een dreapta Milton.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 2254<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-bitola-sinaia-palatul.jpg\" alt=\"Vedere exterioar\u0103 a palatului lui Carol I de la Sinaia\" loading=\"lazy\">\n<figcaption><b>Palatul lui Carol I la Sinaia.<\/b> 1906.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 5624<\/span><\/figcaption><\/figure>\n<\/div>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1907\" data-t=\"Camera 300\">\n<div class=\"yr\"><span>1907<\/span><\/div><div class=\"bd\">\n<h3>Camera 300<\/h3>\n<p>Cump\u0103r\u0103 o camer\u0103 Bioscope 300. Anul e 1907, nu 1905, cum se d\u0103 de obicei: datarea curent\u0103 lipe\u0219te cump\u0103rarea de primele film\u0103ri. Aparatul vine din apus, iar Ianaki c\u0103l\u0103torise la Paris.<\/p>\n<p><a href=\"\/journal\/\">Povestea dat\u0103rii, \u00een <i>Jurnal<\/i> &rarr;<\/a><\/p>\n<p>Camera se p\u0103streaz\u0103 la Bitola, \u00een cutia ei de lemn. Al\u0103turi, la arhiv\u0103, stau celelalte aparate ale fra\u021bilor \u2014 \u00eentre ele unul de atelier, cu burduf, fabricat la Viena.<\/p>\n<figure class=\"ph cut w560\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/vrani-ianaki-paris.webp\" alt=\"Trei b\u0103rba\u021bi \u00een haine de ora\u0219, l\u00e2ng\u0103 un monument \u00eentr-un parc parizian\" loading=\"lazy\">\n<figcaption><b>Ianaki Manakia la Paris.<\/b><span class=\"cote\"><span class=\"prov\">Vrani<\/span>Arhiva familiei Vrani, Salonic \u2014 scanare C\u0103t\u0103lin D. Constantin<\/span><\/figcaption><\/figure>\n<div class=\"gal g3\" style=\"margin-top:28px\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-camera300-bitola.jpg\" alt=\"Camera de filmat Bioscope 300 a fra\u021bilor Manakia, la Arhivele din Bitola\" loading=\"lazy\">\n<figcaption><b>Camera Bioscope 300.<\/b> Cutie de lemn, manivel\u0103, sigiliu ro\u0219u pe capac. Cu ea s-a filmat primul film din Balcani.<\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-aparat-goldmann-placa.jpg\" alt=\"Placa produc\u0103torului R. A. Goldmann, Viena, \u0219i obiectivul de alam\u0103 al aparatului de atelier\" loading=\"lazy\">\n<figcaption><b>Aparatul de atelier.<\/b> Pe lemn, placa produc\u0103torului: <i>R. A. Goldmann, Fabrik fotogr. Apparate, Wien, IV. Victorg. 14.<\/i><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-aparat-geam-mat-v2.jpg\" alt=\"Spatele aparatului de atelier, cu geamul mat deschis\" loading=\"lazy\">\n<figcaption><b>Geamul mat.<\/b> Pe el se vedea imaginea, r\u0103sturnat\u0103, \u00eenainte de a pune placa.<\/figcaption><\/figure>\n<\/div>\n<div class=\"cor\"><b>Atelierul din Viena<\/b><span>Firma de pe plac\u0103 e una dintre cele vechi: Anton Goldmann, t\u00e2mplar de mobil\u0103 fin\u0103, construise \u00een 1854 primul aparat pentru Ludwig Angerer, fotograful de curte al lui Franz Joseph, \u0219i \u0219i-a deschis atelierul \u00een 1858. Din 1863 lucra \u00een Victorgasse 14, adresa de pe placa aparatului fra\u021bilor. Fiul, R. A. Goldmann, a condus firma din 1891; \u00een 1917 ea a intrat \u00een Herlango. Vindeau aparate de atelier, de c\u0103l\u0103torie \u0219i de copiat.<\/span><\/div>\n<p style=\"margin-top:14px\"><span class=\"prov\">Bitola<\/span><span class=\"cote\" style=\"display:inline\">Arhivele de Stat, Departamentul Bitola \u2014 fotografii C\u0103t\u0103lin D. Constantin<\/span><\/p>\n<\/div><\/div>\n\n<div class=\"ent flm\" data-y=\"1907.4\" data-t=\"Maia Despa\" data-film=\"1\">\n<div class=\"yr\"><span>1907<\/span><\/div><div class=\"bd\">\n<h3>Maia Despa <span class=\"film\">film<\/span><\/h3>\n<p>Primul lor film se nume\u0219te <i>\u021aes\u0103toarele<\/i>. \u00cen el joac\u0103 toate femeile familiei, iar bunica, Maia Despa, toarce. De aici se num\u0103r\u0103 \u00eenceputul filmului \u00een Balcani.<\/p>\n<p>Aceea\u0219i femeie e \u0219i \u00eentr-o fotografie r\u0103mas\u0103 la Salonic: \u00eentre alte femei, la \u021besut. Imaginea fix\u0103 \u0219i cea \u00een mi\u0219care stau \u00een arhive diferite \u0219i nu au fost puse p\u00e2n\u0103 acum una l\u00e2ng\u0103 alta.<\/p>\n<div class=\"gal g2 w720\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/despa-tesut-fade.webp\" alt=\"Femei \u00een jurul unui r\u0103zboi de \u021besut \u0219i al unei ro\u021bi de tors, \u00eentr-o curte\" loading=\"lazy\">\n<figcaption><b>Fotografia.<\/b> Maia Despa, \u00eentre femei, la \u021besut.<span class=\"cote\"><span class=\"prov\">Vrani<\/span>Arhiva familiei Vrani, Salonic \u2014 scanare C\u0103t\u0103lin D. Constantin<\/span><\/figcaption><\/figure>\n<figure class=\"ph vid\"><div class=\"vwrap\" data-end=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-lana-1907-end.jpg\"><video class=\"byv\" controls muted playsinline preload=\"metadata\" poster=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-lana-poster.jpg\"><source src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-lana-1907.mp4\" type=\"video\/mp4\"><\/video><\/div>\n<figcaption><b>Filmul.<\/b> Aceea\u0219i munc\u0103, \u00een mi\u0219care.