{"id":1983,"date":"2026-10-26T08:43:04","date_gmt":"2026-10-26T08:43:04","guid":{"rendered":"https:\/\/beyondyesterday.org\/research\/bibliography\/"},"modified":"2026-10-27T05:53:20","modified_gmt":"2026-10-27T05:53:20","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/beyondyesterday.org\/ka\/research\/bibliography\/","title":{"rendered":"\u10d1\u10d8\u10d1\u10da\u10d8\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10d0"},"content":{"rendered":"\n<style>\n.rsp{--pa:#f4f1ea;--tx:#2f2b25;--dm:#776f63;--oc:#b5762c;--ru:#d8d0c0;\n background:var(--pa);color:var(--tx);font:400 17px\/1.7 \"Iowan Old Style\",Palatino,Georgia,serif;\n margin:0;padding:0 0 70px;overflow-x:hidden}\n.rsp *{box-sizing:border-box}\n.rsp .wrp{max-width:860px;margin:0 auto;padding:44px 30px 0}\n.rsp .bc{margin:0 0 26px;font-size:12.5px;letter-spacing:.1em;text-transform:uppercase}\n.rsp .bc a{color:var(--dm);text-decoration:none;border-bottom:1px solid var(--ru);padding-bottom:1px}\n.rsp .bc a:hover{color:#4f483d}\n.rsp h1{margin:0 0 14px;font:400 clamp(30px,4.6vw,46px)\/1.12 \"Iowan Old Style\",Palatino,Georgia,serif;color:#1f1c18;letter-spacing:-.015em}\n.rsp .lead{margin:0 0 36px;font-size:18.5px;line-height:1.66;color:#5c554a;max-width:60ch}\n.rsp h2{margin:46px 0 14px;font:400 25px\/1.25 \"Iowan Old Style\",Palatino,Georgia,serif;color:#241f1a}\n.rsp h2 .yr{display:block;font-size:14px;letter-spacing:.08em;color:var(--oc);margin-bottom:2px}\n.rsp h3{margin:30px 0 10px;font:600 18px\/1.3 \"Iowan Old Style\",Palatino,Georgia,serif;color:#33302a}\n.rsp p{margin:0 0 14px;max-width:68ch}\n.rsp p.place{margin:-8px 0 12px;color:#776f63;font-size:15.5px}\n.rsp p.bib{max-width:none;padding-left:1.7em;text-indent:-1.7em;font-size:15.8px;line-height:1.62;margin:0 0 11px}\n.rsp ul,.rsp ol{margin:0 0 16px;padding-left:1.25em;max-width:66ch}\n.rsp li{margin:0 0 7px}\n.rsp a{color:var(--oc);text-decoration:none;border-bottom:1px solid rgba(181,118,44,.42);padding-bottom:1px}\n.rsp a:hover{color:#8f5a1c}\n.rsp blockquote{margin:18px 0;padding:14px 20px;border-left:3px solid var(--oc);background:rgba(181,118,44,.06);max-width:62ch}\n.rsp blockquote p{margin:0;max-width:none}\n.rsp .tw{overflow-x:auto;margin:20px 0 24px}\n.rsp table{border-collapse:collapse;min-width:620px;font-size:15px;line-height:1.5}\n.rsp th{text-align:left;padding:8px 16px 8px 0;border-bottom:2px solid var(--ru);font-weight:600;color:#33302a;vertical-align:bottom}\n.rsp td{vertical-align:top;padding:8px 16px 8px 0;border-bottom:1px solid var(--ru)}\n.rsp .gal{display:grid;grid-template-columns:1fr 1fr 1fr;gap:18px;margin:26px 0 30px;max-width:none}\n.rsp .gal figure{margin:0}\n.rsp .gal img{width:100%;display:block;border-radius:2px}\n.rsp .gal figcaption{margin-top:6px;font-size:12.5px;line-height:1.5;color:#776f63}\n.rsp .idx{list-style:none;padding:0;margin:8px 0 10px;max-width:none}\n.rsp .idx li{margin:0;padding:15px 0 14px;border-bottom:1px solid var(--ru)}\n.rsp .idx a{font-size:20px;border-bottom:none}\n.rsp .idx .d{display:block;margin-top:3px;color:#776f63;font-size:15px;max-width:62ch}\n.rsp .dl{margin-top:40px;font-size:13px;color:#978e7f;max-width:none}\n.rsp .rnav{margin-top:52px;padding-top:16px;border-top:1px solid var(--ru);font-size:13.5px;line-height:1.9;color:#776f63;max-width:none}\n.rsp .rnav b{color:#4f483d;font-weight:600}\n.rsp .rnav a{border-bottom:none;white-space:nowrap}\n@media(max-width:900px){.rsp .gal{grid-template-columns:1fr 1fr}}\n@media(max-width:640px){.rsp .wrp{padding:34px 20px 0}.rsp .gal{grid-template-columns:1fr}}\nbody.page-id-1983 .entry-title,body.page-id-1983 .ast-archive-description{display:none!important}body.page-id-1983 .site-content .ast-container{max-width:none!important;padding-left:0!important;padding-right:0!important}body.page-id-1983 .site-content{background:#f4f1ea}body.page-id-1983 .by-home-em{background:rgba(255,253,249,.94)!important;box-shadow:inset 0 0 0 1px #d8d0c0!important}body.page-id-1983 .by-home-em i::before{border-color:#6b6253!important}body.page-id-1983 .by-home-em i::after{background:#b5762c!important;border-color:#b5762c!important}body.page-id-1983 .by-home-nm{color:rgba(47,43,37,.52)!important}<\/style><div class=\"rsp\"><div class=\"wrp\"><p class=\"bc\"><a href=\"\/research\/\" data-k=\"bc\">Research<\/a><\/p><h1 data-k=\"t\">Bibliography<\/h1><p class=\"lead\" data-k=\"l\">A working bibliography of the subject: books, articles, theses, films, press and online sources, in the languages in which they exist.<\/p><div class=\"bod\">\n<p data-k=\"b4\">Two brothers left an archive scattered across borders, institutions and languages, and the literature about them is scattered in the same way. This bibliography brings together publications from Romania, North Macedonia and the former Yugoslavia, Greece, Turkey, Albania and international research.<\/p>\n<p data-k=\"b5\"><b>What this is.<\/b> An inventory of the field: early testimonies, photographic albums, monographs, exhibition catalogues, articles, theses, archival studies, films, newspaper reports and internet sources. Some titles were consulted directly; others are known only from citations in other works; not all of them have been read. The list is a work in progress and is meant as a researcher\u2019s starting point. Entries are grouped as literature on the Manakia brothers, context and comparative works, and primary sources. A link follows an entry where a catalogue record or digital text exists. Translations in square brackets are editorial aids, not official titles; original spellings and historical names of institutions are kept.<\/p>\n<p data-k=\"b6\">Good first reads are Ioana Popescu\u2019s study of the Romanian ethnographic photographs, Igor Stardelov\u2019s film research, Marian \u021au\u021bui\u2019s trans-Balkan analysis, Emil \u021a\u00eercomnicu\u2019s archival editions, Saadet \u00d6zen\u2019s work on the Young Turk Revolution and Nikolaos Siokis\u2019s historiographical survey.<\/p>\n<h2 data-k=\"b7\">Literature on the Manakia brothers<\/h2>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b8\"><b>Abad\u017eieva, S.<\/b> \u201cBra\u1e31ata Janaki i Milton Manaki \/ The Brothers Janaki and Milton Manaki.\u201d <i>Golemoto Staklo<\/i> 19\u201320 (2005\u201306): 7\u201319.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b9\"><b>Andonovska, L., N. Georgievski, et al.<\/b> <i>Zna\u010dajni li\u010dnosti za Bitola \/ Distinguished People for Bitola<\/i>. Bitola: NUUB \u201cSv. Kliment Ohridski\u201d \/ Municipality of Bitola, 2007, pp. 123\u2013126.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b11\"><b>Arayancan, Tan\u0131l.<\/b> <i>Manaki Karde\u015flerin T\u00fcrk Sinema Tarihindeki Yeri ve \u00d6nemi<\/i> [The place and significance of the Manaki brothers in Turkish cinema history]. MA thesis, Osmaniye Korkut Ata University, 2024. \u2014 <a href=\"https:\/\/openaccess.osmaniye.edu.tr\/items\/b26ea43f-138f-426b-adc4-0442b0d71500\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b12\"><b>Bedeni, Lu\u00e7jan.<\/b> <i>Janaki &#038; Milton Manaki<\/i>. Shkod\u00ebr: National Museum of Photography \u201cMarubi\u201d \/ Ministry of Culture of Albania \/ State Archives of North Macedonia, Bitola Department, 2023.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b13\"><b>Borcan, Silvia, and Bujor T. R\u00eepeanu.<\/b> <i>Catalogul filmelor documentare rom\u00e2ne\u0219ti, 1897\u20131948<\/i>. Bucharest: Arhiva Na\u021bional\u0103 de Filme, 1981.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b14\"><b>Christodoulou, Christos K.<\/b> \u201c\u039f\u03b9 \u03c0\u03b1\u03c4\u03ad\u03c1\u03b5\u03c2 \u03c4\u03b7\u03c2 \u03ad\u03b2\u03b4\u03bf\u03bc\u03b7\u03c2 \u03c4\u03ad\u03c7\u03bd\u03b7\u03c2 \u03c3\u03c4\u03b1 \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1.\u201d <i>O Paratiritis<\/i> 11\u201312 (March\u2013June 1989): 18\u201333.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b15\"><b>Christodoulou, Christos K.<\/b> <i>The Manakis Brothers: The Greek Pioneers of the Balkanic Cinema<\/i>. Thessaloniki: Thessaloniki Organization for the Cultural Capital of Europe, 1997. \u2014 <a href=\"https:\/\/eempvlachon.com\/wp-content\/uploads\/2021\/04\/Christodoulou-The-Manakis-Brothers.pdf\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b16\"><b>Christodoulou, Christos K.<\/b> <i>\u03a4\u03b1 \u03c6\u03c9\u03c4\u03bf\u03b3\u03b5\u03bd\u03ae \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1 \u03c4\u03c9\u03bd \u0391\u03b4\u03b5\u03bb\u03c6\u03ce\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b7<\/i> [The photogenic Balkans of the Manaki brothers]. Thessaloniki: Paratiritis, 1989.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b17\"><b>Christodoulou, Christos K.<\/b> \u201c\u0393\u03c1\u03b5\u03b2\u03b5\u03bd\u03b9\u03ce\u03c4\u03b5\u03c2 \u03bf\u03b9\u2026 \u03c0\u03c1\u03c9\u03c4\u03bf\u03c0\u03cc\u03c1\u03bf\u03b9 \u03c4\u03bf\u03c5 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u03cd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5: \u0386\u03b3\u03bd\u03c9\u03c3\u03c4\u03b1 \u03c3\u03c4\u03bf\u03b9\u03c7\u03b5\u03af\u03b1 \u03c3\u03c4\u03bf \u03c6\u03c9\u03c2 \u03c4\u03b7\u03c2 \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2\u201d [The pioneers of Greek cinema from Grevena: new evidence]. <i>Makedonia<\/i>, 11 December 1977, pp. 5\u20136.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b19\"><i>\u0391\u03b4\u03b5\u03bb\u03c6\u03bf\u03af \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1: \u03a0\u03c1\u03c9\u03c4\u03bf\u03c0\u03cc\u03c1\u03bf\u03b9 \u03c4\u03b7\u03c2 \u03b5\u03b9\u03ba\u03cc\u03bd\u03b1\u03c2 \u03c3\u03c4\u03b1 \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1<\/i> [The Manaki brothers: pioneers of the image in the Balkans]. Athens: Kastaniotis, 1997. CD-ROM, ISBN 978-960-03-1826-5. \u2014 <a href=\"https:\/\/www.kastaniotis.com\/product\/adelfoi-manakia\/\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b20\"><b>Community of Avdella.<\/b> <i>\u0391\u03b2\u03b4\u03ad\u03bb\u03bb\u03b1 &#038; \u0391\u03b4\u03b5\u03bb\u03c6\u03bf\u03af \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1 \/ Avdella &#038; The Manakia Brothers<\/i>. Larissa: Ella, 2004.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b21\"><b>Constantin, C\u0103t\u0103lin D.<\/b> <i>Beyond Yesterday: An Anthropological Walk Retracing the Path of the Manakia Brothers in the Early 1900s<\/i>. Bucharest: Peter Pan ART, 2025; second edition 2026. ISBN 978-606-95000-7-1.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b22\"><b>Constantin, C\u0103t\u0103lin D.<\/b> <i>Dincolo de ieri: C\u0103l\u0103torie antropologic\u0103 \u00een Balcani pe urmele fra\u021bilor Manakia la 1900<\/i>. Bucharest: Peter Pan ART, 2025; second edition 2026. ISBN 978-606-95000-8-8.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b23\"><b>Dimitrovski-Takets, Dimitar.<\/b> <i>Manaki i Bitola<\/i>. Bitola: Rabotni\u010dki univerzitet \u201cKrste P. Misirkov\u201d, 1975.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b24\"><b>Drnkov, Blagoj.<\/b> \u201cOur First Film Reporter: The Life and Work of Milton D. Manakis.\u201d <i>Filmska Revija<\/i> 1 (1951); republished in <i>Kinote\u010den Mese\u010dnik<\/i> 6 (June 1977): 57\u201368.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b25\"><b>Durlova, Marija, and Goce Stojanovski.<\/b> <i>Lica i mesta \/ Faces and Places: Selected Ethnographic Photographs from the Manaki Brothers<\/i>. Bitola: NU Centar za Kultura \/ State Archives, Bitola, 2023.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b26\"><b>Evren, Bur\u00e7ak.<\/b> \u201cBalkanlar\u0131n ve T\u00fcrk Sinemas\u0131n\u0131n \u0130lk Y\u00f6netmenlerinden: Manaki Karde\u015fler.\u201d <i>Hayal Perdesi<\/i> 37 (November\u2013December 2013): 72\u201376. \u2014 <a href=\"https:\/\/www.tsa.org.tr\/tr\/yazi\/yazidetay\/17\/balkanlarin-ve-turk-sinemasinin-ilk-yonetmenlerinden--manaki-kardesler\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b27\"><b>Evren, Bur\u00e7ak.<\/b> \u201c\u0130lk T\u00fcrk Filmini \u00c7eken Yanaki ve Milton Manaki Karde\u015fler.\u201d <i>Pazar Postas\u0131<\/i>, 8 July 1995.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b28\"><b>Exarchos, Giorgis.<\/b> <i>\u0391\u03b4\u03b5\u03bb\u03c6\u03bf\u03af \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1: \u03a0\u03c1\u03c9\u03c4\u03bf\u03c0\u03cc\u03c1\u03bf\u03b9 \u03c4\u03bf\u03c5 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5 \u03c3\u03c4\u03b1 \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03bf \u00ab\u0392\u03bb\u03b1\u03c7\u03b9\u03ba\u03cc\u03bd \u0396\u03ae\u03c4\u03b7\u03bc\u03b1\u00bb<\/i>. Athens: Gavriilidis, 1991.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b29\"><b>Exarchos, Giorgis.<\/b> \u201c\u0393\u03b9\u03b1\u03bd\u03bd\u03ac\u03ba\u03b7\u03c2 \u03ba\u03b1\u03b9 \u039c\u03af\u03bb\u03c4\u03bf\u03c2 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1\u03c2.\u201d <i>Stochastis<\/i> (March 1990): 53\u201355.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b30\"><b>Mavrogeni, Stavroula, and Fani Tsatsaia.<\/b> <i>\u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03ba\u03b1\u03b9 \u039c\u03af\u03bb\u03c4\u03bf\u03c2 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1: \u03a4\u03b1 \u03c0\u03c1\u03cc\u03c3\u03c9\u03c0\u03b1 \u03c0\u03af\u03c3\u03c9 \u03b1\u03c0\u03cc \u03c4\u03bf\u03bd \u03c6\u03b1\u03ba\u03cc \/ Yiannis and Miltos Manakia: People Behind the Lens<\/i>. Edited by Silia Fasianou. Thessaloniki: Museum of the Macedonian Struggle \/ Liaison Office of Greece in Pristina \/ University of Macedonia Press, 2023. ISBN 978-618-5196-73-8. \u2014 <a href=\"https:\/\/archive.apan.gr\/en\/data\/accompanying-item\/31668\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b31\"><b>Garambliana, Stavroula.