<span class=\"cote\"><span class=\"prov\">Film<\/span>Kinoteca Macedoniei de Nord \u2014 fragment din copia restaurat\u0103, f\u0103r\u0103 sunet<\/span><\/figcaption><\/figure>\n<\/div>\n<\/div><\/div>\n\n<div class=\"ent flm\" data-y=\"1908\" data-t=\"Primele film\u0103ri\" data-film=\"1\">\n<div class=\"yr\"><span>1907\u20131908<\/span><\/div><div class=\"bd\">\n<h3>Primele film\u0103ri <span class=\"film\">film<\/span><\/h3>\n<p>Filmeaz\u0103 o \u0219coal\u0103 \u00een aer liber, dansuri, nun\u021bi, ciobani, drumul turmelor. Unele filme nu au dat\u0103.<\/p>\n<figure class=\"ph vid w720\"><div class=\"vwrap\" data-end=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-scoala-end.jpg\"><video class=\"byv\" controls muted playsinline preload=\"metadata\" poster=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-scoala-poster.jpg\"><source src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-scoala.mp4\" type=\"video\/mp4\"><\/video><\/div><figcaption><b>\u0218coala \u00een aer liber.<\/b> Copiii stau pe p\u0103m\u00e2nt, cu c\u0103r\u021bile \u00een poal\u0103, l\u00e2ng\u0103 zidul \u0219colii. \u00cenv\u0103\u021b\u0103torul trece printre ei.<span class=\"cote\"><span class=\"prov\">Film<\/span>Kinoteca Macedoniei de Nord \u2014 fragment de 22 de secunde din copia restaurat\u0103, f\u0103r\u0103 sunet<\/span><\/figcaption><\/figure>\n<figure class=\"ph vid w720\"><div class=\"vwrap\" data-end=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-turme-end.jpg\"><video class=\"byv\" controls muted playsinline preload=\"metadata\" poster=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-turme-poster.jpg\"><source src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-turme.mp4\" type=\"video\/mp4\"><\/video><\/div><figcaption><b>Turmele pe deal.<\/b> Drumul spre iernatec, filmat din acela\u0219i punct din care l-au fotografiat.<span class=\"cote\"><span class=\"prov\">Film<\/span>Kinoteca Macedoniei de Nord \u2014 fragment de 19 secunde din copia restaurat\u0103, f\u0103r\u0103 sunet<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent flm\" data-y=\"1908.6\" data-t=\"H\u00fcrriyet\" data-film=\"1\">\n<div class=\"yr\"><span>1908<\/span><\/div><div class=\"bd\">\n<h3>H\u00fcrriyet <span class=\"film\">film<\/span><\/h3>\n<p>Se restaureaz\u0103 constitu\u021bia otoman\u0103. Bitola e una dintre scenele mari ale evenimentului. Fra\u021bii filmeaz\u0103 parade, mul\u021bimi, c\u0103l\u0103re\u021bi. Pe fa\u021bada din fotografie, steaguri otomane \u0219i o inscrip\u021bie \u00een caractere arabe.<\/p>\n<figure class=\"ph cut w720\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-1908-huriet-bitola-scaled.jpg\" alt=\"Cl\u0103dire cu steaguri otomane \u0219i inscrip\u021bie, cu solda\u021bi \u0219i civili alinia\u021bi \u00een fa\u021b\u0103\" loading=\"lazy\">\n<figcaption><b>Proclamarea H\u00fcrriyet. Bitola, 1908.<\/b><span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 557<\/span><\/figcaption><\/figure>\n<figure class=\"ph vid w720\"><div class=\"vwrap\" data-end=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-huriet-end.jpg\"><video class=\"byv\" controls muted playsinline preload=\"metadata\" poster=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-huriet-poster.jpg\"><source src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-huriet.mp4\" type=\"video\/mp4\"><\/video><\/div><figcaption><b>Mul\u021bimea, \u00een mi\u0219care.<\/b> Aceea\u0219i zi, filmat\u0103.<span class=\"cote\"><span class=\"prov\">Film<\/span>Kinoteca Macedoniei de Nord \u2014 fragment de 19 secunde din copia restaurat\u0103, f\u0103r\u0103 sunet<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1909\" data-t=\"Delega\u021bia rom\u00e2n\u0103\">\n<div class=\"yr\"><span>1909<\/span><\/div><div class=\"bd\">\n<h3>Delega\u021bia rom\u00e2n\u0103<\/h3>\n<p>Recep\u021bia mini\u0219trilor rom\u00e2ni condu\u0219i de dr. Istrate, la restaurantul Terpsis, pe strada g\u0103rii. \u00cen st\u00e2nga, Niazi Bey.<\/p>\n<figure class=\"ph cut w720\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-1909-receptie-ministri-scaled.jpg\" alt=\"Mul\u021bime adunat\u0103 la primirea delega\u021biei rom\u00e2ne, Bitola, 1909\" loading=\"lazy\">\n<figcaption><b>Primirea delega\u021biei rom\u00e2ne. Bitola, 1909.<\/b><span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 5644<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut w720\" style=\"margin-top:26px\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-atelier-ofiteri-520.jpg\" alt=\"\u0218ase ofi\u021beri otomani cu fes \u0219i sabie, \u00een atelierul fotografic\" loading=\"lazy\">\n<figcaption><b>Ofi\u021beri otomani, \u00een atelierul din Bitola.<\/b> Placa e catalogat\u0103 <i>Mustafa Kemal Atat\u00fcrk \u00eentre prietenii s\u0103i<\/i>; arhiva \u00eens\u0103\u0219i noteaz\u0103, \u00een dreptul ei, c\u0103 descrierea e probabil gre\u0219it\u0103.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580 \u2014 digitizare 1\/1\/1\/1\/520<\/span><\/figcaption><\/figure>\n<div class=\"cor\"><b>Corectur\u0103<\/b><span>\u0218i \u00een fotografia catalogat\u0103 \u201eelevi ai academiei militare \u00eempreun\u0103 cu Kemal Atat\u00fcrk\u201d, b\u0103rbatul din imagine nu e Atat\u00fcrk, ci <b style=\"display:inline;font-size:inherit;letter-spacing:0;text-transform:none;color:#2f2b25\">Enver Pa\u0219a<\/b>. Argumentul, \u00een <a href=\"\/journal\/\">Jurnal<\/a>.<\/span><\/div>\n<\/div><\/div>\n\n<div class=\"ent flm\" data-y=\"1911\" data-t=\"Sultanul\" data-film=\"1\">\n<div class=\"yr\"><span>1911<\/span><\/div><div class=\"bd\">\n<h3>Sultanul <span class=\"film\">film<\/span><\/h3>\n<p>Mehmed V Re\u0219ad vine la Salonic \u0219i la Monastir. E cel mai mare subiect ceremonial al lor: g\u0103ri, primiri, trupe, mul\u021bimi. Vor fi numi\u021bi fotografi ai cur\u021bii sultanului.<\/p>\n<p>\u00cen acela\u0219i an filmeaz\u0103 \u00eenmorm\u00e2ntarea mitropolitului Emilianos de Grevena \u0219i trecerea unei delega\u021bii rom\u00e2ne prin Monastir, Gope\u0219 \u0219i Resen.<\/p>\n<div class=\"gal g2\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-1911-sultan-bitola-scaled.jpg\" alt=\"Mul\u021bime cu stindard brodat \u0219i ofi\u021beri cu fes, la vizita sultanului\" loading=\"lazy\">\n<figcaption><b>Vizita sultanului Mehmed V Re\u0219ad.<\/b><span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 1213<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-bitola-sultan-2.jpg\" alt=\"Scen\u0103 din timpul vizitei sultanului la Bitola\" loading=\"lazy\">\n<figcaption><b>Din aceea\u0219i serie.<\/b><span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 5214<\/span><\/figcaption><\/figure>\n<\/div>\n<figure class=\"ph vid w720\"><div class=\"vwrap\" data-end=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-fanfara-end.jpg\"><video class=\"byv\" controls muted playsinline preload=\"metadata\" poster=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-fanfara-poster.jpg\"><source src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-fanfara.mp4\" type=\"video\/mp4\"><\/video><\/div><figcaption><b>Fanfara militar\u0103 \u0219i primirea oficial\u0103.<\/b> Strada e \u00eempodobit\u0103 cu verdea\u021b\u0103.<span class=\"cote\"><span class=\"prov\">Film<\/span>Kinoteca Macedoniei de Nord \u2014 fragment de 19 secunde din copia restaurat\u0103, f\u0103r\u0103 sunet<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n<div class=\"ent\" data-y=\"1912.5\" data-t=\"R\u0103zboaiele balcanice\">\n<div class=\"yr\"><span>1912\u20131913<\/span><\/div><div class=\"bd\">\n<h3>R\u0103zboaiele balcanice<\/h3>\n<p>Monastir trece la Serbia. Avdela \u0219i Ioannina trec la Grecia. Atelierul r\u0103m\u00e2ne pe loc, dar e acum \u00een alt\u0103 \u021bar\u0103 dec\u00e2t satul lor.<\/p>\n<p>Din anii din urm\u0103 ai st\u0103p\u00e2nirii otomane au r\u0103mas \u0219i fotografiile f\u0103cute armatei. Nu sunt datate; uniformele le a\u0219az\u0103 \u00eenainte de 1912.<\/p>\n<div class=\"gal g2\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-trupe-pe-deal.jpg\" alt=\"Coloan\u0103 de solda\u021bi cobor\u00e2nd pe un deal, \u00eentre tufi\u0219uri\" loading=\"lazy\">\n<figcaption><b>Coloan\u0103 \u00een mar\u0219, pe deal.<\/b><span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 554<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-trupe-aliniate.jpg\" alt=\"Trup\u0103 aliniat\u0103 pe un c\u00e2mp \u00eentins, cu plopi \u00een fundal\" loading=\"lazy\">\n<figcaption><b>Aliniere pe c\u00e2mp.<\/b><span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 568<\/span><\/figcaption><\/figure>\n<\/div>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1914.5\" data-t=\"Frontul\">\n<div class=\"yr\"><span>1914\u20131915<\/span><\/div><div class=\"bd\">\n<h3>Frontul<\/h3>\n<p>Regiunea devine front. Fotografiile arat\u0103 lipsuri, solda\u021bi, spitale. Atelierul lucreaz\u0103 mai departe.<\/p>\n<figure class=\"ph cut w720\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-spital-militar.jpg\" alt=\"Salon de spital militar \u00eempodobit, cu r\u0103ni\u021bi \u00een paturi \u0219i ofi\u021beri la intrare\" loading=\"lazy\">\n<figcaption><b>Salon de spital militar, \u00eempodobit pentru o vizit\u0103.<\/b> R\u0103ni\u021bii \u00een paturi, ofi\u021berii la u\u0219\u0103. Fotografia nu e datat\u0103.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 556<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1916\" data-t=\"Prin gratii\">\n<div class=\"yr\"><span>1916<\/span><\/div><div class=\"bd\">\n<h3>Prin gratii<\/h3>\n<p>Ianaki e arestat sub ocupa\u021bia bulgar\u0103. \u00cenainte s\u0103 fie trimis \u00een Bulgaria, Milton \u00eel fotografiaz\u0103 la fereastra \u00eenchisorii din Bitola. Unul e pe strad\u0103, cu aparatul. Cel\u0103lalt \u00een\u0103untru, cu m\u00e2inile pe gratii.<\/p>\n<figure class=\"ph cut w560\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-1916-inchisoarea-bitola.jpg\" alt=\"B\u0103rbat \u00een palton l\u00e2ng\u0103 fereastra z\u0103brelit\u0103 a \u00eenchisorii, cu alt b\u0103rbat \u00een spatele gratiilor\" loading=\"lazy\">\n<figcaption><b>Ianaki \u0219i Milton vorbind prin gratiile \u00eenchisorii din Bitola. 