<\/b> <i>\u0394\u03b9\u03b1\u03c7\u03b5\u03af\u03c1\u03b9\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03c0\u03c1\u03bf\u03b2\u03bf\u03bb\u03ae \u03c4\u03b7\u03c2 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03bc\u03b9\u03ba\u03ae\u03c2 \u03ba\u03bb\u03b7\u03c1\u03bf\u03bd\u03bf\u03bc\u03b9\u03ac\u03c2 \u03c4\u03bf\u03c5 \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03bf\u03cd \u03ba\u03b1\u03b9 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03bf\u03cd \u03c6\u03b9\u03bb\u03bc: \u03b5\u03ba\u03b8\u03ad\u03c3\u03b5\u03b9\u03c2 \u03ba\u03b1\u03b9 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u03b3\u03b9\u03b1 \u03c4\u03bf \u03b1\u03c1\u03c7\u03b5\u03af\u03bf \u03c4\u03c9\u03bd \u03b1\u03b4\u03b5\u03c1\u03c6\u03ce\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1<\/i> [Management and promotion of photographic and cinematographic heritage: exhibitions and festivals for the Manakia archive]. MSc thesis, Hellenic Open University, 2024, 82 pp. \u2014 <a href=\"https:\/\/apothesis.eap.gr\/archive\/item\/214019\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b32\"><b>Gica, Alexandru, and Daniel M\u0103nescu.<\/b> <i>Istorii: Via\u021ba secret\u0103 a inspectorului Tacit (cu o suit\u0103 de fotografii Manakia)<\/i>. Bucharest: Editura Societ\u0103\u021bii Culturale Arom\u00e2ne, 2026. \u2014 <a href=\"https:\/\/www.mntr.ro\/w\/istorii-via%C8%9Ba-secret%C4%83-a-inspectorului-tacit-cu-o-suit%C4%83-de-fotografii-manakia-\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b33\"><b>Gjorgievski, Dimitar.<\/b> \u201c\u041a\u0430\u043c\u0435\u0440\u0430 300: \u041e\u0434 \u0440\u0430\u0431\u043e\u0442\u0438\u043b\u043d\u0438\u0446\u0430\u0442\u0430 \u043d\u0430 \u0410\u043b\u0444\u0440\u0435\u0434 \u0414\u0430\u0440\u043b\u0438\u043d\u0433 \u0438 \u0411\u0440\u0430\u0458\u0442\u043e\u043d\u0441\u043a\u0430\u0442\u0430 \u0448\u043a\u043e\u043b\u0430 \u0434\u043e \u0431\u0438\u0442\u043e\u043b\u0441\u043a\u043e\u0442\u043e \u0434\u0435\u043f\u043e\u201d [Camera 300: From Alfred Darling\u2019s workshop and the Brighton school to the Bitola repository]. <i>Makedonski Arhivist<\/i> 27, nos. 31\u201332 (2022): 81\u201390. \u2014 <a href=\"https:\/\/arhiv.mk\/wp-content\/uploads\/2023\/01\/Arhivist_2022-za-web.pdf\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b34\"><b>Grgi\u0107, Ana.<\/b> <i>Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans<\/i>. Amsterdam: Amsterdam University Press, 2022. \u2014 <a href=\"https:\/\/www.taylorfrancis.com\/books\/mono\/10.5117\/9789463728300\/early-cinema-modernity-visual-culture-ana-grgic\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b35\"><b>Grgi\u0107, Ana.<\/b> \u201c\u2018Regions of Unthought\u2019 \u2013 The Danger and the Freedom of Film Archiving and (Trans)national Film Heritage in the Balkans.\u201d <i>Studies in Eastern European Cinema<\/i> 11, no. 2 (2020): 119\u2013139. \u2014 <a href=\"https:\/\/doi.org\/10.1080\/2040350X.2019.1708046\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b36\"><b>Gu\u0161tin, Ma\u0161a.<\/b> \u201cThe Manaki Brothers: The Chroniclers of the \u2018Third\u2019 Europe.\u201d <i>Panoptikum<\/i> 30 (2023): 11\u201332. \u2014 <a href=\"https:\/\/czasopisma.bg.ug.edu.pl\/index.php\/panoptikum\/article\/view\/10194\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b37\"><b>Hadjievska, Ivana.<\/b> \u201c\u041f\u043e\u0441\u0442\u0430\u043f\u043a\u0430\u0442\u0430 \u0437\u0430 \u043f\u0440\u0435\u043f\u043e\u0437\u043d\u0430\u0432\u0430\u045a\u0435 \u043d\u0430 \u0430\u0440\u0445\u0438\u0432\u0441\u043a\u0438\u043e\u0442 \u043c\u0430\u0442\u0435\u0440\u0438\u0458\u0430\u043b \u043a\u0430\u043a\u043e \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0441\u0442\u0432\u043e \u043e\u0434 \u0438\u0441\u043a\u043b\u0443\u0447\u0438\u0442\u0435\u043b\u043d\u043e \u0437\u043d\u0430\u0447\u0435\u045a\u0435: \u0424\u043e\u043d\u0434 580 \u2018\u0411\u0440\u0430\u045c\u0430 \u041c\u0430\u043d\u0430\u043a\u0438 \u2013 \u0411\u0438\u0442\u043e\u043b\u0430 1853\u20131964\u2019 \u043a\u0430\u043a\u043e \u043f\u0440\u0432 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u0435\u043d \u0441\u043b\u0443\u0447\u0430\u0458\u201d [Recognizing archival material as cultural heritage: Fonds 580]. <i>Makedonski Arhivist<\/i> 27, nos. 31\u201332 (2022): 121\u2013128. \u2014 <a href=\"https:\/\/arhiv.mk\/wp-content\/uploads\/2023\/01\/Arhivist_2022-za-web.pdf\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b38\"><b>Ioannina regional educational institutions.<\/b> <i>\u039c\u03b5 \u03c4\u03bf \u03c6\u03b1\u03ba\u03cc \u03c4\u03c9\u03bd \u03b1\u03b4\u03b5\u03bb\u03c6\u03ce\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1 \/ \u00c0 travers l\u2019objectif des fr\u00e8res Manakia \/ With the Eyes of the Manakia Brothers<\/i>. Ioannina, 2010.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b40\"><b>Jankuloski, Robert.<\/b> <i>Manaki: Prikazna vo sliki \/ Une histoire en images \/ A Story in Pictures<\/i>. Skopje: Macedonian Centre for Photography, 2017.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b41\"><b>Kathimerini.<\/b> \u201c\u03a4\u03b1 \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1 \u03bc\u03b5 \u03c4\u03bf \u03b2\u03bb\u03ad\u03bc\u03bc\u03b1 \u03c4\u03c9\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1\u201d [The Balkans through the Manaki gaze]. <i>Epta Imeres<\/i>, special issue, 2 June 1996. \u2014 <a href=\"https:\/\/vlahoi.net\/prosopikotites\/ta-valkania-me-to-vlema-ton-manakia\">repost, vlahoi.net, 2018<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b42\"><b>Konstantinov, Goran.<\/b> \u201cBra\u1e31ata Mana\u1e31i za fizi\u010dkata kultura.\u201d <i>Zbornik na trudovi<\/i> 9 (1989): 69\u201371.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b43\"><b>Konstantinov, Pavle; Aleksandar Krstevski; B. Nonevski; M. Pan\u010devski; and Il. Petru\u0161eva.<\/b> <i>Bra\u1e31a Manaki: pioneri na filmot na Balkanot \/ Les fr\u00e8res Manaki: pionniers du cin\u00e9ma balkanique \/ The Manaki Brothers: Pioneers of Film-Making in the Balkans<\/i>. Skopje: Kinoteka na Socijalisti\u010dka Republika Makedonija, 1986.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b44\"><b>Konstantinov, Pavle.<\/b> <i>Bra\u1e31a Manaki: prilog kon nivniot \u017eivot i delo<\/i> [The Manaki brothers: a contribution to their life and work]. Skopje: Mlad Borec, 1982.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b45\"><b>Kosanovi\u0107, D., and V. Petkovski.<\/b> \u201cZboruvaat za Milton Manaki\u201d [Speaking about Milton Manaki]. <i>Kinote\u010den Mese\u010dnik<\/i> 15 (1979): 14\u201317.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b46\"><b>Krstevski, Aleksandar; Rade Siljan; and Alenka Lape (eds.).<\/b> <i>\u0422\u0432\u043e\u0440\u0435\u0448\u0442\u0432\u043e\u0442\u043e \u043d\u0430 \u0431\u0440\u0430\u045c\u0430\u0442\u0430 \u041c\u0430\u043d\u0430\u043a\u0438 \/ L\u2019oeuvre des fr\u00e8res Manaki \/ The Creation of the Brothers Manaki<\/i> [The creative work of the Manaki brothers]. Skopje: Arhiv na Makedonija \/ Matica makedonska, [1996].<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b47\"><b>Mademli, Geli.<\/b> \u201cA Boundary Archive: Mobilizing the Transnational Film Heritage of the Manakia Brothers.\u201d <i>The Moving Image<\/i> 23, no. 1 (2023, announced as forthcoming).<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b48\"><b>Mademli, Geli.<\/b> \u201cArchiving Balkan History: The Films of the Manakia Brothers.\u201d In <i>Visions of Identity: Global Film &amp; Media<\/i>, edited by Phillip Drummond, 152\u2013162. The London Film &amp; Media Reader 4. London: The London Symposium, 2016. \u2014 <a href=\"https:\/\/www.academia.edu\/44778217\/Archiving_Balkan_History_The_Films_of_the_Manakia_Brothers\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b49\"><b>Manakia, Ioan D.<\/b> <i>Albumul etnografic macedo-rom\u00e2n: tipuri, porturi \u0219i localit\u0103\u021bi ale arom\u00e2nilor<\/i>. Scholarly republication edited by Emil \u021a\u00eercomnicu. Bucharest: Editura Etnologic\u0103, 2024. ISBN 978-606-067-051-3. \u2014 <a href=\"https:\/\/bibnat.ro\/wp-content\/uploads\/2024\/05\/CIP-ianuarie_2024.pdf\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b50\"><b>Manaki, Leonid, interviewed by Tomislav Osmanli.<\/b> \u201cMilton osnovopolo\u017enik na na\u0161ata kinematografija.\u201d <i>Ekran<\/i> 14, no. 694 (2 March 1984): 42\u201344.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b51\"><b>Manojlovski, Aleksandar.<\/b> \u201c\u0411\u0438\u0442\u043e\u043b\u0441\u043a\u0438\u0442\u0435 \u0415\u0432\u0440\u0435\u0438 \u043d\u0438\u0437 \u0444\u043e\u0442\u043e\u043e\u0431\u0458\u0435\u043a\u0442\u0438\u0432\u043e\u0442 \u043d\u0430 \u0431\u0440\u0430\u045c\u0430\u0442\u0430 \u0408\u0430\u043d\u0430\u043a\u0438 \u0438 \u041c\u0438\u043b\u0442\u043e\u043d \u041c\u0430\u043d\u0430\u043a\u0438\u201d [Bitola Jews through the lens of the Manaki brothers]. <i>Glasnik<\/i> 63, nos. 1\u20132 (2019): 141\u2013161. \u2014 <a href=\"https:\/\/ini.ukim.edu.mk\/documents\/58\/INI_Glasnik_BR_63_01-2_2019.pdf\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b52\"><b>Margulies, Roni (ed.).<\/b> <i>Manast\u0131r\u2019da \u0130l\u00e2n-\u0131 H\u00fcrriyet, 1908\u20131909 \/ The Proclamation of Freedom in Manast\u0131r: Foto\u011fraf\u00e7\u0131 Manakis Biraderler \/ The Manakis Brothers<\/i>. Istanbul: Yap\u0131 Kredi Yay\u0131nlar\u0131, 1997.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b53\"><b>Mladenovski, S.<\/b> \u201cManaki Janaki\u201d and \u201cManaki Milton.\u201d In <i>Makedonska enciklopedija<\/i>, vol. 2 (2009): 907.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b54\"><b>Mystakidis, Sotiris.<\/b> \u201c\u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03ba\u03b1\u03b9 \u039c\u03af\u03bb\u03c4\u03bf\u03c2 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1\u03c2: \u0394\u03cd\u03bf \u03c0\u03c1\u03c9\u03c4\u03bf\u03c0\u03cc\u03c1\u03bf\u03b9 \u03c4\u03bf\u03c5 \u03b2\u03b1\u03bb\u03ba\u03b1\u03bd\u03b9\u03ba\u03bf\u03cd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5.\u201d <i>Makedoniki Zoi<\/i> 235 (December 1985): 43\u201346.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b55\"><b>Nollas, Kamilos.<\/b> \u201c\u039a\u03b9\u03b2\u03c9\u03c4\u03cc\u03c2 \u03b5\u03b9\u03ba\u03cc\u03bd\u03c9\u03bd: \u039c\u03b5 \u03b1\u03c6\u03bf\u03c1\u03bc\u03ae \u03c4\u03b1 \u03c0\u03ac\u03b8\u03b7 \u03c0\u03bf\u03c5 \u03b5\u03b3\u03b5\u03af\u03c1\u03b5\u03b9 \u03c4\u03bf \u03ad\u03c1\u03b3\u03bf \u03c4\u03c9\u03bd \u03b1\u03b4\u03b5\u03bb\u03c6\u03ce\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1.\u201d <i>Fotografos<\/i> 245 (January\u2013February 2017): 154.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b56\"><b>Todorovska, Denica, and Mirjana Topi\u1e31 (eds.).<\/b> <i>Kino Manaki \u2013 Bitola (1923\u20132003)<\/i>. Preface by Boris Nonevski. Skopje: Kinoteka na Makedonija, 2003.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b57\"><b>Osmanli, Tomislav.<\/b> \u201cKniga na predubeduvanja i protivre\u010dnosti: kon monografijata \u2018Bra\u1e31ata Manaki \u2013 gr\u010dkite pioneri na balkanskiot film\u2019 od Hristos K. Hristodulu.\u201d <i>Kinopis<\/i> 9, no. 17 (1997): 21\u201330.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b58\"><b>Osmanli, Tomislav.<\/b> \u201cMilton Manaki: Prviot kinematografski zograf na Balkanot.\u201d <i>Razgledi<\/i> 22, no. 4 (April 1980): 319\u2013328.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b59\"><b>Osmanli, Tomislav.<\/b> \u201cPrviot kinematografski zograf na Balkanot\u201d [The first cinematographic painter of the Balkans]. <i>Kinote\u010den Mese\u010dnik<\/i> 15 (1979): 6\u201313.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b60\"><b>\u00d6zen, Saadet.<\/b> \u201cBalkanlar\u0131n \u0130lk Sinemac\u0131lar\u0131 m\u0131? Manaki Biraderler.\u201d <i>Toplumsal Tarih<\/i> 219 (March 2012): 60\u201367.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b61\"><b>\u00d6zen, Saadet.<\/b> \u201cManakilerin Objektifinden H\u00fcrriyet.\u201d <i>Toplumsal Tarih<\/i> 220 (April 2012): 50\u201357.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b62\"><b>\u00d6zen, Saadet.<\/b> <i>Rethinking Young Turk Revolution: Manaki Brothers Still and Moving Images<\/i>. MA thesis, Bo\u011fazi\u00e7i University, Istanbul, 2010. \u2014 <a href=\"https:\/\/digitalarchive.library.bogazici.edu.tr\/handle\/123456789\/17594\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b63\"><b>Petru\u0161eva, Il.<\/b> \u201c\u0130lk T\u00fcrk filmini \u00e7eken sinemac\u0131lar.\u201d <i>Tombak<\/i> (November\u2013December 1994): 28\u201329.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b64\"><b>Petru\u0161eva, Il.<\/b> \u201cYanaki ve Milton Manaki karde\u015flerin 1911\u2019de \u00e7ekti\u011fi filmler.\u201d <i>Tombak<\/i> (March\u2013April 1995): 64\u201365.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b65\"><b>Popescu, Ioana.<\/b> <i>Prive\u0219te! Fra\u021bii Manakia<\/i>. <i>Martor<\/i>, vol. VI, supplement, 2001. Bucharest: Muzeul \u021a\u0103ranului Rom\u00e2n.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b66\"><b>Popescu, Ioana.<\/b> <i>Prive\u0219te! Fra\u021bii Manakia<\/i>. Second, revised edition. Bucharest: Editura Martor \/ Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n, 2013. \u2014 <a href=\"https:\/\/biblioteca-digitala.ro\/?pub=9903-priveste-fratii-manakia\">online (1)<\/a> \u00b7 <a href=\"https:\/\/sitevechi.muzeultaranuluiroman.ro\/books\/priveste-fratii-manakia-en.html\">online (2)<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b69\"><b>S\u0103vulescu, Constantin.<\/b> <i>Cronologia ilustrat\u0103 a fotografiei \u00een Rom\u00e2nia: perioada 1834\u20131916<\/i>. Bucharest, 1985.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b70\"><b>Saydam, Bar\u0131\u015f.<\/b> \u201cManaki Karde\u015fler: Balkanlar\u0131n Haf\u0131zas\u0131 \/ The Manaki Brothers: The Memory of the Balkans.\u201d In <i>Osmanl\u0131&#8217;da Sinematograf\u0131n Yolculu\u011fu (1895\u20131923) \/ The Cinematograph\u2019s Odyssey in the Ottoman Empire (1895\u20131923)<\/i>. Istanbul: K\u00fcre Yay\u0131nlar\u0131, 2020, pp. 74\u201387. ISBN 978-605-7646-44-6 (volume). \u2014 <a href=\"https:\/\/www.academia.edu\/49182386\/Manaki_Karde%C5%9Fler_Balkanlar%C4%B1n_Haf%C4%B1zas%C4%B1_The_Manaki_Brothers_The_Memory_of_the_Balkans\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b71\"><b>\u015eeyben, \u00d6zlem.<\/b> \u201cT\u00fcrkiye\u2019de \u0130lk Kez Manaki Karde\u015flerin \u00c7ekti\u011fi Filmler ve Foto\u011fraflar.\u201d <i>Sinemat\u00fcrk<\/i> 2 (2006): 22\u201329.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b72\"><b>Sidovska, Areti.<\/b> \u201cBra\u1e31ata Manaki i Bitola.\u201d <i>Zbornik na Trudovi<\/i> 15 (2004): 71\u201382.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b73\"><b>Siokis, Nikolaos D.<\/b> \u201c\u0399\u03c7\u03bd\u03b7\u03bb\u03b1\u03c4\u03ce\u03bd\u03c4\u03b1\u03c2 \u03c4\u03b9\u03c2 \u03c0\u03bf\u03bb\u03bb\u03b1\u03c0\u03bb\u03ad\u03c2 \u03c4\u03b1\u03c5\u03c4\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03c4\u03c9\u03bd \u03b1\u03b4\u03b5\u03bb\u03c6\u03ce\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1\u201d [Tracing the multiple identities of the Manakia brothers]. In <i>\u039f\u03b9 \u0392\u03bb\u03ac\u03c7\u03bf\u03b9 \u03c4\u03b7\u03c2 \u0395\u03bb\u03bb\u03ac\u03b4\u03b1\u03c2: \u03a4\u03b1\u03c5\u03c4\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03c4\u03b5\u03c1\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03c3\u03c4\u03bf\u03bd \u03c7\u03ce\u03c1\u03bf \u03ba\u03b1\u03b9 \u03c4\u03bf\u03bd \u03c7\u03c1\u03cc\u03bd\u03bf<\/i>, proceedings of the Kozani conference of 11\u201312 November 2022. Kozani: Scientific Society for the Study of Vlach Culture, 2024, pp. 289\u2013322. \u2014 <a href=\"https:\/\/eempvlachon.com\/wp-content\/uploads\/2024\/03\/289-322-%CE%A3%CE%99%CE%A9%CE%9A%CE%97%CE%A3.pdf\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b74\"><b>Stamatiou, Kostas.<\/b> \u201c\u0397 \u2018\u03b1\u03bd\u03b1\u03ba\u03ac\u03bb\u03c5\u03c8\u03b7\u2019 \u03c4\u03c9\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b7 \u03ba\u03b1\u03b9 \u03c4\u03bf \u03b1\u03bd\u03b5\u03be\u03cc\u03c6\u03bb\u03b7\u03c4\u03bf \u03b3\u03c1\u03b1\u03bc\u03bc\u03ac\u03c4\u03b9\u03bf.\u201d <i>O Paratiritis<\/i> 11\u201312 (March\u2013June 1989): 16\u201317.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b75\"><b>Stardelov, Igor.<\/b> \u201cBalkanskite \u2018slikari na svetlinata\u2019 vo temninata na istorijata.\u201d <i>Kinopis<\/i> 9, no. 17 (1997): 11\u201320.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b76\"><b>Stardelov, Igor.<\/b> \u201cFestival posveten na bra\u1e31ata Manaki: Balkanskite slikari na svetlinata.\u201d In Vl. Lj. Angelov (ed.), <i>40 IFFK Bra\u1e31a Manaki \/ ICFF Manaki Brothers<\/i>. Skopje, 2019, pp. 7\u201318.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b77\"><b>Stardelov, Igor, interviewed by Bur\u00e7ak Evren and Bar\u0131\u015f Saydam.<\/b> \u201cDirectors Who Changed the History of the Balkan [sic].\u201d <i>Hayal Perdesi<\/i> 37 (November\u2013December 2013): 128\u2013131.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b78\"><b>Stardelov, Igor.<\/b> \u201cMajstorot Mihajlo Zega: \u017eivotopis dostoen za istorija.\u201d <i>Kinopis<\/i> 2, no. 3 (1990): 12\u201320.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b79\"><b>Stardelov, Igor.<\/b> \u201cPreservation of Manaki Brothers Film Heritage.\u201d <i>Journal of Film Preservation<\/i> 54 (1997): 27\u201330.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b80\"><b>Stardelov, Igor.<\/b> \u201cTrajna za\u0161tita na filmskoto nasledstvo na bra\u1e31ata Manaki.\u201d <i>Kinopis<\/i> 9, no. 17 (1997): 39\u201344.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b81\"><b>Stardelov, Igor.<\/b> <i>\u041c\u0430\u043d\u0430\u043a\u0438 \/ Manaki<\/i>. Skopje: Kinoteka na Makedonija, 2003. \u2014 <a href=\"https:\/\/kinoteka.mk\/wp-content\/uploads\/2020\/05\/%D0%9C%D0%90%D0%9D%D0%90%D0%9A%D0%98-%D0%98%D0%B3%D0%BE%D1%80-%D0%A1%D1%82%D0%B0%D1%80%D0%B4%D0%B5%D0%BB%D0%BE%D0%B2.pdf\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b82\"><b>Stojanovski, Goce; Marija Durlova; Dimitar Gjorgievski; and Ivana Had\u017eievska.<\/b> <i>Bitolski arhivski hronotop: 70 godini Arhiv Bitola<\/i> [Bitola\u2019s archival chronotope: 70 years of the Bitola Archive]. Skopje: State Archives of the Republic of North Macedonia, 2024. 169 pp. ISBN 978-608-4900-40-5. \u2014 <a href=\"https:\/\/arhiv.gov.mk\/\u043f\u0443\u0431\u043b\u0438\u043a\u0443\u0432\u0430\u045a\u0435\/\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b83\"><b>Stojanovski, Goce; Marija Durlova; and Dimitar Gjorgievski.<\/b> \u201c\u0417\u0430\u0441\u0442\u0430\u043d\u0430\u0442\u043e \u0432\u0440\u0435\u043c\u0435: \u0427\u0443\u0432\u0430\u0458\u045c\u0438 \u0458\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0430\u0442\u0430 \u043e\u0441\u0442\u0430\u0432\u0438\u043d\u0430 \u043d\u0430 \u0431\u0440\u0430\u045c\u0430\u0442\u0430 \u041c\u0430\u043d\u0430\u043a\u0438\u201d [Time Stands Still: Preserving the Manaki brothers\u2019 photographic legacy]. <i>Makedonski Arhivist<\/i> 27, nos. 31\u201332 (2022): 117\u2013120. \u2014 <a href=\"https:\/\/arhiv.mk\/wp-content\/uploads\/2023\/01\/Arhivist_2022-za-web.pdf\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b84\"><b>Stojanovski, Goce; Marija Durlova; Dimitar Gjorgievski; and Ivana Hadjievska.<\/b> <i>140 godini od ra\u01f5anjeto na Milton Manaki (1882\u20132022)<\/i> [140 years since Milton Manaki&#8217;s birth]. Bitola: State Archives of North Macedonia, Bitola Department, 2022.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b85\"><b>\u021a\u00eercomnicu, Emil.<\/b> \u201cCoresponden\u021ba lui Jean Voinescu cu Societatea de Cultur\u0103 Macedo-Rom\u00e2n\u0103 \u00een leg\u0103tur\u0103 cu achizi\u021bia albumului \u2018Macedonia\u2019.\u201d In Elena Rodica Colta (ed.), <i>Istorie, cultur\u0103, identitate<\/i>. Bucharest: Editura Etnologic\u0103, 2020, pp. 253\u2013266.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b86\"><b>\u021a\u00eercomnicu, Emil.<\/b> \u201cDocumente referitoare la <i>Albumul etnografic macedo-rom\u00e2n. Tipuri, porturi \u0219i localit\u0103\u021bi ale arom\u00e2nilor<\/i>, publicat de Ianaki Manakia la Paris \u00een anul 1907.\u201d <i>Anuarul Institutului de Etnografie \u0219i Folclor<\/i>, new series 30 (2019): 213\u2013229.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b87\"><b>\u021a\u00eercomnicu, Emil.<\/b> \u201cDocumente referitoare la dosarul de pensionar al lui Ioan D. Manakia.\u201d In Adina Stoicescu (ed.), <i>Racursiuri etnologice: In honorem Silviu Angelescu<\/i>. Bucharest: Editura Universit\u0103\u021bii din Bucure\u0219ti, 2020, pp. 181\u2013195.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b88\"><b>\u021a\u00eercomnicu, Emil (ed.).<\/b> <i>Ioan D. Manakia \u00een documente din arhiva Societ\u0103\u021bii de Cultur\u0103 Macedo-Rom\u00e2n\u0103 (1906\u20131948)<\/i>. Bucharest: Editura Etnologic\u0103, 2024. ISBN 978-606-067-052-0. \u2014 <a href=\"https:\/\/bibnat.ro\/wp-content\/uploads\/2024\/05\/CIP-ianuarie_2024.pdf\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b89\"><b>\u021au\u021bui, Marian.<\/b> <i>Fra\u021bii Manakia sau Balcanii mi\u0219c\u0103tori \/ Manakia Bros or the Moving Balkans<\/i>. Bucharest: Arhiva Na\u021bional\u0103 de Filme, 2004.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b90\"><b>\u021au\u021bui, Marian.<\/b> <i>Fra\u021bii Manakia \u0219i imaginea Balcanilor<\/i>. Bucharest: Arhiva Na\u021bional\u0103 de Filme \/ Noi Media Print, 2009. 239 pp. ISBN 978-973-1805-59-7. \u2014 <a href=\"https:\/\/www.fiafnet.org\/images\/tinyUpload\/Publications\/FIAF-Bookshop\/Affiliates-publications\/Bibliographie_2009.pdf\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b91\"><b>\u021au\u021bui, Marian.<\/b> \u201cNovi fakti za vrskite na bra\u1e31ata Manaki so Romanija.\u201d <i>Kinopis<\/i> 9, no. 17 (1997): 31\u201338.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b92\"><b>\u021au\u021bui, Marian.<\/b> \u201cThe Visual Heritage of Manakia Bros. in the Balkan Countries.\u201d Paper presented in Istanbul, November 2017. \u2014 <a href=\"https:\/\/www.academia.edu\/37115198\/The_Visual_Heritage_of_Manakia_Bros_in_the_Balkan_Countries_docx\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b93\"><b>Tziolas, Alexandros.<\/b> <i>\u0397 \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03bc\u03c0\u03c1\u03bf\u03c3\u03c4\u03ac \u03c3\u03c4\u03bf \u03c6\u03b1\u03ba\u03cc \u03c4\u03bf\u03c5 \u0393\u03b9\u03ac\u03bd\u03bd\u03b7 \u03ba\u03b1\u03b9 \u039c\u03af\u03bb\u03c4\u03bf\u03c5 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1: \u0399\u03c9\u03ac\u03bd\u03bd\u03b9\u03bd\u03b1, \u03a0\u03af\u03bd\u03b4\u03bf\u03c2, \u039c\u03bf\u03bd\u03b1\u03c3\u03c4\u03ae\u03c1\u03b9, \u0393\u03c1\u03b5\u03b2\u03b5\u03bd\u03ac, \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7<\/i> [History before the lens of Giannis and Miltos Manakia]. Periodiko Diavlos, 2017. \u2014 <a href=\"https:\/\/www.vlahoi.net\/bookreviews\/i-istoria-mprosta-sto-fako-ton-adelfon-manakia\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b94\"><b>Weigand, Gustav.<\/b> <i>Rum\u00e4nen und Aromunen in Bulgarien<\/i>. Leipzig: J. A. Barth, 1907. \u2014 <a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=wu.89038394425\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b95\"><b>Williams, Bruce.<\/b> \u201cThe Roots of Cinema in Albania: The Ottoman Period, Independence, and the Fascist Occupation.\u201d In <i>Albanian Cinema through the Fall of Communism: Silver Screens and Red Flags<\/i>. Amsterdam: Amsterdam University Press, 2023, especially the discussion of the Manakia brothers. \u2014 <a href=\"https:\/\/www.cambridge.org\/core\/books\/albanian-cinema-through-the-fall-of-communism\/roots-of-cinema-in-albania-the-ottoman-period-independence-and-the-fascist-occupation\/0EA892CCDBA5BFB742A675EADC2B07FA\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b96\"><b>Hoxha, Abaz [name sometimes given as Abaz Hoxha].<\/b> <i>Arti i shtat\u00eb n\u00eb Shqip\u00ebri<\/i> [The seventh art in Albania]. Tirana: Albin, 1994.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b97\"><b>Zdraveva-Mareti\u0107, Zdravka.<\/b> \u201cTipovi na svetilki vo Bitola (spored fondot na Milton Manaki).\u201d <i>Zbornik na trudovi<\/i> 4\u20135 (1983\u201384): 99\u2013108. Bitola: Zavod za za\u0161tita na spomenicite na kulturata, prirodnite retkosti, muzej i galerija. \u2014 <a href=\"https:\/\/muzejbitola.mk\/zbornik-4-5\/\">online<\/a><\/p>\n<h2 data-k=\"f0\">Films and film editions<\/h2>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b10\"><b>Angelopoulos, Theo (dir.).<\/b> <i>To Vlemma tou Odyssea \/ Ulysses\u2019 Gaze<\/i>, 1995.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b18\"><b>Cinematheque of North Macedonia.<\/b> <i>Brothers Milton and Janaki Manaki<\/i>, archival-film DVD edition, 70 minutes, 42 film records. \u2014 <a href=\"https:\/\/kinoteka.mk\/en\/brothers-milton-and-janaki-manaki\/\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b39\"><b>Jankuloski, Robert (dir.).<\/b> <i>\u041c\u0430\u043d\u0430\u043a\u0438: \u041f\u0440\u0438\u043a\u0430\u0437\u043d\u0430 \u0432\u043e \u0441\u043b\u0438\u043a\u0438 \/ Manaki: A Story in Pictures<\/i>, 2019.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b67\"><b>Ranitovi\u0107, Branko (dir.).<\/b> <i>Kamera broj 300 \/ Camera No. 300<\/i>, 1958.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b68\"><b>Ruka, Petrit (dir.).<\/b> <i>Homer\u00ebt e filmit ballkanik: v\u00ebllez\u00ebrit Manaqi<\/i> [The Homers of Balkan film: the Manaki brothers], 2011.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b98\"><b>Zdru, Eliza (dir.).<\/b> <i>Fra\u021bii Manakia. Jurnalul unei lungi priviri \u00eenapoi \/ The Manakia Brothers. Diary of a Long Look Back<\/i>. Saga Film, 2016. \u2014 <a href=\"https:\/\/www.bombfilm.ro\/2025\/03\/15\/the-manakia-brothers-diary-of-a-long-look-back\/\">online<\/a><\/p>\n<h2 data-k=\"b99\">Contextual and comparative works<\/h2>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b100\"><b>Chernenko, Miron.<\/b> <i>Makedonskiot film<\/i>. Skopje: Kinoteka na Makedonija, 1997.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b101\"><b>Corciovescu, Cristina, and Bujor T. R\u00eepeanu (coord.).<\/b> <i>Secolul cinematografului: mic\u0103 enciclopedie a cinematografiei universale<\/i>. Bucharest: Editura \u0218tiin\u021bific\u0103 \u0219i Enciclopedic\u0103, 1989.