1916.<\/b><span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 3479<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1917.5\" data-t=\"Plovdiv\">\n<div class=\"yr\"><span>1916\u20131919<\/span><\/div><div class=\"bd\">\n<h3>Plovdiv<\/h3>\n<p>Internat \u00een Bulgaria, Ianaki deschide un atelier la Plovdiv. Milton r\u0103m\u00e2ne la Bitola \u0219i \u021bine atelierul deschis.<\/p>\n<p>Din anii aceia se p\u0103streaz\u0103 portretele oamenilor din jurul lui: o profesoar\u0103 de desen \u021bin\u00e2nd \u00een m\u00e2n\u0103 portretul lui, medicul care l-a \u00eengrijit. \u00cen 1921 d\u0103 procur\u0103 unui avocat din Bucure\u0219ti ca s\u0103 cear\u0103 desp\u0103gubiri pentru internare.<\/p>\n<div class=\"gal g3\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/vrani-ianaki-plovdiv.webp\" alt=\"Portret al lui Ianaki Manakia la Plovdiv\" loading=\"lazy\">\n<figcaption><b>Ianaki Manakia la Plovdiv.<\/b><span class=\"cote\"><span class=\"prov\">Vrani<\/span>Arhiva familiei Vrani, Salonic \u2014 scanare C\u0103t\u0103lin D. Constantin<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-bitola-plovdiv-profesoara-portret.jpg\" alt=\"Profesoar\u0103 de desen din Plovdiv \u021bin\u00e2nd \u00een m\u00e2n\u0103 portretul lui Ianaki Manakia\" loading=\"lazy\">\n<figcaption><b>Profesoar\u0103 de desen din Plovdiv<\/b>, \u021bin\u00e2nd portretul lui Ianaki.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>GPN 3048<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-bitola-plovdiv-doctorul.jpg\" alt=\"Portretul medicului care l-a \u00eengrijit pe Ianaki Manakia la Plovdiv\" loading=\"lazy\">\n<figcaption><b>Medicul care l-a \u00eengrijit<\/b> pe Ianaki, la Plovdiv.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>GPN 3500<\/span><\/figcaption><\/figure>\n<\/div>\n<figure class=\"ph cut w560\" style=\"margin-top:26px\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/doc-bitola-procura-1921-v2.jpg\" alt=\"Procur\u0103 scris\u0103 de m\u00e2n\u0103 pe h\u00e2rtie de caiet, cu \u00eensemn\u0103ri cu cerneal\u0103 ro\u0219ie\" loading=\"lazy\">\n<figcaption><b>Procura.<\/b> <i>\u201eSubsemnatul, profesor al liceului rom\u00e2n din Bitolia (Macedonia), autorizez prin aceasta pe domnul Ioan Bura, avocat domiciliat \u00een Bucure\u0219ti, str. Dr. Radovici nr. 10 (Cotroceni), a figura \u00een locul meu \u00eenaintea instan\u021belor judec\u0103tore\u0219ti competente \u00een procesul de desp\u0103gubiri pentru internarea mea \u00een Bulgaria.&#8221;<\/i> F\u0103cut\u0103 la Bitolia, 1 martie 1921.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, 3.8<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1919\" data-t=\"Atelierul ref\u0103cut\">\n<div class=\"yr\"><span>1919<\/span><\/div><div class=\"bd\">\n<h3>Atelierul ref\u0103cut<\/h3>\n<p>Ianaki se \u00eentoarce la Bitola. Ora\u0219ul e avariat de ani de bombardament. Reiau lucrul.<\/p>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1921\" data-t=\"Cinematograf \u00een aer liber\">\n<div class=\"yr\"><span>1921<\/span><\/div><div class=\"bd\">\n<h3>Cinematograf \u00een aer liber<\/h3>\n<p>\u00cencep s\u0103 dea filme \u00een aer liber, la Bitola.<\/p>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1923\" data-t=\"Cinematograful Manaki\">\n<div class=\"yr\"><span>1922\u20131923<\/span><\/div><div class=\"bd\">\n<h3>Cinematograful Manaki<\/h3>\n<p>Ridic\u0103 o cl\u0103dire anume, deschis\u0103 \u00een 1923, cu firma pictat\u0103 pe fa\u021bad\u0103. Construc\u021bia face datorii.<\/p>\n<div class=\"gal g2 w720\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/vrani-cinema-manaki-scaled.webp\" alt=\"Cl\u0103direa cinematografului Manaki din Bitola, cu firma pictat\u0103 pe fa\u021bad\u0103\" loading=\"lazy\">\n<figcaption><b>Recto.<\/b> <i>Kino-Teater Manaki, Bitolj.<\/i><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/vrani-carte-postala-verso-scaled.webp\" alt=\"Versoul c\u0103r\u021bii po\u0219tale, scris de m\u00e2n\u0103, adresat la Salonic\" loading=\"lazy\">\n<figcaption><b>Verso.<\/b> <i>Ian Manakia, odos Miauli 36, Salonique, Gr\u00e8ce.<\/i><\/figcaption><\/figure>\n<\/div>\n<p style=\"margin-top:14px\"><span class=\"prov\">Vrani<\/span><span class=\"cote\" style=\"display:inline\">Arhiva familiei Vrani, Salonic \u2014 scanare C\u0103t\u0103lin D. Constantin<\/span><\/p>\n<\/div><\/div>\n\n<div class=\"ent flm\" data-y=\"1925\" data-t=\"T\u00e2rgul de vite, Boboteaza\" data-film=\"1\">\n<div class=\"yr\"><span>1924\u20131925<\/span><\/div><div class=\"bd\">\n<h3>T\u00e2rgul de vite, Boboteaza <span class=\"film\">film<\/span><\/h3>\n<p>Un t\u00e2rg de vite. Boboteaza la Bitola. Sunt ultimele filme databile cu siguran\u021b\u0103; nu \u00eenseamn\u0103 c\u0103 au \u00eencetat s\u0103 filmeze.