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b102\"><b>H\u00e2ciu, Anastase.<\/b> <i>Arom\u00e2nii: comer\u021b, industrie, arte, expansiune, civiliza\u021bie<\/i>. Foc\u0219ani, 1936.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b103\"><b>Kaya, Dilek.<\/b> \u201cK\u0131r\u0131k Bir \u0130lk Hik\u00e2yesi: T\u00fcrk Sinemas\u0131n\u0131n 100. Y\u0131l\u0131na Dair.\u201d <i>Sinecine<\/i> 5, no. 2 (2014): 113\u2013120. \u2014 <a href=\"https:\/\/dergipark.org.tr\/tr\/pub\/sinecine\/article\/540835\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b104\"><b>Lako, Natasha.<\/b> \u201cIgrata na albanskata filmska slika (1895\u20131945).\u201d In J. Vladova and B. Nonevski (eds.), <i>Razvojot i proniknuvanjeto na balkanskite nacionalni kinematografii vo periodot od 1895 do 1945 godina<\/i>. Skopje: Kinoteka na Makedonija, 2003, pp. 192\u2013223. \u2014 <a href=\"https:\/\/epa.hu\/00300\/00375\/00001\/lako_albanian.htm\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b105\"><b>Lascu, Stoica, Marian Zidaru, and George Lascu.<\/b> <i>Rom\u00e2nii balcanici (arom\u00e2nii \u0219i meglenorom\u00e2nii) \u00een Arhivele Na\u021bionale Britanice (1850\u20131950)<\/i>. Bucharest: Editura Etnologic\u0103, 2016.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b106\"><b>Nikopoulos, E.<\/b> <i>\u0393\u03c1\u03b5\u03b2\u03b5\u03bd\u03ac: \u039f\u03b3\u03b4\u03cc\u03bd\u03c4\u03b1 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b5\u03c2, 1895\u20131975<\/i>. Grevena, 2012.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b107\"><b>Vladova, Jadranka, and Boris Nonevski (eds.).<\/b> <i>Razvojot i proniknuvanjeto na balkanskite nacionalni kinematografii vo periodot od 1895 do 1945 godina \/ The Development and the Permeating of the Balkan National Cinematographies in the Period from 1895 to 1945<\/i>. Skopje: Kinoteka na Makedonija, 2003.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b108\"><b>\u00d6zuyar, Ali.<\/b> <i>Sessiz D\u00f6nem T\u00fcrk Sinema Tarihi (1895\u20131922)<\/i>. Istanbul: Yap\u0131 Kredi Yay\u0131nlar\u0131, 2017.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b109\"><b>Rouvas, Angelos, and Christos Stathakopoulos.<\/b> <i>\u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03cc\u03c2 \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2: \u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1, \u03c6\u03b9\u03bb\u03bc\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1, \u03b2\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ac<\/i>, vol. 1, 1905\u20131970. Athens: Ellinika Grammata, 2005, pp. 8\u201311.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b110\"><b>Tren\u010dovski, G.<\/b> <i>Orbis Pictus: Makedonskata filmska i TV-re\u017eija i drugi tekstovi<\/i>. Skopje: Magor, 2001.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b111\"><b>\u021au\u021bui, Marian.<\/b> <i>Orient Express: filmul rom\u00e2nesc \u0219i filmul balcanic<\/i>. Bucharest: Noi Media Print, 2008, especially pp. 111\u2013126.<\/p>\n<h2 data-k=\"c0\">Aromanians and the Balkans: background reading<\/h2>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c1\"><b>Caragiu Mario\u021beanu, Matilda.<\/b> <i>Compendiu de dialectologie rom\u00e2n\u0103 (nord- \u0219i sud-dun\u0103rean\u0103)<\/i>. Bucharest: Editura \u0218tiin\u021bific\u0103 \u0219i Enciclopedic\u0103, 1975.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c2\"><b>Caragiu Mario\u021beanu, Matilda.<\/b> <i>Fono-morfologie arom\u00e2n\u0103: studiu de dialectologie structural\u0103<\/i>. Bucharest: Editura Academiei Republicii Socialiste Rom\u00e2nia, 1968.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c3\"><b>H\u00e2ciu, Anastase N.<\/b> <i>Arom\u00e2nii: comer\u021b, industrie, arte, expansiune, civiliza\u021bie<\/i>. Foc\u0219ani: Tipografia \u201eCartea Putnei\u201d, 1936.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c4\"><b>Kahl, Thede.<\/b> <i>Ethnizit\u00e4t und r\u00e4umliche Verteilung der Aromunen in S\u00fcdosteuropa<\/i>. M\u00fcnstersche Geographische Arbeiten 43. M\u00fcnster: Institut f\u00fcr Geographie der Westf\u00e4lischen Wilhelms-Universit\u00e4t, 1999.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c5\"><b>Koukoudis, Asterios I.<\/b> <i>The Vlachs: Metropolis and Diaspora<\/i>. Translated by Deborah Whitehouse. Thessaloniki: Zitros, 2003.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c6\"><b>Leake, William Martin.<\/b> <i>Travels in Northern Greece<\/i>. 4 vols. London: J. Rodwell, 1835.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c15\"><b>Nicolau, Irina.<\/b> <i>Haide, bre! Incursiune subiectiv\u0103 \u00een lumea arom\u00e2nilor<\/i>. Published together with <i>Talme\u0219-balme\u0219 de etnologie \u0219i multe altele<\/i>. Bucharest: Ars Docendi, 2007.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c7\"><b>Peyfuss, Max Demeter.<\/b> <i>Die aromunische Frage: ihre Entwicklung von den Urspr\u00fcngen bis zum Frieden von Bukarest (1913) und die Haltung \u00d6sterreich-Ungarns<\/i>. Vienna: B\u00f6hlau, 1974.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c8\"><b>Peyfuss, Max Demeter.<\/b> <i>Chestiunea arom\u00e2neasc\u0103: evolu\u021bia ei de la origini p\u00e2n\u0103 la Pacea de la Bucure\u0219ti (1913) \u0219i pozi\u021bia Austro-Ungariei<\/i>. Translated by Nicolae-\u0218erban Tana\u0219oca. Bucharest: Editura Enciclopedic\u0103, 1994.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c9\"><b>Pouqueville, F. C. H. L.<\/b> <i>Voyage en Mor\u00e9e, \u00e0 Constantinople, en Albanie, et dans plusieurs autres parties de l\u2019Empire othoman, pendant les ann\u00e9es 1798, 1799, 1800 et 1801<\/i>. 3 vols. Paris: Gabon, 1805.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c10\"><b>Pouqueville, F. C. H. L.<\/b> <i>Voyage dans la Gr\u00e8ce<\/i>. 5 vols. Paris: Firmin Didot, 1820\u20131821.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c11\"><b>Wace, A. J. B., and M. S. Thompson.<\/b> <i>The Nomads of the Balkans: An Account of Life and Customs among the Vlachs of Northern Pindus<\/i>. London: Methuen, 1914.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c12\"><b>Weigand, Gustav.<\/b> <i>Die Aromunen: ethnographisch-philologisch-historische Untersuchungen \u00fcber das Volk der sogenannten Makedo-Romanen oder Zinzaren<\/i>. 2 vols. Leipzig: J. A. Barth, 1894\u20131895.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c13\"><b>Winnifrith, Tom.<\/b> <i>The Vlachs: The History of a Balkan People<\/i>. London: Duckworth, 1987.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"c14\"><b>Winnifrith, Tom.<\/b> <i>Shattered Eagles: Balkan Fragments<\/i>. London: Duckworth, 1995.<\/p>\n<h2 data-k=\"b112\">Primary sources<\/h2>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b113\"><b>A. Karamitsos International Auctions.<\/b> \u201cLot 08892: \u0391\u03b4\u03b5\u03bb\u03c6\u03bf\u03af \u039c\u03b1\u03bd\u03ac\u03ba\u03b7 \u03c0. 1916\u201d [Manakia brothers, c. 1916]. \u2014 <a href=\"https:\/\/www.karamitsos.com\/el\/product\/lot-08892-8\/\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b114\"><b>Burada, T. T.<\/b> <i>Cercet\u0103ri despre \u0219coalele rom\u00e2ne\u0219ti din Turcia<\/i>. Bucharest, 1890.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b115\"><b>Cordescu, M.-V.<\/b> <i>Istoricul \u0219coalelor rom\u00e2ne din Turcia, Sofia \u0219i Turtucaia din Bulgaria \u0219i al seminariilor de limba rom\u00e2n\u0103 din Lipsca, Viena \u0219i Berlin<\/i>. Bucharest, 1906.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b116\"><b>Istanbul M\u00fczayede.<\/b> <i>58. M\u00fczayede (Online)<\/i>, lot 71, \u201cResneli Niyazi Bey Resne \u0130nk\u0131lab Mektebi Talebeleriyle Birlikte Foto\u011fraf.\u201d \u2014 <a href=\"https:\/\/www.istanbulmuzayede.com\/en\/auction\/5375\/58-muzayede-online\/page\/2?tagId=5190\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b117\"><b><i>Lumina<\/i><\/b> (Aromanian\/Romanian periodical), October 1905, no. 10.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b118\"><b>Manakia, Ioan D.<\/b> <i>Albumul etnografic macedo-rom\u00e2n: tipuri, porturi \u0219i localit\u0103\u021bi ale arom\u00e2nilor<\/i>. Paris, 1907.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b119\"><b><i>Rumeli<\/i><\/b> (Ottoman newspaper), 2 July 1911.<\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b120\"><b><i>Universul<\/i><\/b> (Bucharest), issues 61 (4 March 1903), 76 (19 March 1903), and 77 (20 March 1903). \u2014 <a href=\"https:\/\/www.academia.edu\/37115198\/The_Visual_Heritage_of_Manakia_Bros_in_the_Balkan_Countries_docx\">online<\/a><\/p>\n<p style=\"padding-left:1.4em;text-indent:-1.4em\" data-k=\"b121\"><b><i>Yeni \u0130kdam<\/i><\/b> (Ottoman newspaper), 9 July 1911.<\/p>\n\n<h2 data-k=\"b122\">Online resources<\/h2>\n\n<ul>\n<li data-k=\"b124\"><a href=\"https:\/\/eap.bl.uk\/project\/EAP1470\">British Library, Endangered Archives Programme, EAP1470<\/a>: digital catalogue of selected images and archival units; project DOI <a href=\"https:\/\/doi.org\/10.15130\/EAP1470\">10.15130\/EAP1470<\/a>.<\/li><li data-k=\"b125\"><a href=\"https:\/\/arhiv.gov.mk\/\">State Archives of North Macedonia<\/a>, Bitola Department: custodian of the brothers\u2019 <b>Fonds 580<\/b>.<\/li><li data-k=\"b126\"><a href=\"https:\/\/kinoteka.mk\/filmski-arhiv\/\">Cinematheque of North Macedonia, film archive<\/a>: film elements and authorised digital copies.<\/li><li data-k=\"b127\"><a href=\"https:\/\/kinoteka.mk\/en\/chronologija\/\">Cinematheque chronology<\/a>: the <b>conventional<\/b> dates.<\/li><li data-k=\"b128\"><a href=\"https:\/\/arhiva.muzeultaranuluiroman.ro\/colectia\/fratii-manakia\">MN\u021aR Ethnological Image Archive: Manakia collection<\/a>: a digitised sample with object-level identifiers; it does not cover the whole collection.<\/li><li data-k=\"b129\"><a href=\"https:\/\/www.mntr.ro\/\">National Museum of the Romanian Peasant, Bucharest<\/a>: collections, catalogues and exhibition publications.<\/li><li data-k=\"b130\"><a href=\"https:\/\/imma.edu.gr\/en\/events\/imma-in-florina\/\">Museum of the Macedonian Struggle, Thessaloniki<\/a>: exhibition materials linked to the Leonidas Manakis photographic collection.<\/li><li data-k=\"b131\"><a href=\"https:\/\/www.vlahoi.net\/bookreviews\/i-istoria-mprosta-sto-fako-ton-adelfon-manakia\">Vlahoi.net<\/a>, a Greek Aromanian portal: book reviews and reprints of historical material. Its political and national statements are to be read critically.<\/li><li data-k=\"b132\"><a href=\"https:\/\/openaccess.osmaniye.edu.tr\/items\/b26ea43f-138f-426b-adc4-0442b0d71500\">Turkish thesis repository, Osmaniye Korkut Ata University<\/a>, open access to the 2024 Manaki thesis.<\/li><li data-k=\"b133\"><a href=\"https:\/\/apothesis.eap.gr\/archive\/item\/214019\">Hellenic Open University research repository<\/a>, 2024 thesis on the archive&#8217;s cultural management.<\/li><li data-k=\"b134\"><a href=\"https:\/\/bibnat.ro\/\">Romanian National Library<\/a>, bibliographic confirmation for recent Romanian editions.<\/li><li data-k=\"b135\"><a href=\"\/journal\/\"><i>Beyond Yesterday<\/i>, Journal<\/a>: C\u0103t\u0103lin D. Constantin\u2019s archival findings and field visual research.<\/li><li data-k=\"b136\"><a href=\"https:\/\/www.karamitsos.com\/el\/product\/lot-08892-8\/\">Karamitsos auction catalogue<\/a> and <a href=\"https:\/\/www.istanbulmuzayede.com\/en\/auction\/5375\/58-muzayede-online\/page\/2?tagId=5190\">Istanbul M\u00fczayede, Resneli Niyazi lots<\/a>: original photographs or attributed prints that appeared outside museum collections. Catalogue descriptions remain the sellers\u2019 claims.<\/li>\n<\/ul>\n\n\n<h2 data-k=\"b139\">Notes on the bibliography<\/h2>\n<p data-k=\"b140\">The bibliography will keep growing. Some older periodical references were taken over from Nikolaos Siokis (2024, pp. 314\u2013322), from the references in Gu\u0161tin (2023) and from \u021au\u021bui\u2019s earlier comparative work. They are working references, taken over as they stand; the originals have not been consulted directly.<\/p>\n<\/div><div class=\"rnav\"><a href=\"\/research\/rephotography\/\" data-k=\"nvrephotography\">Rephotography<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/aromanians\/\" data-k=\"nvaromanians\">The Aromanians<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/field-method\/\" data-k=\"nvfield-method\">Field Method<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/how-to-cite\/\" data-k=\"nvhow-to-cite\">How to Cite<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/gazetteer\/\" data-k=\"nvgazetteer\">Gazetteer<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/film-chronology\/\" data-k=\"nvfilm-chronology\">Film Chronology<\/a> &nbsp;\u00b7&nbsp; <b>Bibliography<\/b> &nbsp;\u00b7&nbsp; <a href=\"\/research\/archives\/\" data-k=\"nvarchives\">Archival Sources<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/papers\/\" data-k=\"nvpapers\">Research Papers<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/methods\/\" data-k=\"nvmethods\">Methods &amp; Debates<\/a><\/div><a href=\"\/research\/rephotography\/\" data-k=\"nvrephotography\">Rephotography<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/aromanians\/\" data-k=\"nvaromanians\">The Aromanians<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/field-method\/\" data-k=\"nvfield-method\">Field Method<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/how-to-cite\/\" data-k=\"nvhow-to-cite\">How to Cite<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/gazetteer\/\" data-k=\"nvgazetteer\">Gazetteer<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/film-chronology\/\" data-k=\"nvfilm-chronology\">Film Chronology<\/a> &nbsp;\u00b7&nbsp; <b data-k=\"nvbibliography\">Bibliography<\/b> &nbsp;\u00b7&nbsp; <a href=\"\/research\/archives\/\" data-k=\"nvarchives\">Archival Sources<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/papers\/\" data-k=\"nvpapers\">Research Papers<\/a> &nbsp;\u00b7&nbsp; <a href=\"\/research\/methods\/\" data-k=\"nvmethods\">Methods &amp; Debates<\/a><\/div><\/div><\/div>\n<script id=\"rsI18N\" type=\"application\/json\">{\"ro\":{\"t\":\"Bibliografie\",\"l\":\"O bibliografie \u00een lucru a temei: c\u0103r\u021bi, articole, teze, filme, pres\u0103 \u0219i surse online, \u00een limbile \u00een care exist\u0103.\",\"bc\":\"Cercetare\",\"b140\":\"Bibliografia va continua s\u0103 creasc\u0103. C\u00e2teva referin\u021be mai vechi din periodice au fost preluate din Nikolaos Siokis (2024, pp. 314\u2013322), din referin\u021bele lui Gu\u0161tin (2023) \u0219i din lucr\u0103rile comparative mai vechi ale lui \u021au\u021bui. Sunt referin\u021be de lucru, preluate ca atare; originalele nu au fost consultate direct.\",\"b139\":\"Note despre bibliografie\",\"b136\":\"<a href=\\\"https:\/\/www.karamitsos.com\/el\/product\/lot-08892-8\/\\\">Catalogul de licita\u021bie Karamitsos<\\\/a> \u0219i <a href=\\\"https:\/\/www.istanbulmuzayede.com\/en\/auction\/5375\/58-muzayede-online\/page\/2?tagId=5190\\\">Istanbul M\u00fczayede, loturile Resneli Niyazi<\\\/a>: fotografii originale sau copii atribuite, ap\u0103rute \u00een afara colec\u021biilor muzeale. Descrierile din catalog r\u0103m\u00e2n afirma\u021bii ale v\u00e2nz\u0103torilor.\",\"b135\":\"<a href=\\\"\/journal\/\\\"><i>Dincolo de ieri<\\\/i>, Jurnal<\\\/a>: constat\u0103rile de arhiv\u0103 \u0219i cercetarea vizual\u0103 de teren ale lui C\u0103t\u0103lin D. Constantin.\",\"b134\":\"<a href=\\\"https:\/\/bibnat.ro\/\\\">Biblioteca Na\u021bional\u0103 a Rom\u00e2niei<\\\/a>: confirmarea bibliografic\u0103 a edi\u021biilor rom\u00e2ne\u0219ti recente.\",\"b133\":\"<a href=\\\"https:\/\/apothesis.eap.gr\/archive\/item\/214019\\\">Repozitoriul de cercetare al Universit\u0103\u021bii Deschise Elene<\\\/a>: teza din 2024 despre gestionarea cultural\u0103 a arhivei.\",\"b132\":\"<a href=\\\"https:\/\/openaccess.osmaniye.edu.tr\/items\/b26ea43f-138f-426b-adc4-0442b0d71500\\\">Repozitoriul de teze din Turcia, Universitatea Osmaniye Korkut Ata<\\\/a>: acces deschis la teza din 2024 despre Manaki.\",\"b131\":\"<a href=\\\"https:\/\/www.vlahoi.net\/bookreviews\/i-istoria-mprosta-sto-fako-ton-adelfon-manakia\\\">Vlahoi.net<\\\/a>, portal arom\u00e2n grecesc: recenzii de c\u0103r\u021bi \u0219i retip\u0103riri de materiale istorice. Afirma\u021biile lui politice \u0219i na\u021bionale se citesc cu spirit critic.\",\"b130\":\"<a href=\\\"https:\/\/imma.edu.gr\/en\/events\/imma-in-florina\/\\\">Muzeul Luptei Macedonene, Salonic<\\\/a>: materiale de expozi\u021bie legate de colec\u021bia fotografic\u0103 Leonidas Manakis.\",\"b129\":\"<a href=\\\"https:\/\/www.mntr.ro\/\\\">Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n, Bucure\u0219ti<\\\/a>: colec\u021bii, cataloage \u0219i publica\u021bii de expozi\u021bie.\",\"b128\":\"<a href=\\\"https:\/\/arhiva.muzeultaranuluiroman.ro\/colectia\/fratii-manakia\\\">Arhiva de Imagine Etnologic\u0103 a MN\u021aR: colec\u021bia Manakia<\\\/a>: un e\u0219antion digitalizat, cu identificatori la nivel de obiect; nu acoper\u0103 \u00eentreaga colec\u021bie.\",\"b127\":\"<a href=\\\"https:\/\/kinoteka.mk\/en\/chronologija\/\\\">Cronologia Cinematecii<\\\/a>: datele <b>conven\u021bionale<\\\/b>.\",\"b126\":\"<a href=\\\"https:\/\/kinoteka.mk\/filmski-arhiv\/\\\">Cinemateca Macedoniei de Nord, arhiva de film<\\\/a>: elemente de film \u0219i copii digitale autorizate.\",\"b125\":\"<a href=\\\"https:\/\/arhiv.gov.mk\/\\\">Arhivele Statului din Macedonia de Nord<\\\/a>, Filiala Bitola: custodele <b>Fondului 580<\\\/b> al fra\u021bilor.\",\"b124\":\"<a href=\\\"https:\/\/eap.bl.uk\/project\/EAP1470\\\">Biblioteca Britanic\u0103, Programul pentru Arhive Pe Cale de Dispari\u021bie, EAP1470<\\\/a>: catalog digital cu imagini \u0219i unit\u0103\u021bi de arhiv\u0103 selectate; DOI-ul proiectului: <a href=\\\"https:\/\/doi.org\/10.15130\/EAP1470\\\">10.15130\/EAP1470<\\\/a>.\",\"b122\":\"Resurse online\",\"b121\":\"<b><i>Yeni \u0130kdam<\\\/i><\\\/b> (ziar otoman), 9 iulie 1911.\",\"b120\":\"<b><i>Universul<\\\/i><\\\/b> (Bucure\u0219ti), numerele 61 (4 martie 1903), 76 (19 martie 1903) \u0219i 77 (20 martie 1903). \u2014 <a href=\\\"https:\/\/www.academia.edu\/37115198\/The_Visual_Heritage_of_Manakia_Bros_in_the_Balkan_Countries_docx\\\">online<\\\/a>\",\"b119\":\"<b><i>Rumeli<\\\/i><\\\/b> (ziar otoman), 2 iulie 1911.\",\"b118\":\"<b>Manakia, Ioan D.<\\\/b> <i>Albumul etnografic macedo-rom\u00e2n: tipuri, porturi \u0219i localit\u0103\u021bi ale arom\u00e2nilor<\\\/i>. Paris, 1907.\",\"b117\":\"<b><i>Lumina<\\\/i><\\\/b> (periodic arom\u00e2n \u0219i rom\u00e2nesc), octombrie 1905, nr. 10.\",\"b116\":\"<b>Istanbul M\u00fczayede.<\\\/b> <i>58. M\u00fczayede (Online)<\\\/i>, lot 71, \u201eResneli Niyazi Bey Resne \u0130nk\u0131lab Mektebi Talebeleriyle Birlikte Foto\u011fraf.\u201d \u2014 <a href=\\\"https:\/\/www.istanbulmuzayede.com\/en\/auction\/5375\/58-muzayede-online\/page\/2?tagId=5190\\\">online<\\\/a>\",\"b115\":\"<b>Cordescu, M.-V.<\\\/b> <i>Istoricul \u0219coalelor rom\u00e2ne din Turcia, Sofia \u0219i Turtucaia din Bulgaria \u0219i al seminariilor de limba rom\u00e2n\u0103 din Lipsca, Viena \u0219i Berlin<\\\/i>. Bucure\u0219ti, 1906.\",\"b114\":\"<b>Burada, T. T.<\\\/b> <i>Cercet\u0103ri despre \u0219coalele rom\u00e2ne\u0219ti din Turcia<\\\/i>. Bucure\u0219ti, 1890.\",\"b113\":\"<b>A. Karamitsos International Auctions.<\\\/b> \u201eLot 08892: \u0391\u03b4\u03b5\u03bb\u03c6\u03bf\u03af \u039c\u03b1\u03bd\u03ac\u03ba\u03b7 \u03c0. 1916\u201d [Fra\u021bii Manakia, c. 1916]. \u2014 <a href=\\\"https:\/\/www.karamitsos.com\/el\/product\/lot-08892-8\/\\\">online<\\\/a>\",\"b112\":\"Surse primare\",\"b111\":\"<b>\u021au\u021bui, Marian.<\\\/b> <i>Orient Express: filmul rom\u00e2nesc \u0219i filmul balcanic<\\\/i>. Bucure\u0219ti: Noi Media Print, 2008, \u00een special pp. 111\u2013126.\",\"b110\":\"<b>Tren\u010dovski, G.<\\\/b> <i>Orbis Pictus: Makedonskata filmska i TV-re\u017eija i drugi tekstovi<\\\/i>. Skopje: Magor, 2001.\",\"b109\":\"<b>Rouvas, Angelos, and Christos Stathakopoulos.<\\\/b> <i>\u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03cc\u03c2 \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2: \u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1, \u03c6\u03b9\u03bb\u03bc\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1, \u03b2\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ac<\\\/i>, vol. 1, 1905\u20131970. Atena: Ellinika Grammata, 2005, pp. 8\u201311.\",\"b108\":\"<b>\u00d6zuyar, Ali.<\\\/b> <i>Sessiz D\u00f6nem T\u00fcrk Sinema Tarihi (1895\u20131922)<\\\/i>. Istanbul: Yap\u0131 Kredi Yay\u0131nlar\u0131, 2017.\",\"b107\":\"<b>Vladova, Jadranka \u0219i Boris Nonevski (eds.).<\\\/b> <i>Razvojot i proniknuvanjeto na balkanskite nacionalni kinematografii vo periodot od 1895 do 1945 godina \/ The Development and the Permeating of the Balkan National Cinematographies in the Period from 1895 to 1945<\\\/i>. Skopje: Kinoteka na Makedonija, 2003.\",\"b106\":\"<b>Nikopoulos, E.<\\\/b> <i>\u0393\u03c1\u03b5\u03b2\u03b5\u03bd\u03ac: \u039f\u03b3\u03b4\u03cc\u03bd\u03c4\u03b1 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b5\u03c2, 1895\u20131975<\\\/i>. Grevena, 2012.\",\"b105\":\"<b>Lascu, Stoica, Marian Zidaru \u0219i George Lascu.<\\\/b> <i>Rom\u00e2nii balcanici (arom\u00e2nii \u0219i meglenorom\u00e2nii) \u00een Arhivele Na\u021bionale Britanice (1850\u20131950)<\\\/i>. Bucure\u0219ti: Editura Etnologic\u0103, 2016.\",\"b104\":\"<b>Lako, Natasha.<\\\/b> \u201eIgrata na albanskata filmska slika (1895\u20131945).\u201d In J. Vladova and B. Nonevski (eds.), <i>Razvojot i proniknuvanjeto na balkanskite nacionalni kinematografii vo periodot od 1895 do 1945 godina<\\\/i>. Skopje: Kinoteka na Makedonija, 2003, pp. 192\u2013223. \u2014 <a href=\\\"https:\/\/epa.hu\/00300\/00375\/00001\/lako_albanian.htm\\\">online<\\\/a>\",\"b103\":\"<b>Kaya, Dilek.<\\\/b> \u201eK\u0131r\u0131k Bir \u0130lk Hik\u00e2yesi: T\u00fcrk Sinemas\u0131n\u0131n 100. Y\u0131l\u0131na Dair.\u201d <i>Sinecine<\\\/i> 5, no. 2 (2014): 113\u2013120. \u2014 <a href=\\\"https:\/\/dergipark.org.tr\/tr\/pub\/sinecine\/article\/540835\\\">online<\\\/a>\",\"b102\":\"<b>H\u00e2ciu, Anastase.<\\\/b> <i>Arom\u00e2nii: comer\u021b, industrie, arte, expansiune, civiliza\u021bie<\\\/i>. Foc\u0219ani, 1936.\",\"b101\":\"<b>Corciovescu, Cristina \u0219i Bujor T. R\u00eepeanu (coord.).<\\\/b> <i>Secolul cinematografului: mic\u0103 enciclopedie a cinematografiei universale<\\\/i>. Bucure\u0219ti: Editura \u0218tiin\u021bific\u0103 \u0219i Enciclopedic\u0103, 1989.\",\"b100\":\"<b>Chernenko, Miron.<\\\/b> <i>Makedonskiot film<\\\/i>. Skopje: Kinoteka na Makedonija, 1997.\",\"b99\":\"Lucr\u0103ri de context \u0219i comparative\",\"b98\":\"<b>Zdru, Eliza (dir.).<\\\/b> <i>Fra\u021bii Manakia. Jurnalul unei lungi priviri \u00eenapoi \/ The Manakia Brothers. Diary of a Long Look Back<\\\/i>. Saga Film, 2016. \u2014 <a href=\\\"https:\/\/www.bombfilm.ro\/2025\/03\/15\/the-manakia-brothers-diary-of-a-long-look-back\/\\\">online<\\\/a>\",\"b97\":\"<b>Zdraveva-Mareti\u0107, Zdravka.<\\\/b> \u201eTipovi na svetilki vo Bitola (spored fondot na Milton Manaki).\u201d <i>Zbornik na trudovi<\\\/i> 4\u20135 (1983\u201384): 99\u2013108. Bitola: Zavod za za\u0161tita na spomenicite na kulturata, prirodnite retkosti, muzej i galerija. \u2014 <a href=\\\"https:\/\/muzejbitola.mk\/zbornik-4-5\/\\\">online<\\\/a>\",\"b96\":\"<b>Hoxha, Abaz [numele apare uneori ca Abaz Hoxha].<\\\/b> <i>Arti i shtat\u00eb n\u00eb Shqip\u00ebri<\\\/i> [A \u0219aptea art\u0103 \u00een Albania]. Tirana: Albin, 1994.\",\"b95\":\"<b>Williams, Bruce.<\\\/b> \u201eThe Roots of Cinema in Albania: The Ottoman Period, Independence, and the Fascist Occupation.\u201d \u00cen <i>Albanian Cinema through the Fall of Communism: Silver Screens and Red Flags<\\\/i>. Amsterdam: Amsterdam University Press, 2023, \u00een special sec\u021biunea despre fra\u021bii Manakia. \u2014 <a href=\\\"https:\/\/www.cambridge.org\/core\/books\/albanian-cinema-through-the-fall-of-communism\/roots-of-cinema-in-albania-the-ottoman-period-independence-and-the-fascist-occupation\/0EA892CCDBA5BFB742A675EADC2B07FA\\\">online<\\\/a>\",\"b94\":\"<b>Weigand, Gustav.<\\\/b> <i>Rum\u00e4nen und Aromunen in Bulgarien<\\\/i>. Leipzig: J. A. Barth, 1907. \u2014 <a href=\\\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=wu.89038394425\\\">online<\\\/a>\",\"b93\":\"<b>Tziolas, Alexandros.<\\\/b> <i>\u0397 \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03bc\u03c0\u03c1\u03bf\u03c3\u03c4\u03ac \u03c3\u03c4\u03bf \u03c6\u03b1\u03ba\u03cc \u03c4\u03bf\u03c5 \u0393\u03b9\u03ac\u03bd\u03bd\u03b7 \u03ba\u03b1\u03b9 \u039c\u03af\u03bb\u03c4\u03bf\u03c5 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1: \u0399\u03c9\u03ac\u03bd\u03bd\u03b9\u03bd\u03b1, \u03a0\u03af\u03bd\u03b4\u03bf\u03c2, \u039c\u03bf\u03bd\u03b1\u03c3\u03c4\u03ae\u03c1\u03b9, \u0393\u03c1\u03b5\u03b2\u03b5\u03bd\u03ac, \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7<\\\/i> [Istoria \u00een fa\u021ba obiectivului lui Giannis \u0219i Miltos Manakia]. Periodiko Diavlos, 2017. \u2014 <a href=\\\"https:\/\/www.vlahoi.net\/bookreviews\/i-istoria-mprosta-sto-fako-ton-adelfon-manakia\\\">online<\\\/a>\",\"b92\":\"<b>\u021au\u021bui, Marian.<\\\/b> \u201eThe Visual Heritage of Manakia Bros. in the Balkan Countries.\u201d Comunicare prezentat\u0103 la Istanbul, noiembrie 2017. \u2014 <a href=\\\"https:\/\/www.academia.edu\/37115198\/The_Visual_Heritage_of_Manakia_Bros_in_the_Balkan_Countries_docx\\\">online<\\\/a>\",\"b91\":\"<b>\u021au\u021bui, Marian.<\\\/b> \u201eNovi fakti za vrskite na bra\u1e31ata Manaki so Romanija.\u201d <i>Kinopis<\\\/i> 9, no. 17 (1997): 31\u201338.\",\"b90\":\"<b>\u021au\u021bui, Marian.<\\\/b> <i>Fra\u021bii Manakia \u0219i imaginea Balcanilor<\\\/i>. Bucure\u0219ti: Arhiva Na\u021bional\u0103 de Filme \/ Noi Media Print, 2009. 239 pp. ISBN 978-973-1805-59-7. \u2014 <a href=\\\"https:\/\/www.fiafnet.org\/images\/tinyUpload\/Publications\/FIAF-Bookshop\/Affiliates-publications\/Bibliographie_2009.pdf\\\">online<\\\/a>\",\"b89\":\"<b>\u021au\u021bui, Marian.<\\\/b> <i>Fra\u021bii Manakia sau Balcanii mi\u0219c\u0103tori \/ Manakia Bros or the Moving Balkans<\\\/i>. Bucure\u0219ti: Arhiva Na\u021bional\u0103 de Filme, 2004.\",\"b88\":\"<b>\u021a\u00eercomnicu, Emil (ed.).<\\\/b> <i>Ioan D. Manakia \u00een documente din arhiva Societ\u0103\u021bii de Cultur\u0103 Macedo-Rom\u00e2n\u0103 (1906\u20131948)<\\\/i>. Bucure\u0219ti: Editura Etnologic\u0103, 2024. ISBN 978-606-067-052-0. \u2014 <a href=\\\"https:\/\/bibnat.ro\/wp-content\/uploads\/2024\/05\/CIP-ianuarie_2024.pdf\\\">online<\\\/a>\",\"b87\":\"<b>\u021a\u00eercomnicu, Emil.<\\\/b> \u201eDocumente referitoare la dosarul de pensionar al lui Ioan D. Manakia.\u201d \u00cen Adina Stoicescu (ed.), <i>Racursiuri etnologice: In honorem Silviu Angelescu<\\\/i>. Bucure\u0219ti: Editura Universit\u0103\u021bii din Bucure\u0219ti, 2020, pp. 181\u2013195.