<\/p>\n<figure class=\"ph vid w720\"><div class=\"vwrap\" data-end=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-boboteaza-end.jpg\"><video class=\"byv\" controls muted playsinline preload=\"metadata\" poster=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-boboteaza-poster.jpg\"><source src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-film-boboteaza.mp4\" type=\"video\/mp4\"><\/video><\/div><figcaption><b>Boboteaza, la r\u00e2ul Dragor.<\/b> Oamenii stau pe pod \u0219i pe maluri, pe z\u0103pad\u0103.<span class=\"cote\"><span class=\"prov\">Film<\/span>Kinoteca Macedoniei de Nord \u2014 fragment de 19 secunde din copia restaurat\u0103, f\u0103r\u0103 sunet<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1928\" data-t=\"Regii\">\n<div class=\"yr\"><span>anii &#8217;20\u2013&#8217;30<\/span><\/div><div class=\"bd\">\n<h3>Regii<\/h3>\n<p>Atelierul fotografiaz\u0103 oficialit\u0103\u021bile care trec prin ora\u0219, oricare ar fi ele. \u00cen fa\u021ba consulatului grec din Bitola, regele Alexandru al Greciei e primit de generalul s\u00e2rb Ilija Gojkovi\u0107; \u00een urma lor, patriarhul Atenagora, \u0219i evzonii de gard\u0103. La gar\u0103, ora\u0219ul a\u0219teapt\u0103 trenul regelui Alexandru Kara\u0111or\u0111evi\u0107.<\/p>\n<div class=\"gal g2\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-regele-greciei-evzoni.jpg\" alt=\"Grup de ofi\u021beri \u00een poarta unei cl\u0103diri, cu evzoni de gard\u0103 \u00een st\u00e2nga\" loading=\"lazy\">\n<figcaption><b>Regele Alexandru al Greciei, la consulatul grec din Bitola.<\/b> \u00cen st\u00e2nga, evzonii. Domnia lui a \u021binut \u00eentre 1917 \u0219i 1920.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580 \u2014 digitizare 1\/1\/1\/1\/4366<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-regele-alexandru-gara.jpg\" alt=\"Mul\u021bime adunat\u0103 pe peronul g\u0103rii, l\u00e2ng\u0103 un tren\" loading=\"lazy\">\n<figcaption><b>A\u0219teptarea regelui Alexandru Kara\u0111or\u0111evi\u0107, la gara din Bitola.<\/b><span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580 \u2014 digitizare 1\/1\/1\/1\/5809<\/span><\/figcaption><\/figure>\n<\/div>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1931\" data-t=\"Datoriile\">\n<div class=\"yr\"><span>1920\u20131933<\/span><\/div><div class=\"bd\">\n<h3>Datoriile<\/h3>\n<p>Cinematograful e dat \u00een exploatare unor asocia\u021bi \u0219i chiria\u0219i. Ratele se adun\u0103. La \u00eenceputul anilor 1930 se deschide falimentul.<\/p>\n<figure class=\"ph cut w560\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-bitola-frati-numarand-banii.jpg\" alt=\"Fra\u021bii Manakia num\u0103r\u00e2nd bani\" loading=\"lazy\">\n<figcaption><b>Fra\u021bii Manakia num\u0103r\u00e2nd banii.<\/b> Bitola, \u00eentre 1918 \u0219i 1941.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 3460<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1933\" data-t=\"Familia lui Milton\">\n<div class=\"yr\"><span>anii 1930<\/span><\/div><div class=\"bd\">\n<h3>Familia lui Milton<\/h3>\n<p>Milton se c\u0103s\u0103tore\u0219te, la cincizeci \u0219i patru de ani, cu Vasiliki Daouka, din Avdela, satul lui. \u00cel \u00eenfiaz\u0103 pe Leonidas. Datele exacte difer\u0103 \u00eentre surse.<\/p>\n<p>Era membru al unor societ\u0103\u021bi culturale \u0219i sportive \u0219i al Crucii Ro\u0219ii elene. \u00cei pl\u0103ceau caii \u0219i \u00eei c\u0103l\u0103rea \u00een galop.<\/p>\n<div class=\"gal g2\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-milton-vasiliki-logodna.jpg\" alt=\"Milton Manakia cu logodnica sa Vasiliki \u0219i rude din Grevena\" loading=\"lazy\">\n<figcaption><b>Milton cu logodnica sa, Vasiliki,<\/b> \u0219i rude din Grevena.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580 \u2014 digitizare 1\/1\/1\/1\/2284<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-familia-manaki.jpg\" alt=\"Grup de familie Manakia\" loading=\"lazy\">\n<figcaption><b>Familia Manakia.<\/b> De la dreapta: Milton, Ianaki, Vasilika, Sterjana, Taku.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580 \u2014 digitizare 1\/1\/1\/1\/3240<\/span><\/figcaption><\/figure>\n<\/div>\n<figure class=\"ph cut w560\" style=\"margin-top:26px\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-leonida-vasiliki-tesut.jpg\" alt=\"Vasiliki Manakia preg\u0103tind urzeala, al\u0103turi de fiul ei Leonida\" loading=\"lazy\">\n<figcaption><b>Vasiliki preg\u0103tind urzeala, cu fiul ei Leonida.<\/b> La o genera\u021bie distan\u021b\u0103 de <i>\u021aes\u0103toarele<\/i>, \u00een aceea\u0219i cas\u0103, aceea\u0219i munc\u0103 \u00een fa\u021ba aparatului.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580 \u2014 digitizare 1\/1\/1\/1\/5690<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut w560\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-bitola-frati-cu-nepotul-steryu.jpg\" alt=\"Fra\u021bii Manakia cu nepotul lor Steryu\" loading=\"lazy\">\n<figcaption><b>Fra\u021bii Manakia cu nepotul lor, Steryu.<\/b> Bitola, \u00eentre 1918 \u0219i 1941.