\",\"b86\":\"<b>\u021a\u00eercomnicu, Emil.<\\\/b> \u201eDocumente referitoare la <i>Albumul etnografic macedo-rom\u00e2n. Tipuri, porturi \u0219i localit\u0103\u021bi ale arom\u00e2nilor<\\\/i>, publicat de Ianaki Manakia la Paris \u00een anul 1907.\u201d <i>Anuarul Institutului de Etnografie \u0219i Folclor<\\\/i>, serie nou\u0103 30 (2019): 213\u2013229.\",\"b85\":\"<b>\u021a\u00eercomnicu, Emil.<\\\/b> \u201eCoresponden\u021ba lui Jean Voinescu cu Societatea de Cultur\u0103 Macedo-Rom\u00e2n\u0103 \u00een leg\u0103tur\u0103 cu achizi\u021bia albumului \u00abMacedonia\u00bb.\u201d \u00cen Elena Rodica Colta (ed.), <i>Istorie, cultur\u0103, identitate<\\\/i>. Bucure\u0219ti: Editura Etnologic\u0103, 2020, pp. 253\u2013266.\",\"b84\":\"<b>Stojanovski, Goce; Marija Durlova; Dimitar Gjorgievski; and Ivana Hadjievska.<\\\/b> <i>140 godini od ra\u01f5anjeto na Milton Manaki (1882\u20132022)<\\\/i> [140 de ani de la na\u0219terea lui Milton Manaki]. Bitola: Arhivele Statului din Macedonia de Nord, Filiala Bitola, 2022.\",\"b83\":\"<b>Stojanovski, Goce; Marija Durlova; and Dimitar Gjorgievski.<\\\/b> \u201e\u0417\u0430\u0441\u0442\u0430\u043d\u0430\u0442\u043e \u0432\u0440\u0435\u043c\u0435: \u0427\u0443\u0432\u0430\u0458\u045c\u0438 \u0458\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0430\u0442\u0430 \u043e\u0441\u0442\u0430\u0432\u0438\u043d\u0430 \u043d\u0430 \u0431\u0440\u0430\u045c\u0430\u0442\u0430 \u041c\u0430\u043d\u0430\u043a\u0438\u201d [Timpul st\u0103 \u00een loc: conservarea mo\u0219tenirii fotografice a fra\u021bilor Manaki]. <i>Makedonski Arhivist<\\\/i> 27, nr. 31\u201332 (2022): 117\u2013120. \u2014 <a href=\\\"https:\/\/arhiv.mk\/wp-content\/uploads\/2023\/01\/Arhivist_2022-za-web.pdf\\\">online<\\\/a>\",\"b82\":\"<b>Stojanovski, Goce; Marija Durlova; Dimitar Gjorgievski; \u0219i Ivana Had\u017eievska.<\\\/b> <i>Bitolski arhivski hronotop: 70 godini Arhiv Bitola<\\\/i> [Cronotopul arhivistic al Bitolei: 70 de ani de Arhiv\u0103 Bitola]. Skopje: State Archives of the Republic of North Macedonia, 2024. 169 pp. ISBN 978-608-4900-40-5. \u2014 <a href=\\\"https:\/\/arhiv.gov.mk\/\u043f\u0443\u0431\u043b\u0438\u043a\u0443\u0432\u0430\u045a\u0435\/\\\">online<\\\/a>\",\"b81\":\"<b>Stardelov, Igor.<\\\/b> <i>\u041c\u0430\u043d\u0430\u043a\u0438 \/ Manaki<\\\/i>. Skopje: Kinoteka na Makedonija, 2003. \u2014 <a href=\\\"https:\/\/kinoteka.mk\/wp-content\/uploads\/2020\/05\/%D0%9C%D0%90%D0%9D%D0%90%D0%9A%D0%98-%D0%98%D0%B3%D0%BE%D1%80-%D0%A1%D1%82%D0%B0%D1%80%D0%B4%D0%B5%D0%BB%D0%BE%D0%B2.pdf\\\">online<\\\/a>\",\"b80\":\"<b>Stardelov, Igor.<\\\/b> \u201eTrajna za\u0161tita na filmskoto nasledstvo na bra\u1e31ata Manaki.\u201d <i>Kinopis<\\\/i> 9, no. 17 (1997): 39\u201344.\",\"b79\":\"<b>Stardelov, Igor.<\\\/b> \u201ePreservation of Manaki Brothers Film Heritage.\u201d <i>Journal of Film Preservation<\\\/i> 54 (1997): 27\u201330.\",\"b78\":\"<b>Stardelov, Igor.<\\\/b> \u201eMajstorot Mihajlo Zega: \u017eivotopis dostoen za istorija.\u201d <i>Kinopis<\\\/i> 2, no. 3 (1990): 12\u201320.\",\"b77\":\"<b>Stardelov, Igor, interviewed by Bur\u00e7ak Evren and Bar\u0131\u015f Saydam.<\\\/b> \u201eDirectors Who Changed the History of the Balkan [sic].\u201d <i>Hayal Perdesi<\\\/i> 37 (noiembrie\u2013decembrie 2013): 128\u2013131.\",\"b76\":\"<b>Stardelov, Igor.<\\\/b> \u201eFestival posveten na bra\u1e31ata Manaki: Balkanskite slikari na svetlinata.\u201d \u00cen Vl. Lj. Angelov (ed.), <i>40 IFFK Bra\u1e31a Manaki \/ ICFF Manaki Brothers<\\\/i>. Skopje, 2019, pp. 7\u201318.\",\"b75\":\"<b>Stardelov, Igor.<\\\/b> \u201eBalkanskite \u2018slikari na svetlinata\u2019 vo temninata na istorijata.\u201d <i>Kinopis<\\\/i> 9, no. 17 (1997): 11\u201320.\",\"b74\":\"<b>Stamatiou, Kostas.<\\\/b> \u201e\u0397 \u00ab\u03b1\u03bd\u03b1\u03ba\u03ac\u03bb\u03c5\u03c8\u03b7\u00bb \u03c4\u03c9\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b7 \u03ba\u03b1\u03b9 \u03c4\u03bf \u03b1\u03bd\u03b5\u03be\u03cc\u03c6\u03bb\u03b7\u03c4\u03bf \u03b3\u03c1\u03b1\u03bc\u03bc\u03ac\u03c4\u03b9\u03bf.\u201d <i>O Paratiritis<\\\/i> 11\u201312 (martie\u2013iunie 1989): 16\u201317.\",\"b73\":\"<b>Siokis, Nikolaos D.<\\\/b> \u201e\u0399\u03c7\u03bd\u03b7\u03bb\u03b1\u03c4\u03ce\u03bd\u03c4\u03b1\u03c2 \u03c4\u03b9\u03c2 \u03c0\u03bf\u03bb\u03bb\u03b1\u03c0\u03bb\u03ad\u03c2 \u03c4\u03b1\u03c5\u03c4\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03c4\u03c9\u03bd \u03b1\u03b4\u03b5\u03bb\u03c6\u03ce\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1\u201d [Pe urmele identit\u0103\u021bilor multiple ale fra\u021bilor Manakia]. \u00cen <i>\u039f\u03b9 \u0392\u03bb\u03ac\u03c7\u03bf\u03b9 \u03c4\u03b7\u03c2 \u0395\u03bb\u03bb\u03ac\u03b4\u03b1\u03c2: \u03a4\u03b1\u03c5\u03c4\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03c4\u03b5\u03c1\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03c3\u03c4\u03bf\u03bd \u03c7\u03ce\u03c1\u03bf \u03ba\u03b1\u03b9 \u03c4\u03bf\u03bd \u03c7\u03c1\u03cc\u03bd\u03bf<\\\/i>, actele conferin\u021bei de la Kozani, 11\u201312 noiembrie 2022. Kozani: Societatea \u0218tiin\u021bific\u0103 pentru Studiul Culturii Vlahe, 2024, pp. 289\u2013322. \u2014 <a href=\\\"https:\/\/eempvlachon.com\/wp-content\/uploads\/2024\/03\/289-322-%CE%A3%CE%99%CE%A9%CE%9A%CE%97%CE%A3.pdf\\\">online<\\\/a>\",\"b72\":\"<b>Sidovska, Areti.<\\\/b> \u201eBra\u1e31ata Manaki i Bitola.\u201d <i>Zbornik na Trudovi<\\\/i> 15 (2004): 71\u201382.\",\"b71\":\"<b>\u015eeyben, \u00d6zlem.<\\\/b> \u201eT\u00fcrkiye\u2019de \u0130lk Kez Manaki Karde\u015flerin \u00c7ekti\u011fi Filmler ve Foto\u011fraflar.\u201d <i>Sinemat\u00fcrk<\\\/i> 2 (2006): 22\u201329.\",\"b70\":\"<b>Saydam, Bar\u0131\u015f.<\\\/b> \u201eManaki Karde\u015fler: Balkanlar\u0131n Haf\u0131zas\u0131 \/ The Manaki Brothers: The Memory of the Balkans.\u201d \u00cen <i>Osmanl\u0131'da Sinematograf\u0131n Yolculu\u011fu (1895\u20131923) \/ The Cinematograph\u2019s Odyssey in the Ottoman Empire (1895\u20131923)<\\\/i>. Istanbul: K\u00fcre Yay\u0131nlar\u0131, 2020, pp. 74\u201387. ISBN 978-605-7646-44-6 (volum). \u2014 <a href=\\\"https:\/\/www.academia.edu\/49182386\/Manaki_Karde%C5%9Fler_Balkanlar%C4%B1n_Haf%C4%B1zas%C4%B1_The_Manaki_Brothers_The_Memory_of_the_Balkans\\\">online<\\\/a>\",\"b69\":\"<b>S\u0103vulescu, Constantin.<\\\/b> <i>Cronologia ilustrat\u0103 a fotografiei \u00een Rom\u00e2nia: perioada 1834\u20131916<\\\/i>. Bucure\u0219ti, 1985.\",\"b68\":\"<b>Ruka, Petrit (dir.).<\\\/b> <i>Homer\u00ebt e filmit ballkanik: v\u00ebllez\u00ebrit Manaqi<\\\/i> [Homerii filmului balcanic: fra\u021bii Manaki], 2011.\",\"b67\":\"<b>Ranitovi\u0107, Branko (dir.).<\\\/b> <i>Kamera broj 300 \/ Camera No. 300<\\\/i>, 1958.\",\"b66\":\"<b>Popescu, Ioana.<\\\/b> <i>Prive\u0219te! Fra\u021bii Manakia<\\\/i>. Edi\u021bia a doua, revizuit\u0103. Bucure\u0219ti: Editura Martor \/ Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n, 2013. \u2014 <a href=\\\"https:\/\/biblioteca-digitala.ro\/?pub=9903-priveste-fratii-manakia\\\">online (1)<\\\/a> \u00b7 <a href=\\\"https:\/\/sitevechi.muzeultaranuluiroman.ro\/books\/priveste-fratii-manakia-en.html\\\">online (2)<\\\/a>\",\"b65\":\"<b>Popescu, Ioana.<\\\/b> <i>Prive\u0219te! Fra\u021bii Manakia<\\\/i>. <i>Martor<\\\/i>, vol. VI, supliment, 2001. Bucure\u0219ti: Muzeul \u021a\u0103ranului Rom\u00e2n.\",\"b64\":\"<b>Petru\u0161eva, Il.<\\\/b> \u201eYanaki ve Milton Manaki karde\u015flerin 1911\u2019de \u00e7ekti\u011fi filmler.\u201d <i>Tombak<\\\/i> (martie\u2013aprilie 1995): 64\u201365.\",\"b63\":\"<b>Petru\u0161eva, Il.<\\\/b> \u201e\u0130lk T\u00fcrk filmini \u00e7eken sinemac\u0131lar.\u201d <i>Tombak<\\\/i> (noiembrie\u2013decembrie 1994): 28\u201329.\",\"b62\":\"<b>\u00d6zen, Saadet.<\\\/b> <i>Rethinking Young Turk Revolution: Manaki Brothers Still and Moving Images<\\\/i>. MA thesis, Bo\u011fazi\u00e7i University, Istanbul, 2010. \u2014 <a href=\\\"https:\/\/digitalarchive.library.bogazici.edu.tr\/handle\/123456789\/17594\\\">online<\\\/a>\",\"b61\":\"<b>\u00d6zen, Saadet.<\\\/b> \u201eManakilerin Objektifinden H\u00fcrriyet.\u201d <i>Toplumsal Tarih<\\\/i> 220 (aprilie 2012): 50\u201357.\",\"b60\":\"<b>\u00d6zen, Saadet.<\\\/b> \u201eBalkanlar\u0131n \u0130lk Sinemac\u0131lar\u0131 m\u0131? Manaki Biraderler.\u201d <i>Toplumsal Tarih<\\\/i> 219 (martie 2012): 60\u201367.\",\"b59\":\"<b>Osmanli, Tomislav.<\\\/b> \u201ePrviot kinematografski zograf na Balkanot\u201d [Primul pictor cinematografic al Balcanilor]. <i>Kinote\u010den Mese\u010dnik<\\\/i> 15 (1979): 6\u201313.\",\"b58\":\"<b>Osmanli, Tomislav.<\\\/b> \u201eMilton Manaki: Prviot kinematografski zograf na Balkanot.\u201d <i>Razgledi<\\\/i> 22, nr. 4 (aprilie 1980): 319\u2013328.\",\"b57\":\"<b>Osmanli, Tomislav.<\\\/b> \u201eKniga na predubeduvanja i protivre\u010dnosti: kon monografijata \u2018Bra\u1e31ata Manaki \u2013 gr\u010dkite pioneri na balkanskiot film\u2019 od Hristos K. Hristodulu.\u201d <i>Kinopis<\\\/i> 9, no. 17 (1997): 21\u201330.\",\"b56\":\"<b>Todorovska, Denica \u0219i Mirjana Topi\u1e31 (eds.).<\\\/b> <i>Kino Manaki \u2013 Bitola (1923\u20132003)<\\\/i>. Preface by Boris Nonevski. Skopje: Kinoteka na Makedonija, 2003.\",\"b55\":\"<b>Nollas, Kamilos.<\\\/b> \u201e\u039a\u03b9\u03b2\u03c9\u03c4\u03cc\u03c2 \u03b5\u03b9\u03ba\u03cc\u03bd\u03c9\u03bd: \u039c\u03b5 \u03b1\u03c6\u03bf\u03c1\u03bc\u03ae \u03c4\u03b1 \u03c0\u03ac\u03b8\u03b7 \u03c0\u03bf\u03c5 \u03b5\u03b3\u03b5\u03af\u03c1\u03b5\u03b9 \u03c4\u03bf \u03ad\u03c1\u03b3\u03bf \u03c4\u03c9\u03bd \u03b1\u03b4\u03b5\u03bb\u03c6\u03ce\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1.\u201d <i>Fotografos<\\\/i> 245 (ianuarie\u2013februarie 2017): 154.\",\"b54\":\"<b>Mystakidis, Sotiris.<\\\/b> \u201e\u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03ba\u03b1\u03b9 \u039c\u03af\u03bb\u03c4\u03bf\u03c2 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1\u03c2: \u0394\u03cd\u03bf \u03c0\u03c1\u03c9\u03c4\u03bf\u03c0\u03cc\u03c1\u03bf\u03b9 \u03c4\u03bf\u03c5 \u03b2\u03b1\u03bb\u03ba\u03b1\u03bd\u03b9\u03ba\u03bf\u03cd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5.\u201d <i>Makedoniki Zoi<\\\/i> 235 (decembrie 1985): 43\u201346.\",\"b53\":\"<b>Mladenovski, S.<\\\/b> \u201eManaki Janaki\u201d \u0219i \u201eManaki Milton.\u201d \u00cen <i>Makedonska enciklopedija<\\\/i>, vol. 2 (2009): 907.\",\"b52\":\"<b>Margulies, Roni (ed.).<\\\/b> <i>Manast\u0131r\u2019da \u0130l\u00e2n-\u0131 H\u00fcrriyet, 1908\u20131909 \/ The Proclamation of Freedom in Manast\u0131r: Foto\u011fraf\u00e7\u0131 Manakis Biraderler \/ The Manakis Brothers<\\\/i>. Istanbul: Yap\u0131 Kredi Yay\u0131nlar\u0131, 1997.\",\"b51\":\"<b>Manojlovski, Aleksandar.<\\\/b> \u201e\u0411\u0438\u0442\u043e\u043b\u0441\u043a\u0438\u0442\u0435 \u0415\u0432\u0440\u0435\u0438 \u043d\u0438\u0437 \u0444\u043e\u0442\u043e\u043e\u0431\u0458\u0435\u043a\u0442\u0438\u0432\u043e\u0442 \u043d\u0430 \u0431\u0440\u0430\u045c\u0430\u0442\u0430 \u0408\u0430\u043d\u0430\u043a\u0438 \u0438 \u041c\u0438\u043b\u0442\u043e\u043d \u041c\u0430\u043d\u0430\u043a\u0438\u201d [Evreii din Bitola prin obiectivul fra\u021bilor Manaki]. <i>Glasnik<\\\/i> 63, nr. 1\u20132 (2019): 141\u2013161. \u2014 <a href=\\\"https:\/\/ini.ukim.edu.mk\/documents\/58\/INI_Glasnik_BR_63_01-2_2019.pdf\\\">online<\\\/a>\",\"b50\":\"<b>Manaki, Leonid, interviewed by Tomislav Osmanli.<\\\/b> \u201eMilton osnovopolo\u017enik na na\u0161ata kinematografija.\u201d <i>Ekran<\\\/i> 14, nr. 694 (2 martie 1984): 42\u201344.\",\"b49\":\"<b>Manakia, Ioan D.<\\\/b> <i>Albumul etnografic macedo-rom\u00e2n: tipuri, porturi \u0219i localit\u0103\u021bi ale arom\u00e2nilor<\\\/i>. Reeditare \u0219tiin\u021bific\u0103, edi\u021bie \u00eengrijit\u0103 de Emil \u021a\u00eercomnicu. Bucure\u0219ti: Editura Etnologic\u0103, 2024. ISBN 978-606-067-051-3. \u2014 <a href=\\\"https:\/\/bibnat.ro\/wp-content\/uploads\/2024\/05\/CIP-ianuarie_2024.pdf\\\">online<\\\/a>\",\"b48\":\"<b>Mademli, Geli.<\\\/b> \u201eArchiving Balkan History: The Films of the Manakia Brothers.\u201d In <i>Visions of Identity: Global Film &amp; Media<\\\/i>, ed. Phillip Drummond, 152\u2013162. The London Film &amp; Media Reader 4. London: The London Symposium, 2016. \u2014 <a href=\\\"https:\/\/www.academia.edu\/44778217\/Archiving_Balkan_History_The_Films_of_the_Manakia_Brothers\\\">online<\\\/a>\",\"b47\":\"<b>Mademli, Geli.<\\\/b> \u201eA Boundary Archive: Mobilizing the Transnational Film Heritage of the Manakia Brothers.\u201d <i>The Moving Image<\\\/i> 23, no. 1 (2023, anun\u021bat ca viitoare apari\u021bie).\",\"b46\":\"<b>Krstevski, Aleksandar; Rade Siljan; \u0219i Alenka Lape (eds.).<\\\/b> <i>\u0422\u0432\u043e\u0440\u0435\u0448\u0442\u0432\u043e\u0442\u043e \u043d\u0430 \u0431\u0440\u0430\u045c\u0430\u0442\u0430 \u041c\u0430\u043d\u0430\u043a\u0438 \/ L\u2019oeuvre des fr\u00e8res Manaki \/ The Creation of the Brothers Manaki<\\\/i> [Opera creatoare a fra\u021bilor Manaki]. Skopje: Arhiv na Makedonija \/ Matica makedonska, [1996].\",\"b45\":\"<b>Kosanovi\u0107, D., and V. Petkovski.<\\\/b> \u201eZboruvaat za Milton Manaki\u201d [Despre Milton Manaki]. <i>Kinote\u010den Mese\u010dnik<\\\/i> 15 (1979): 14\u201317.\",\"b44\":\"<b>Konstantinov, Pavle.<\\\/b> <i>Bra\u1e31a Manaki: prilog kon nivniot \u017eivot i delo<\\\/i> [Fra\u021bii Manaki: o contribu\u021bie la via\u021ba \u0219i opera lor]. Skopje: Mlad Borec, 1982.\",\"b43\":\"<b>Konstantinov, Pavle; Aleksandar Krstevski; B. Nonevski; M. Pan\u010devski; and Il. Petru\u0161eva.