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, GPN 3339<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1935\" data-t=\"Ianaki se mut\u0103 la Salonic\">\n<div class=\"yr\"><span>1935<\/span><\/div><div class=\"bd\">\n<h3>Ianaki se mut\u0103 la Salonic<\/h3>\n<p>Se stabile\u0219te la Salonic, unde pred\u0103 istoria artei, desen \u0219i caligrafie la un liceu. Milton r\u0103m\u00e2ne la Bitola. \u00ce\u0219i scriu c\u0103r\u021bi po\u0219tale cu propriile fotografii pe fa\u021b\u0103.<\/p>\n<p>P\u00e2n\u0103 la sf\u00e2r\u0219itul vie\u021bii coboar\u0103 pe falez\u0103 \u0219i fotografiaz\u0103 oamenii care trec. Fotograful de la Turnul Alb din <i>Privirea lui Ulise<\/i> a lui Theo Angelopoulos e el.<\/p>\n<p>Erau at\u00e2t de cunoscu\u021bi \u00eenc\u00e2t scrisorile le ajungeau cu adresa scris\u0103 doar <i>Manakia, Balcani<\/i>.<\/p>\n<figure class=\"ph cut w720\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-trenul-bitola-salonic.jpg\" alt=\"Tren oprit \u00een gar\u0103, cu c\u0103l\u0103tori la ferestre \u0219i oameni pe peron\" loading=\"lazy\">\n<figcaption><b>Trenul Bitola\u2013Salonic.<\/b> Ianaki e la a treia fereastr\u0103 \u0219i pleac\u0103 la Salonic. Fotografia e a lui Milton, r\u0103mas pe peron.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580 \u2014 digitizare 1\/1\/1\/1\/941<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"fork\">\n<div class=\"in2\">\n<div class=\"c\"><div class=\"ct\">Bitola<\/div><p>Milton fotografiaz\u0103 mai departe ora\u0219ul: \u00eenc\u0103 un r\u0103zboi, bombardamentul, 1944.<\/p><\/div>\n<div class=\"c\"><div class=\"ct\">Salonic<\/div><p>Ianaki lucreaz\u0103 \u00een Grecia. Leg\u0103tura dintre fra\u021bi r\u0103m\u00e2ne po\u0219ta.<\/p><\/div>\n<\/div>\n<\/div>\n\n<div class=\"ent\" data-y=\"1939\" data-t=\"Incendiul\">\n<div class=\"yr\"><span>1939<\/span><\/div><div class=\"bd\">\n<h3>Incendiul<\/h3>\n<p>Cinematograful Manaki arde din temelii. Cl\u0103direa era \u00eenchiriat\u0103 din 1937; asigurarea acoper\u0103 datoriile c\u0103tre creditori, nu \u0219i pierderea fra\u021bilor. \u00cen foc arde \u0219i copia unui film adus de chiria\u0219 de la Zagreb.<\/p>\n<figure class=\"ph cut w560\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-ruinele-cinema-manaki.jpg\" alt=\"\u0218arpante arse ale unei cl\u0103diri, pe o plac\u0103 cu emulsia deteriorat\u0103\" loading=\"lazy\">\n<figcaption><b>Ruinele cinematografului Manaki.<\/b> Emulsia pl\u0103cii e ea \u00eens\u0103\u0219i pe jum\u0103tate distrus\u0103. \u00cen catalogul digitiz\u0103rii placa poart\u0103 data 1924 \u2014 dat\u0103 care nu se \u00eempac\u0103 cu istoria cl\u0103dirii: \u00een 1926 cinematograful era electrificat \u0219i func\u021biona.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580 \u2014 digitizare 1\/1\/1\/1\/2379<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1942\" data-t=\"Bitola\">\n<div class=\"yr\"><span>1940\u20131944<\/span><\/div><div class=\"bd\">\n<h3>Bitola<\/h3>\n<p>Milton fotografiaz\u0103 ora\u0219ul prin al Doilea R\u0103zboi Mondial: bombardamentul, apoi 1944. O fotografie din arhiva de familie \u00eei arat\u0103 propriul dormitor dup\u0103 bombardare.<\/p>\n<p>Pe 14 iulie 1944, \u00een retragere, trupele germane dau foc Avdelei. Satul \u00een care se n\u0103scuser\u0103 am\u00e2ndoi arde a doua oar\u0103 \u00eentr-o via\u021b\u0103 de om.<\/p>\n<figure class=\"ph cut w560\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-dormitor-dupa-bombardament.jpg\" alt=\"Dormitorul lui Milton Manakia dup\u0103 bombardarea Bitolei\" loading=\"lazy\">\n<figcaption><b>Dormitorul lui Milton Manakia, dup\u0103 bombardarea Bitolei.<\/b> A fotografiat \u0219i asta.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580 \u2014 digitizare 1\/1\/1\/1\/5830<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1950\" data-undated=\"1\" data-t=\"Dimitris\">\n<div class=\"yr\"><span>dat\u0103 neprecizat\u0103<\/span><\/div><div class=\"bd\">\n<h3>Dimitris<\/h3>\n<p>Ianaki se \u00eensurase la patruzeci \u0219i patru de ani cu Anastasia Hagi Ilia, din Prilep. Ea moare la dou\u0103zeci \u0219i nou\u0103. R\u0103m\u00e2ne Dimitris, singurul fiu, student la filologie englez\u0103 la Universitatea din Salonic. Moare la dou\u0103zeci \u0219i patru de ani.<\/p>\n<p>La Bitola i se spune Taku, la Salonic Dimitris. E acela\u0219i b\u0103iat, sub dou\u0103 nume, \u00een dou\u0103 arhive.<\/p>\n<figure class=\"ph cut w560\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/doc-bitola-invitatie-nunta-1922.webp\" alt=\"Invita\u021bie de nunt\u0103 tip\u0103rit\u0103, din 1922\" loading=\"lazy\">\n<figcaption><b>Invita\u021bia la nunt\u0103.<\/b> <i>Duminic\u0103 3\/16 Iulie 1922, la orele 10 a.m., la biserica rom\u00e2n\u0103 Sf. \u201eConstantin \u0219i Elena\u201d din Bitolia.<\/i> O trimite tat\u0103l, <i>Domnul D. Manakia<\/i>. Jos, \u00een loc de adres\u0103: <i>Foto-Manakia Bitolia<\/i>.<span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, 3.9<\/span><\/figcaption><\/figure>\n<figure class=\"ph cut w420\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/bitola-ianaki-cu-fiul.jpg\" alt=\"Portretul lui Ianaki Manakia cu fiul s\u0103u, \u00een atelierul din Bitola\" loading=\"lazy\">\n<figcaption><b>Ianaki cu fiul s\u0103u, \u00een atelierul din Bitola.<\/b><span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580 \u2014 digitizare 1\/1\/1\/1\/3314<\/span><\/figcaption><\/figure>\n<p style=\"margin-top:22px\">Tat\u0103l monteaz\u0103 pe un carton toate fotografiile lui \u0219i scrie dedesubt, de m\u00e2n\u0103. Apoi se a\u0219az\u0103 \u00een fa\u021ba aparatului, \u021bin\u00e2nd \u00een degete portretul b\u0103iatului.<\/p>\n<div class=\"gal g3\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/vrani-dimitris-portret.webp\" alt=\"Portret de atelier al lui Dimitris Manakia\" loading=\"lazy\">\n<figcaption><b>Dimitris.<\/b><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/vrani-dimitris-2.webp\" alt=\"Al doilea portret al lui Dimitris Manakia\" loading=\"lazy\">\n<figcaption><b>Al doilea portret.<\/b><\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/vrani-dimitris-cheiul-salonic.webp\" alt=\"T\u00e2n\u0103r pe cheiul din Salonic, cu frontul de mare al ora\u0219ului \u00een spate\" loading=\"lazy\">\n<figcaption><b>Pe cheiul din Salonic.<\/b><\/figcaption><\/figure>\n<\/div>\n<div class=\"gal g2 w720\" style=\"margin-top:30px\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/vrani-colaj-fiul.webp\" alt=\"Carton montat cu numeroase fotografii mici ale aceluia\u0219i t\u00e2n\u0103r, cu inscrip\u021bie olograf\u0103 dedesubt\" loading=\"lazy\">\n<figcaption><b>Colajul.<\/b> Inscrip\u021bie scris\u0103 de m\u00e2n\u0103 pe passepartout, semnat\u0103 <i>Manaki<\/i>.<\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/ianaki-fotografia-fade.webp\" alt=\"B\u0103rbat \u00een v\u00e2rst\u0103 \u021bin\u00e2nd \u00eentre degete o fotografie mic\u0103 de portret\" loading=\"lazy\">\n<figcaption><b>Ianaki Manakia cu fotografia fiului s\u0103u.<\/b><\/figcaption><\/figure>\n<\/div>\n<p style=\"margin-top:14px\"><span class=\"prov\">Vrani<\/span><span class=\"cote\" style=\"display:inline\">Arhiva familiei Vrani, Salonic \u2014 scanare C\u0103t\u0103lin D. Constantin<\/span><\/p>\n<\/div><\/div>\n\n\n<div class=\"ent\" data-y=\"1954\" data-t=\"Moartea lui Ianaki\">\n<div class=\"yr\"><span>1954<\/span><\/div><div class=\"bd\">\n<h3>Moartea lui Ianaki<\/h3>\n<p>Ianaki moare la Salonic, pe 19 mai. Avea \u0219aptezeci \u0219i \u0219ase de ani.<\/p>\n<p>Familia spune c\u0103 fiul lui, Dimitris, a fost \u00eengropat \u00een cimitirul rom\u00e2nesc al ora\u0219ului, \u0219i tot acolo \u00eel a\u0219az\u0103 \u0219i pe el. Panoul pus azi la fa\u021ba locului spune \u00eens\u0103 c\u0103 cimitirul a \u00eencetat s\u0103 func\u021bioneze la \u00eenceputul lui 1941. Cele dou\u0103 versiuni nu se \u00eempac\u0103.<\/p>\n<p>Cimitirul nu mai e. \u00cen 1964 terenul a devenit parc public; \u00een decembrie 2022 municipalitatea Neapoli\u2013Sykies l-a refacut \u0219i i-a l\u0103sat numele vechi, <i>Roumanika<\/i>.<\/p>\n<div class=\"gal g2 w720\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-salonic-lespezi.jpg\" alt=\"\u0218ir de lespezi de beton \u00eenclinate, \u00een iarb\u0103, l\u00e2ng\u0103 aleea parcului\" loading=\"lazy\">\n<figcaption><b>Lespezile de beton din parcul nou.<\/b> Seam\u0103n\u0103 cu ni\u0219te pietre de morm\u00e2nt c\u0103zute.<\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-salonic-batranii-v2.jpg\" alt=\"Patru b\u0103rba\u021bi v\u00e2rstnici juc\u00e2nd c\u0103r\u021bi la o mas\u0103 de lemn, la umbr\u0103\" loading=\"lazy\">\n<figcaption><b>Loc de \u00eent\u00e2lnire.<\/b> Panoul spune c\u0103 asta a fost parcul de la \u00eenceput: un loc unde se adun\u0103 oamenii din cartier.<\/figcaption><\/figure>\n<\/div>\n<div class=\"gal g2 w720\" style=\"margin-top:26px\">\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-salonic-placa-v3.jpg\" alt=\"Plac\u0103 de marmur\u0103 cu inscrip\u021bie \u00een greac\u0103, la intrarea \u00een parc\" loading=\"lazy\">\n<figcaption><b>Placa de la intrare.<\/b> <i>\u0394\u0397\u039c\u039f\u03a3 \u039d\u0395\u0391\u03a0\u039f\u039b\u0397\u03a3 \u2013 \u03a3\u03a5\u039a\u0395\u03a9\u039d \u00b7 \u03a0\u0391\u03a1\u039a\u039f \u03a1\u039f\u03a5\u039c\u0391\u039d\u0399\u039a\u03a9\u039d<\/i> \u2014 Parcul Roumanika.<\/figcaption><\/figure>\n<figure class=\"ph cut\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-salonic-panou-v2.jpg\" alt=\"Panou informativ bilingv, cu o fotografie veche de grup \u0219i text \u00een greac\u0103 \u0219i englez\u0103\" loading=\"lazy\">\n<figcaption><b>Panoul.<\/b> <i>\u201eRoumanika era numele unui vechi cimitir al unei mici comunit\u0103\u021bi rom\u00e2ne\u0219ti de vlahi. A fost f\u0103cut la sf\u00e2r\u0219itul secolului al XIX-lea, la cererea acestei comunit\u0103\u021bi, \u00eentr-o zon\u0103 din afara zidurilor, l\u00e2ng\u0103 celelalte cimitire ortodoxe \u0219i catolice.