<\\\/b> <i>Bra\u1e31a Manaki: pioneri na filmot na Balkanot \/ Les fr\u00e8res Manaki: pionniers du cin\u00e9ma balkanique \/ The Manaki Brothers: Pioneers of Film-Making in the Balkans<\\\/i>. Skopje: Kinoteka na Socijalisti\u010dka Republika Makedonija, 1986.\",\"b42\":\"<b>Konstantinov, Goran.<\\\/b> \u201eBra\u1e31ata Mana\u1e31i za fizi\u010dkata kultura.\u201d <i>Zbornik na trudovi<\\\/i> 9 (1989): 69\u201371.\",\"b41\":\"<b>Kathimerini.<\\\/b> \u201e\u03a4\u03b1 \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1 \u03bc\u03b5 \u03c4\u03bf \u03b2\u03bb\u03ad\u03bc\u03bc\u03b1 \u03c4\u03c9\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1\u201d [Balcanii \u00een privirea Manaki]. <i>Epta Imeres<\\\/i>, num\u0103r special, 2 iunie 1996. \u2014 <a href=\\\"https:\/\/vlahoi.net\/prosopikotites\/ta-valkania-me-to-vlema-ton-manakia\\\">republicare, vlahoi.net, 2018<\\\/a>\",\"b40\":\"<b>Jankuloski, Robert.<\\\/b> <i>Manaki: Prikazna vo sliki \/ Une histoire en images \/ A Story in Pictures<\\\/i>. Skopje: Centrul Macedonean de Fotografie, 2017.\",\"b39\":\"<b>Jankuloski, Robert (dir.).<\\\/b> <i>\u041c\u0430\u043d\u0430\u043a\u0438: \u041f\u0440\u0438\u043a\u0430\u0437\u043d\u0430 \u0432\u043e \u0441\u043b\u0438\u043a\u0438 \/ Manaki: A Story in Pictures<\\\/i>, 2019.\",\"b38\":\"<b>Ioannina regional educational institutions.<\\\/b> <i>\u039c\u03b5 \u03c4\u03bf \u03c6\u03b1\u03ba\u03cc \u03c4\u03c9\u03bd \u03b1\u03b4\u03b5\u03bb\u03c6\u03ce\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1 \/ \u00c0 travers l\u2019objectif des fr\u00e8res Manakia \/ With the Eyes of the Manakia Brothers<\\\/i>. Ioannina, 2010.\",\"b37\":\"<b>Hadjievska, Ivana.<\\\/b> \u201e\u041f\u043e\u0441\u0442\u0430\u043f\u043a\u0430\u0442\u0430 \u0437\u0430 \u043f\u0440\u0435\u043f\u043e\u0437\u043d\u0430\u0432\u0430\u045a\u0435 \u043d\u0430 \u0430\u0440\u0445\u0438\u0432\u0441\u043a\u0438\u043e\u0442 \u043c\u0430\u0442\u0435\u0440\u0438\u0458\u0430\u043b \u043a\u0430\u043a\u043e \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0441\u0442\u0432\u043e \u043e\u0434 \u0438\u0441\u043a\u043b\u0443\u0447\u0438\u0442\u0435\u043b\u043d\u043e \u0437\u043d\u0430\u0447\u0435\u045a\u0435: \u0424\u043e\u043d\u0434 580 \u00ab\u0411\u0440\u0430\u045c\u0430 \u041c\u0430\u043d\u0430\u043a\u0438 \u2013 \u0411\u0438\u0442\u043e\u043b\u0430 1853\u20131964\u00bb \u043a\u0430\u043a\u043e \u043f\u0440\u0432 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u0435\u043d \u0441\u043b\u0443\u0447\u0430\u0458\u201d [Recunoa\u0219terea materialului de arhiv\u0103 ca patrimoniu cultural: Fondul 580]. <i>Makedonski Arhivist<\\\/i> 27, nr. 31\u201332 (2022): 121\u2013128. \u2014 <a href=\\\"https:\/\/arhiv.mk\/wp-content\/uploads\/2023\/01\/Arhivist_2022-za-web.pdf\\\">online<\\\/a>\",\"b36\":\"<b>Gu\u0161tin, Ma\u0161a.<\\\/b> \u201eThe Manaki Brothers: The Chroniclers of the \u00abThird\u00bb Europe.\u201d <i>Panoptikum<\\\/i> 30 (2023): 11\u201332. \u2014 <a href=\\\"https:\/\/czasopisma.bg.ug.edu.pl\/index.php\/panoptikum\/article\/view\/10194\\\">online<\\\/a>\",\"b35\":\"<b>Grgi\u0107, Ana.<\\\/b> \u201e\u2018Regions of Unthought\u2019 \u2013 The Danger and the Freedom of Film Archiving and (Trans)national Film Heritage in the Balkans.\u201d <i>Studies in Eastern European Cinema<\\\/i> 11, no. 2 (2020): 119\u2013139. \u2014 <a href=\\\"https:\/\/doi.org\/10.1080\/2040350X.2019.1708046\\\">online<\\\/a>\",\"b34\":\"<b>Grgi\u0107, Ana.<\\\/b> <i>Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans<\\\/i>. Amsterdam: Amsterdam University Press, 2022. \u2014 <a href=\\\"https:\/\/www.taylorfrancis.com\/books\/mono\/10.5117\/9789463728300\/early-cinema-modernity-visual-culture-ana-grgic\\\">online<\\\/a>\",\"b33\":\"<b>Gjorgievski, Dimitar.<\\\/b> \u201e\u041a\u0430\u043c\u0435\u0440\u0430 300: \u041e\u0434 \u0440\u0430\u0431\u043e\u0442\u0438\u043b\u043d\u0438\u0446\u0430\u0442\u0430 \u043d\u0430 \u0410\u043b\u0444\u0440\u0435\u0434 \u0414\u0430\u0440\u043b\u0438\u043d\u0433 \u0438 \u0411\u0440\u0430\u0458\u0442\u043e\u043d\u0441\u043a\u0430\u0442\u0430 \u0448\u043a\u043e\u043b\u0430 \u0434\u043e \u0431\u0438\u0442\u043e\u043b\u0441\u043a\u043e\u0442\u043e \u0434\u0435\u043f\u043e\u201d [Camera 300: de la atelierul lui Alfred Darling \u0219i \u0219coala de la Brighton la depoul din Bitola]. <i>Makedonski Arhivist<\\\/i> 27, nr. 31\u201332 (2022): 81\u201390. \u2014 <a href=\\\"https:\/\/arhiv.mk\/wp-content\/uploads\/2023\/01\/Arhivist_2022-za-web.pdf\\\">online<\\\/a>\",\"b32\":\"<b>Gica, Alexandru \u0219i Daniel M\u0103nescu.<\\\/b> <i>Istorii: Via\u021ba secret\u0103 a inspectorului Tacit (cu o suit\u0103 de fotografii Manakia)<\\\/i>. Bucure\u0219ti: Editura Societ\u0103\u021bii Culturale Arom\u00e2ne, 2026. \u2014 <a href=\\\"https:\/\/www.mntr.ro\/w\/istorii-via%C8%9Ba-secret%C4%83-a-inspectorului-tacit-cu-o-suit%C4%83-de-fotografii-manakia-\\\">online<\\\/a>\",\"b31\":\"<b>Garambliana, Stavroula.<\\\/b> <i>\u0394\u03b9\u03b1\u03c7\u03b5\u03af\u03c1\u03b9\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03c0\u03c1\u03bf\u03b2\u03bf\u03bb\u03ae \u03c4\u03b7\u03c2 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03bc\u03b9\u03ba\u03ae\u03c2 \u03ba\u03bb\u03b7\u03c1\u03bf\u03bd\u03bf\u03bc\u03b9\u03ac\u03c2 \u03c4\u03bf\u03c5 \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03bf\u03cd \u03ba\u03b1\u03b9 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03bf\u03cd \u03c6\u03b9\u03bb\u03bc: \u03b5\u03ba\u03b8\u03ad\u03c3\u03b5\u03b9\u03c2 \u03ba\u03b1\u03b9 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u03b3\u03b9\u03b1 \u03c4\u03bf \u03b1\u03c1\u03c7\u03b5\u03af\u03bf \u03c4\u03c9\u03bd \u03b1\u03b4\u03b5\u03c1\u03c6\u03ce\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1<\\\/i> [Gestionarea \u0219i promovarea patrimoniului fotografic \u0219i cinematografic: expozi\u021bii \u0219i festivaluri pentru arhiva Manakia]. Tez\u0103 de master, Universitatea Deschis\u0103 Elen\u0103, 2024, 82 pp. \u2014 <a href=\\\"https:\/\/apothesis.eap.gr\/archive\/item\/214019\\\">online<\\\/a>\",\"b30\":\"<b>Mavrogeni, Stavroula \u0219i Fani Tsatsaia.<\\\/b> <i>\u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03ba\u03b1\u03b9 \u039c\u03af\u03bb\u03c4\u03bf\u03c2 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1: \u03a4\u03b1 \u03c0\u03c1\u03cc\u03c3\u03c9\u03c0\u03b1 \u03c0\u03af\u03c3\u03c9 \u03b1\u03c0\u03cc \u03c4\u03bf\u03bd \u03c6\u03b1\u03ba\u03cc \/ Yiannis and Miltos Manakia: People Behind the Lens<\\\/i>. Ed. Silia Fasianou. Salonic: Museum of the Macedonian Struggle \/ Liaison Office of Greece in Pristina \/ University of Macedonia Press, 2023. ISBN 978-618-5196-73-8. \u2014 <a href=\\\"https:\/\/archive.apan.gr\/en\/data\/accompanying-item\/31668\\\">online<\\\/a>\",\"b29\":\"<b>Exarchos, Giorgis.<\\\/b> \u201e\u0393\u03b9\u03b1\u03bd\u03bd\u03ac\u03ba\u03b7\u03c2 \u03ba\u03b1\u03b9 \u039c\u03af\u03bb\u03c4\u03bf\u03c2 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1\u03c2.\u201d <i>Stochastis<\\\/i> (martie 1990): 53\u201355.\",\"b28\":\"<b>Exarchos, Giorgis.<\\\/b> <i>\u0391\u03b4\u03b5\u03bb\u03c6\u03bf\u03af \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1: \u03a0\u03c1\u03c9\u03c4\u03bf\u03c0\u03cc\u03c1\u03bf\u03b9 \u03c4\u03bf\u03c5 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5 \u03c3\u03c4\u03b1 \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03bf \u00ab\u0392\u03bb\u03b1\u03c7\u03b9\u03ba\u03cc\u03bd \u0396\u03ae\u03c4\u03b7\u03bc\u03b1\u00bb<\\\/i>. Atena: Gavriilidis, 1991.\",\"b27\":\"<b>Evren, Bur\u00e7ak.<\\\/b> \u201e\u0130lk T\u00fcrk Filmini \u00c7eken Yanaki ve Milton Manaki Karde\u015fler.\u201d <i>Pazar Postas\u0131<\\\/i>, 8 iulie 1995.\",\"b26\":\"<b>Evren, Bur\u00e7ak.<\\\/b> \u201eBalkanlar\u0131n ve T\u00fcrk Sinemas\u0131n\u0131n \u0130lk Y\u00f6netmenlerinden: Manaki Karde\u015fler.\u201d <i>Hayal Perdesi<\\\/i> 37 (noiembrie\u2013decembrie 2013): 72\u201376. \u2014 <a href=\\\"https:\/\/www.tsa.org.tr\/tr\/yazi\/yazidetay\/17\/balkanlarin-ve-turk-sinemasinin-ilk-yonetmenlerinden--manaki-kardesler\\\">online<\\\/a>\",\"b25\":\"<b>Durlova, Marija, and Goce Stojanovski.<\\\/b> <i>Lica i mesta \/ Faces and Places: Selected Ethnographic Photographs from the Manaki Brothers<\\\/i>. Bitola: NU Centar za Kultura \/ Arhivele Statului, Bitola, 2023.\",\"b24\":\"<b>Drnkov, Blagoj.<\\\/b> \u201eOur First Film Reporter: The Life and Work of Milton D. Manakis.\u201d <i>Filmska Revija<\\\/i> 1 (1951); republicat \u00een <i>Kinote\u010den Mese\u010dnik<\\\/i> 6 (iunie 1977): 57\u201368.\",\"b23\":\"<b>Dimitrovski-Takets, Dimitar.<\\\/b> <i>Manaki i Bitola<\\\/i>. Bitola: Rabotni\u010dki univerzitet \u201eKrste P. Misirkov\u201d, 1975.\",\"b22\":\"<b>Constantin, C\u0103t\u0103lin D.<\\\/b> <i>Dincolo de ieri: C\u0103l\u0103torie antropologic\u0103 \u00een Balcani pe urmele fra\u021bilor Manakia la 1900<\\\/i>. Bucure\u0219ti: Peter Pan ART, 2025; edi\u021bia a doua 2026. ISBN 978-606-95000-8-8.\",\"b21\":\"<b>Constantin, C\u0103t\u0103lin D.<\\\/b> <i>Beyond Yesterday: An Anthropological Walk Retracing the Path of the Manakia Brothers in the Early 1900s<\\\/i>. Bucure\u0219ti: Peter Pan ART, 2025; edi\u021bia a doua 2026. ISBN 978-606-95000-7-1.\",\"b20\":\"<b>Community of Avdella.<\\\/b> <i>\u0391\u03b2\u03b4\u03ad\u03bb\u03bb\u03b1 & \u0391\u03b4\u03b5\u03bb\u03c6\u03bf\u03af \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1 \/ Avdella & The Manakia Brothers<\\\/i>. Larissa: Ella, 2004.\",\"b19\":\"<b>Autori colectivi.<\\\/b> <i>\u0391\u03b4\u03b5\u03bb\u03c6\u03bf\u03af \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1: \u03a0\u03c1\u03c9\u03c4\u03bf\u03c0\u03cc\u03c1\u03bf\u03b9 \u03c4\u03b7\u03c2 \u03b5\u03b9\u03ba\u03cc\u03bd\u03b1\u03c2 \u03c3\u03c4\u03b1 \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1<\\\/i> [Fra\u021bii Manaki: pionierii imaginii \u00een Balcani]. Atena: Kastaniotis, 1997. CD-ROM, ISBN 978-960-03-1826-5. \u2014 <a href=\\\"https:\/\/www.kastaniotis.com\/product\/adelfoi-manakia\/\\\">online<\\\/a>\",\"b18\":\"<b>Cinematheque of North Macedonia.<\\\/b> <i>Brothers Milton and Janaki Manaki<\\\/i>, edi\u021bie DVD de film de arhiv\u0103, 70 de minute, 42 de \u00eenregistr\u0103ri filmice. \u2014 <a href=\\\"https:\/\/kinoteka.mk\/en\/brothers-milton-and-janaki-manaki\/\\\">online<\\\/a>\",\"b17\":\"<b>Christodoulou, Christos K.<\\\/b> \u201e\u0393\u03c1\u03b5\u03b2\u03b5\u03bd\u03b9\u03ce\u03c4\u03b5\u03c2 \u03bf\u03b9\u2026 \u03c0\u03c1\u03c9\u03c4\u03bf\u03c0\u03cc\u03c1\u03bf\u03b9 \u03c4\u03bf\u03c5 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u03cd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5: \u0386\u03b3\u03bd\u03c9\u03c3\u03c4\u03b1 \u03c3\u03c4\u03bf\u03b9\u03c7\u03b5\u03af\u03b1 \u03c3\u03c4\u03bf \u03c6\u03c9\u03c2 \u03c4\u03b7\u03c2 \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2\u201d [Pionierii cinematografiei grece\u0219ti din Grevena: dovezi noi]. <i>Makedonia<\\\/i>, 11 decembrie 1977, pp. 5\u20136.\",\"b16\":\"<b>Christodoulou, Christos K.<\\\/b> <i>\u03a4\u03b1 \u03c6\u03c9\u03c4\u03bf\u03b3\u03b5\u03bd\u03ae \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1 \u03c4\u03c9\u03bd \u0391\u03b4\u03b5\u03bb\u03c6\u03ce\u03bd \u039c\u03b1\u03bd\u03ac\u03ba\u03b7<\\\/i> [Balcanii fotogenici ai fra\u021bilor Manaki]. Salonic: Paratiritis, 1989.\",\"b15\":\"<b>Christodoulou, Christos K.<\\\/b> <i>The Manakis Brothers: The Greek Pioneers of the Balkanic Cinema<\\\/i>. Salonic: Organismul Salonic \u2013 Capital\u0103 Cultural\u0103 a Europei, 1997. \u2014 <a href=\\\"https:\/\/eempvlachon.com\/wp-content\/uploads\/2021\/04\/Christodoulou-The-Manakis-Brothers.pdf\\\">online<\\\/a>\",\"b14\":\"<b>Christodoulou, Christos K.<\\\/b> \u201e\u039f\u03b9 \u03c0\u03b1\u03c4\u03ad\u03c1\u03b5\u03c2 \u03c4\u03b7\u03c2 \u03ad\u03b2\u03b4\u03bf\u03bc\u03b7\u03c2 \u03c4\u03ad\u03c7\u03bd\u03b7\u03c2 \u03c3\u03c4\u03b1 \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1.\u201d <i>O Paratiritis<\\\/i> 11\u201312 (martie\u2013iunie 1989): 18\u201333.\",\"b13\":\"<b>Borcan, Silvia, and Bujor T. R\u00eepeanu.<\\\/b> <i>Catalogul filmelor documentare rom\u00e2ne\u0219ti, 1897\u20131948<\\\/i>. Bucure\u0219ti: Arhiva Na\u021bional\u0103 de Filme, 1981.\",\"b12\":\"<b>Bedeni, Lu\u00e7jan.<\\\/b> <i>Janaki & Milton Manaki<\\\/i>. Shkod\u00ebr: Muzeul Na\u021bional de Fotografie \u201eMarubi\u201d \/ Ministerul Culturii din Albania \/ Arhivele Statului din Macedonia de Nord, Filiala Bitola, 2023.\",\"b11\":\"<b>Arayancan, Tan\u0131l.<\\\/b> <i>Manaki Karde\u015flerin T\u00fcrk Sinema Tarihindeki Yeri ve \u00d6nemi<\\\/i> [Locul \u0219i \u00eensemn\u0103tatea fra\u021bilor Manaki \u00een istoria cinematografiei turce]. Tez\u0103 de master, Universitatea Osmaniye Korkut Ata, 2024. \u2014 <a href=\\\"https:\/\/openaccess.osmaniye.edu.tr\/items\/b26ea43f-138f-426b-adc4-0442b0d71500\\\">online<\\\/a>\",\"b10\":\"<b>Angelopoulos, Theo (dir.).<\\\/b> <i>To Vlemma tou Odyssea \/ Ulysses\u2019 Gaze<\\\/i>, 1995.\",\"b9\":\"<b>Andonovska, L., N. Georgievski, et al.<\\\/b> <i>Zna\u010dajni li\u010dnosti za Bitola \/ Distinguished People for Bitola<\\\/i>. Bitola: NUUB \u201eSv. Kliment Ohridski\u201d \/ Prim\u0103ria Bitola, 2007, pp. 123\u2013126.\",\"b8\":\"<b>Abad\u017eieva, S.<\\\/b> \u201eBra\u1e31ata Janaki i Milton Manaki \/ The Brothers Janaki and Milton Manaki.\u201d <i>Golemoto Staklo<\\\/i> 19\u201320 (2005\u201306): 7\u201319.