&#8221;<\/i><\/figcaption><\/figure>\n<\/div>\n<p style=\"margin-top:14px\"><span class=\"cote\" style=\"display:inline\">Fotografii C\u0103t\u0103lin D. Constantin, 26 aprilie 2026<\/span><\/p>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1964\" data-t=\"Moartea lui Milton\">\n<div class=\"yr\"><span>1964<\/span><\/div><div class=\"bd\">\n<h3>Moartea lui Milton<\/h3>\n<p>Milton moare la Bitola, \u00een martie. Sursele ezit\u0103 \u00eentre 5 \u0219i 6. E \u00eenmorm\u00e2ntat \u00een cimitirul rom\u00e2nesc din Bitola. \u00cen acela\u0219i an, arhivele cump\u0103r\u0103 fondul de la v\u0103duva \u0219i fiul lui.<\/p>\n<figure class=\"ph cut w420\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-mormant-milton-v2.jpg\" alt=\"Morm\u00e2ntul lui Milton Manaki \u00een cimitirul din Bitola, cu dou\u0103 pietre\" loading=\"lazy\">\n<figcaption><b>Morm\u00e2ntul, azi.<\/b> Pe piatra din spate, \u00een macedonean\u0103: <i>Aici odihne\u0219te Milton Manaki, 1880\u20131964, primul operator de film din Balcani<\/i>, \u0219i dou\u0103 portrete ovale. Pe lespedea din fa\u021b\u0103, pus\u0103 mai t\u00e2rziu de societatea <i>Fra\u021bii Manakia<\/i>, numele e scris arom\u00e2ne\u0219te: <i>Milton Manakia, Avdela 1880 \u2013 Bituli 1964<\/i>.<span class=\"cote\">Fotografie C\u0103t\u0103lin D. Constantin, 2023<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"1958\" data-t=\"Fondul 580\">\n<div class=\"yr\"><span>1952\u20131964<\/span><\/div><div class=\"bd\">\n<h3>Fondul 580<\/h3>\n<p>P\u0103r\u021bi din arhiv\u0103 trec \u00een timp la Arhivele de Stat din Bitola. Grosul e cump\u0103rat de la familie \u2014 v\u0103duva \u0219i fiul lui Milton \u2014 \u00een 1964.<\/p>\n<p>Ce a r\u0103mas la familie a ajuns la Salonic. Fotografiile de acolo, reproduse aici, nu au cote: fondul nu e inventariat.<\/p>\n<figure class=\"ph cut w560\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/10\/by-manakia-bitola-frati-perioada-otomana-scaled.jpg\" alt=\"Fotografie a fra\u021bilor Manakia din perioada otoman\u0103\" loading=\"lazy\">\n<figcaption><b>Fra\u021bii Manakia, perioada otoman\u0103.<\/b><span class=\"cote\"><span class=\"prov\">Bitola<\/span>fond 580, PHP B6\/238<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<div class=\"ent\" data-y=\"1979\" data-off=\"1\" data-t=\"Festivalul\">\n<div class=\"yr\"><span>1979<\/span><\/div><div class=\"bd\">\n<h3>Festivalul<\/h3>\n<p>La Bitola se \u021bine prima edi\u021bie a festivalului interna\u021bional al operatorilor de imagine. Poart\u0103 numele lor. \u00cen Grecia, un al doilea festival Manakia se \u021bine \u00een fiecare septembrie la Grevena \u0219i la Avdela.<\/p>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"2023\" data-off=\"1\" data-t=\"Digitizarea\">\n<div class=\"yr\"><span>2022\u20132025<\/span><\/div><div class=\"bd\">\n<h3>Digitizarea<\/h3>\n<p>Arhivele de Stat, Departamentul Bitola, digitizeaz\u0103 fondul printr-un grant al Programului pentru Arhive \u00een Pericol al British Library. 25.865 de fi\u0219iere \u0219i 6.894 de \u00eenregistr\u0103ri de catalog, consultabile liber.<\/p>\n<p><a href=\"https:\/\/eap.bl.uk\/project\/EAP1470\" target=\"_blank\" rel=\"noopener\">Pagina proiectului EAP1470 &rarr;<\/a><\/p>\n<\/div><\/div>\n\n<div class=\"ent\" data-y=\"2026\" data-off=\"1\" data-t=\"Beyond Yesterday\">\n<div class=\"yr\"><span>2025\u20132026<\/span><\/div><div class=\"bd\">\n<h3>Beyond Yesterday<\/h3>\n<p>Fotografiile se \u00eentorc \u00een locurile unde au fost f\u0103cute. Expozi\u021bia le a\u0219az\u0103 l\u00e2ng\u0103 imaginile de azi, luate din acela\u0219i punct. Din 2023 a fost la Salonic, Bitola, Kor\u00e7\u00eb, Plovdiv, Bucure\u0219ti.<\/p>\n<p><a href=\"\/openings\/\">Unde a fost expozi\u021bia &rarr;<\/a><\/p>\n<\/div><\/div>\n\n<\/div>\n\n<div class=\"foot\">\n<p><b style=\"color:#5c554a\">Despre cronologie.<\/b> Versiune de lucru, \u00een rom\u00e2n\u0103. Unde cercetarea recent\u0103 contrazice nara\u021biunea obi\u0219nuit\u0103, sunt date am\u00e2ndou\u0103. Un singur reper nu are an \u2014 moartea lui Dimitris. Harta timpului acoper\u0103 vie\u021bile lor, 1878\u20131964; cele trei repere de dup\u0103 nu au punct pe hart\u0103.<\/p>\n<p>Imaginile vin din trei fonduri. <b style=\"color:#5c554a\">Bitola<\/b> \u2014 Arhivele de Stat ale Republicii Macedonia de Nord, Departamentul Bitola, fond 580 \u201eFra\u021bii Manakia&#8221;; reproduse cu acordul arhivei. <b style=\"color:#5c554a\">MN\u021aR<\/b> \u2014 Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n; descrierile citate sunt cele din registrul de inventar. <b style=\"color:#5c554a\">Vrani<\/b> \u2014 arhiva familiei Vrani, Salonic, fond privat neinventariat; scan\u0103ri realizate la fa\u021ba locului.<\/p>\n<\/div>\n<script>\n(function(){\n var START=1878,END=1964,SPAN=END-START;\n var C=document.getElementById('canvas');\n if(!C) return;\n var ents=[].slice.call(document.querySelectorAll('.tm .ent'));\n function pc(y){return 1.6+(y-START)\/SPAN*96.8;}\n var eras=[[1878,1912,'Imperiul Otoman'],[1912,1918,'Serbia, ocupa\u021bie 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