\",\"b7\":\"Literatura despre fra\u021bii Manakia\",\"b6\":\"Pentru \u00eenceput se pot citi studiul Ioanei Popescu despre fotografiile etnografice rom\u00e2ne\u0219ti, cercet\u0103rile lui Igor Stardelov despre film, analiza trans-balcanic\u0103 a lui Marian \u021au\u021bui, edi\u021biile de arhiv\u0103 ale lui Emil \u021a\u00eercomnicu, lucr\u0103rile Saadetei \u00d6zen despre Revolu\u021bia Junilor Turci \u0219i sinteza istoriografic\u0103 a lui Nikolaos Siokis.\",\"b5\":\"<b>Ce este.<\\\/b> Un inventar al domeniului: m\u0103rturii timpurii, albume fotografice, monografii, cataloage de expozi\u021bii, articole, teze, studii de arhiv\u0103, filme, relat\u0103ri din pres\u0103 \u0219i surse de internet. Unele titluri au fost consultate direct; altele sunt cunoscute doar din cit\u0103rile din alte lucr\u0103ri; nu toate au fost citite. Lista e \u00een construc\u021bie \u0219i e g\u00e2ndit\u0103 ca punct de pornire pentru un cercet\u0103tor. Intr\u0103rile sunt grupate \u00een literatura despre fra\u021bii Manakia, lucr\u0103ri de context \u0219i comparative \u0219i surse primare. Acolo unde exist\u0103 o fi\u0219\u0103 de catalog sau un text digital, dup\u0103 intrare urmeaz\u0103 un link. Traducerile din paranteze drepte sunt ajutoare editoriale, nu titluri oficiale; grafiile originale \u0219i numele istorice ale institu\u021biilor sunt p\u0103strate.\",\"b4\":\"Doi fra\u021bi au l\u0103sat o arhiv\u0103 risipit\u0103 peste grani\u021be, institu\u021bii \u0219i limbi, iar literatura despre ei e risipit\u0103 la fel. Bibliografia adun\u0103 publica\u021bii din Rom\u00e2nia, Macedonia de Nord \u0219i fosta Iugoslavie, Grecia, Turcia, Albania \u0219i din cercetarea interna\u021bional\u0103.\",\"nvrephotography\":\"Refotografiere\",\"nvaromanians\":\"Arom\u00e2nii\",\"nvfield-method\":\"Metoda de teren\",\"nvhow-to-cite\":\"Cum se citeaz\u0103\",\"nvgazetteer\":\"Repertoriu toponimic\",\"nvfilm-chronology\":\"Cronologia filmelor\",\"nvarchives\":\"Surse de arhiv\u0103\",\"nvpapers\":\"Studii\",\"nvmethods\":\"Metode \u0219i dezbateri\",\"nvbibliography\":\"Bibliografie\",\"c0\":\"Arom\u00e2nii \u0219i Balcanii: lecturi de context\",\"f0\":\"Filme \u0219i edi\u021bii de film\"},\"el\":{\"t\":\"\u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1\",\"l\":\"\u039c\u03b9\u03b1 \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03bf \u03b8\u03ad\u03bc\u03b1: \u03b2\u03b9\u03b2\u03bb\u03af\u03b1, \u03ac\u03c1\u03b8\u03c1\u03b1, \u03b4\u03b9\u03b1\u03c4\u03c1\u03b9\u03b2\u03ad\u03c2, \u03c4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2, \u03a4\u03cd\u03c0\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03b4\u03b9\u03b1\u03b4\u03b9\u03ba\u03c4\u03c5\u03b1\u03ba\u03ad\u03c2 \u03c0\u03b7\u03b3\u03ad\u03c2, \u03c3\u03c4\u03b9\u03c2 \u03b3\u03bb\u03ce\u03c3\u03c3\u03b5\u03c2 \u03c3\u03c4\u03b9\u03c2 \u03bf\u03c0\u03bf\u03af\u03b5\u03c2 \u03c5\u03c0\u03ac\u03c1\u03c7\u03bf\u03c5\u03bd.\",\"bc\":\"\u0388\u03c1\u03b5\u03c5\u03bd\u03b1\",\"b4\":\"\u0394\u03cd\u03bf \u03b1\u03b4\u03ad\u03bb\u03c6\u03b9\u03b1 \u03ac\u03c6\u03b7\u03c3\u03b1\u03bd \u03ad\u03bd\u03b1 \u03b1\u03c1\u03c7\u03b5\u03af\u03bf \u03c3\u03ba\u03bf\u03c1\u03c0\u03b9\u03c3\u03bc\u03ad\u03bd\u03bf \u03b1\u03bd\u03ac\u03bc\u03b5\u03c3\u03b1 \u03c3\u03b5 \u03c3\u03cd\u03bd\u03bf\u03c1\u03b1, \u03c6\u03bf\u03c1\u03b5\u03af\u03c2 \u03ba\u03b1\u03b9 \u03b3\u03bb\u03ce\u03c3\u03c3\u03b5\u03c2, \u03ba\u03b1\u03b9 \u03b7 \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03b3\u03b9\u2019 \u03b1\u03c5\u03c4\u03bf\u03cd\u03c2 \u03b5\u03af\u03bd\u03b1\u03b9 \u03c3\u03ba\u03bf\u03c1\u03c0\u03b9\u03c3\u03bc\u03ad\u03bd\u03b7 \u03bc\u03b5 \u03c4\u03bf\u03bd \u03af\u03b4\u03b9\u03bf \u03c4\u03c1\u03cc\u03c0\u03bf. \u0397 \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03b1\u03c5\u03c4\u03ae \u03c3\u03c5\u03b3\u03ba\u03b5\u03bd\u03c4\u03c1\u03ce\u03bd\u03b5\u03b9 \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2 \u03b1\u03c0\u03cc \u03c4\u03b7 \u03a1\u03bf\u03c5\u03bc\u03b1\u03bd\u03af\u03b1, \u03c4\u03b7 \u0392\u03cc\u03c1\u03b5\u03b9\u03b1 \u039c\u03b1\u03ba\u03b5\u03b4\u03bf\u03bd\u03af\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03bd \u03c0\u03c1\u03ce\u03b7\u03bd \u0393\u03b9\u03bf\u03c5\u03b3\u03ba\u03bf\u03c3\u03bb\u03b1\u03b2\u03af\u03b1, \u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, \u03c4\u03b7\u03bd \u03a4\u03bf\u03c5\u03c1\u03ba\u03af\u03b1, \u03c4\u03b7\u03bd \u0391\u03bb\u03b2\u03b1\u03bd\u03af\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03b7 \u03b4\u03b9\u03b5\u03b8\u03bd\u03ae \u03ad\u03c1\u03b5\u03c5\u03bd\u03b1.\",\"b5\":\"<b>\u03a4\u03b9 \u03b5\u03af\u03bd\u03b1\u03b9.<\\\/b> \u039c\u03b9\u03b1 \u03b1\u03c0\u03bf\u03b3\u03c1\u03b1\u03c6\u03ae \u03c4\u03bf\u03c5 \u03c0\u03b5\u03b4\u03af\u03bf\u03c5: \u03c0\u03c1\u03ce\u03b9\u03bc\u03b5\u03c2 \u03bc\u03b1\u03c1\u03c4\u03c5\u03c1\u03af\u03b5\u03c2, \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ac \u03bb\u03b5\u03c5\u03ba\u03ce\u03bc\u03b1\u03c4\u03b1, \u03bc\u03bf\u03bd\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b5\u03c2, \u03ba\u03b1\u03c4\u03ac\u03bb\u03bf\u03b3\u03bf\u03b9 \u03b5\u03ba\u03b8\u03ad\u03c3\u03b5\u03c9\u03bd, \u03ac\u03c1\u03b8\u03c1\u03b1, \u03b4\u03b9\u03b1\u03c4\u03c1\u03b9\u03b2\u03ad\u03c2, \u03b1\u03c1\u03c7\u03b5\u03b9\u03b1\u03ba\u03ad\u03c2 \u03bc\u03b5\u03bb\u03ad\u03c4\u03b5\u03c2, \u03c4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2, \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03bc\u03b1\u03c4\u03b1 \u03b5\u03c6\u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03c9\u03bd \u03ba\u03b1\u03b9 \u03b4\u03b9\u03b1\u03b4\u03b9\u03ba\u03c4\u03c5\u03b1\u03ba\u03ad\u03c2 \u03c0\u03b7\u03b3\u03ad\u03c2. \u039f\u03c1\u03b9\u03c3\u03bc\u03ad\u03bd\u03bf\u03b9 \u03c4\u03af\u03c4\u03bb\u03bf\u03b9 \u03bc\u03b5\u03bb\u03b5\u03c4\u03ae\u03b8\u03b7\u03ba\u03b1\u03bd \u03ac\u03bc\u03b5\u03c3\u03b1\u00b7 \u03ac\u03bb\u03bb\u03bf\u03b9 \u03b5\u03af\u03bd\u03b1\u03b9 \u03b3\u03bd\u03c9\u03c3\u03c4\u03bf\u03af \u03bc\u03cc\u03bd\u03bf \u03b1\u03c0\u03cc \u03c0\u03b1\u03c1\u03b1\u03c0\u03bf\u03bc\u03c0\u03ad\u03c2 \u03c3\u03b5 \u03ac\u03bb\u03bb\u03b1 \u03ad\u03c1\u03b3\u03b1\u00b7 \u03b4\u03b5\u03bd \u03ad\u03c7\u03bf\u03c5\u03bd \u03b4\u03b9\u03b1\u03b2\u03b1\u03c3\u03c4\u03b5\u03af \u03cc\u03bb\u03bf\u03b9. \u039f \u03ba\u03b1\u03c4\u03ac\u03bb\u03bf\u03b3\u03bf\u03c2 \u03b5\u03af\u03bd\u03b1\u03b9 \u03ad\u03c1\u03b3\u03bf \u03c3\u03b5 \u03b5\u03be\u03ad\u03bb\u03b9\u03be\u03b7 \u03ba\u03b1\u03b9 \u03c0\u03c1\u03bf\u03bf\u03c1\u03af\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 \u03b1\u03c6\u03b5\u03c4\u03b7\u03c1\u03af\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u03b5\u03c1\u03b5\u03c5\u03bd\u03b7\u03c4\u03ae. \u039f\u03b9 \u03ba\u03b1\u03c4\u03b1\u03c7\u03c9\u03c1\u03af\u03c3\u03b5\u03b9\u03c2 \u03bf\u03bc\u03b1\u03b4\u03bf\u03c0\u03bf\u03b9\u03bf\u03cd\u03bd\u03c4\u03b1\u03b9 \u03c3\u03b5 \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03b1 \u03b1\u03b4\u03ad\u03bb\u03c6\u03b9\u03b1 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1, \u03ad\u03c1\u03b3\u03b1 \u03c0\u03bb\u03b1\u03b9\u03c3\u03af\u03bf\u03c5 \u03ba\u03b1\u03b9 \u03c3\u03c5\u03b3\u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ac \u03ad\u03c1\u03b3\u03b1, \u03ba\u03b1\u03b9 \u03c0\u03c1\u03c9\u03c4\u03bf\u03b3\u03b5\u03bd\u03b5\u03af\u03c2 \u03c0\u03b7\u03b3\u03ad\u03c2. \u0388\u03bd\u03b1\u03c2 \u03c3\u03cd\u03bd\u03b4\u03b5\u03c3\u03bc\u03bf\u03c2 \u03b1\u03ba\u03bf\u03bb\u03bf\u03c5\u03b8\u03b5\u03af \u03c4\u03b7\u03bd \u03ba\u03b1\u03c4\u03b1\u03c7\u03ce\u03c1\u03b9\u03c3\u03b7 \u03cc\u03c0\u03bf\u03c5 \u03c5\u03c0\u03ac\u03c1\u03c7\u03b5\u03b9 \u03b5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ae \u03ba\u03b1\u03c4\u03b1\u03bb\u03cc\u03b3\u03bf\u03c5 \u03ae \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03cc \u03ba\u03b5\u03af\u03bc\u03b5\u03bd\u03bf. \u039f\u03b9 \u03bc\u03b5\u03c4\u03b1\u03c6\u03c1\u03ac\u03c3\u03b5\u03b9\u03c2 \u03c3\u03b5 \u03b1\u03b3\u03ba\u03cd\u03bb\u03b5\u03c2 \u03b5\u03af\u03bd\u03b1\u03b9 \u03b2\u03bf\u03b7\u03b8\u03ae\u03bc\u03b1\u03c4\u03b1 \u03c4\u03b7\u03c2 \u03b5\u03c0\u03b9\u03bc\u03ad\u03bb\u03b5\u03b9\u03b1\u03c2, \u03cc\u03c7\u03b9 \u03b5\u03c0\u03af\u03c3\u03b7\u03bc\u03bf\u03b9 \u03c4\u03af\u03c4\u03bb\u03bf\u03b9\u00b7 \u03b4\u03b9\u03b1\u03c4\u03b7\u03c1\u03bf\u03cd\u03bd\u03c4\u03b1\u03b9 \u03b7 \u03c0\u03c1\u03c9\u03c4\u03cc\u03c4\u03c5\u03c0\u03b7 \u03bf\u03c1\u03b8\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03b1 \u03b9\u03c3\u03c4\u03bf\u03c1\u03b9\u03ba\u03ac \u03bf\u03bd\u03cc\u03bc\u03b1\u03c4\u03b1 \u03c4\u03c9\u03bd \u03c6\u03bf\u03c1\u03ad\u03c9\u03bd.\",\"b6\":\"\u039a\u03b1\u03bb\u03ac \u03c0\u03c1\u03ce\u03c4\u03b1 \u03b1\u03bd\u03b1\u03b3\u03bd\u03ce\u03c3\u03bc\u03b1\u03c4\u03b1 \u03b5\u03af\u03bd\u03b1\u03b9 \u03b7 \u03bc\u03b5\u03bb\u03ad\u03c4\u03b7 \u03c4\u03b7\u03c2 Ioana Popescu \u03b3\u03b9\u03b1 \u03c4\u03b9\u03c2 \u03c1\u03bf\u03c5\u03bc\u03b1\u03bd\u03b9\u03ba\u03ad\u03c2 \u03b5\u03b8\u03bd\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ad\u03c2 \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b5\u03c2, \u03b7 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ae \u03ad\u03c1\u03b5\u03c5\u03bd\u03b1 \u03c4\u03bf\u03c5 Igor Stardelov, \u03b7 \u03b4\u03b9\u03b1\u03b2\u03b1\u03bb\u03ba\u03b1\u03bd\u03b9\u03ba\u03ae \u03b1\u03bd\u03ac\u03bb\u03c5\u03c3\u03b7 \u03c4\u03bf\u03c5 Marian \u021au\u021bui, \u03bf\u03b9 \u03b1\u03c1\u03c7\u03b5\u03b9\u03b1\u03ba\u03ad\u03c2 \u03b5\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03c4\u03bf\u03c5 Emil \u021a\u00eercomnicu, \u03c4\u03bf \u03ad\u03c1\u03b3\u03bf \u03c4\u03b7\u03c2 Saadet \u00d6zen \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03b5\u03c0\u03b1\u03bd\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c4\u03c9\u03bd \u039d\u03b5\u03bf\u03c4\u03bf\u03cd\u03c1\u03ba\u03c9\u03bd \u03ba\u03b1\u03b9 \u03b7 \u03b9\u03c3\u03c4\u03bf\u03c1\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ae \u03b5\u03c0\u03b9\u03c3\u03ba\u03cc\u03c0\u03b7\u03c3\u03b7 \u03c4\u03bf\u03c5 \u039d\u03b9\u03ba\u03cc\u03bb\u03b1\u03bf\u03c5 \u03a3\u03b9\u03ce\u03ba\u03b7.\",\"b7\":\"\u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03b1 \u03b1\u03b4\u03ad\u03bb\u03c6\u03b9\u03b1 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1\",\"b99\":\"\u0388\u03c1\u03b3\u03b1 \u03c0\u03bb\u03b1\u03b9\u03c3\u03af\u03bf\u03c5 \u03ba\u03b1\u03b9 \u03c3\u03c5\u03b3\u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ac \u03ad\u03c1\u03b3\u03b1\",\"b112\":\"\u03a0\u03c1\u03c9\u03c4\u03bf\u03b3\u03b5\u03bd\u03b5\u03af\u03c2 \u03c0\u03b7\u03b3\u03ad\u03c2\",\"b122\":\"\u0394\u03b9\u03b1\u03b4\u03b9\u03ba\u03c4\u03c5\u03b1\u03ba\u03bf\u03af \u03c0\u03cc\u03c1\u03bf\u03b9\",\"b124\":\"<a href=\\\"https:\/\/eap.bl.uk\/project\/EAP1470\\\">British Library, Endangered Archives Programme, EAP1470<\\\/a>: \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03cc\u03c2 \u03ba\u03b1\u03c4\u03ac\u03bb\u03bf\u03b3\u03bf\u03c2 \u03b5\u03c0\u03b9\u03bb\u03b5\u03b3\u03bc\u03ad\u03bd\u03c9\u03bd \u03b5\u03b9\u03ba\u03cc\u03bd\u03c9\u03bd \u03ba\u03b1\u03b9 \u03b1\u03c1\u03c7\u03b5\u03b9\u03b1\u03ba\u03ce\u03bd \u03bc\u03bf\u03bd\u03ac\u03b4\u03c9\u03bd\u00b7 DOI \u03c4\u03bf\u03c5 \u03c0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 <a href=\\\"https:\/\/doi.org\/10.15130\/EAP1470\\\">10.15130\/EAP1470<\\\/a>.\",\"b125\":\"<a href=\\\"https:\/\/arhiv.gov.mk\/\\\">\u039a\u03c1\u03b1\u03c4\u03b9\u03ba\u03ac \u0391\u03c1\u03c7\u03b5\u03af\u03b1 \u03c4\u03b7\u03c2 \u0392\u03cc\u03c1\u03b5\u03b9\u03b1\u03c2 \u039c\u03b1\u03ba\u03b5\u03b4\u03bf\u03bd\u03af\u03b1\u03c2<\\\/a>, \u03a4\u03bc\u03ae\u03bc\u03b1 \u039c\u03c0\u03af\u03c4\u03bf\u03bb\u03b1: \u03c6\u03bf\u03c1\u03ad\u03b1\u03c2 \u03c6\u03cd\u03bb\u03b1\u03be\u03b7\u03c2 \u03c4\u03bf\u03c5 <b>Fonds 580<\\\/b> \u03c4\u03c9\u03bd \u03b1\u03b4\u03b5\u03bb\u03c6\u03ce\u03bd.\",\"b126\":\"<a href=\\\"https:\/\/kinoteka.mk\/filmski-arhiv\/\\\">\u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b8\u03ae\u03ba\u03b7 \u03c4\u03b7\u03c2 \u0392\u03cc\u03c1\u03b5\u03b9\u03b1\u03c2 \u039c\u03b1\u03ba\u03b5\u03b4\u03bf\u03bd\u03af\u03b1\u03c2, \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03cc \u03b1\u03c1\u03c7\u03b5\u03af\u03bf<\\\/a>: \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ac \u03c5\u03bb\u03b9\u03ba\u03ac \u03ba\u03b1\u03b9 \u03b5\u03b3\u03ba\u03b5\u03ba\u03c1\u03b9\u03bc\u03ad\u03bd\u03b1 \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ac \u03b1\u03bd\u03c4\u03af\u03b3\u03c1\u03b1\u03c6\u03b1.\",\"b127\":\"<a href=\\\"https:\/\/kinoteka.mk\/en\/chronologija\/\\\">\u03a7\u03c1\u03bf\u03bd\u03bf\u03bb\u03cc\u03b3\u03b9\u03bf \u03c4\u03b7\u03c2 \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b8\u03ae\u03ba\u03b7\u03c2<\\\/a>: \u03bf\u03b9 <b>\u03c3\u03c5\u03bc\u03b2\u03b1\u03c4\u03b9\u03ba\u03ad\u03c2<\\\/b> \u03c7\u03c1\u03bf\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b5\u03c2.\",\"b128\":\"<a href=\\\"https:\/\/arhiva.muzeultaranuluiroman.ro\/colectia\/fratii-manakia\\\">\u0391\u03c1\u03c7\u03b5\u03af\u03bf \u0395\u03b8\u03bd\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u03ae\u03c2 \u0395\u03b9\u03ba\u03cc\u03bd\u03b1\u03c2 \u03c4\u03bf\u03c5 MN\u021aR: \u03c3\u03c5\u03bb\u03bb\u03bf\u03b3\u03ae \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1<\\\/a>: \u03c8\u03b7\u03c6\u03b9\u03bf\u03c0\u03bf\u03b9\u03b7\u03bc\u03ad\u03bd\u03bf \u03b4\u03b5\u03af\u03b3\u03bc\u03b1 \u03bc\u03b5 \u03ba\u03c9\u03b4\u03b9\u03ba\u03bf\u03cd\u03c2 \u03c3\u03b5 \u03b5\u03c0\u03af\u03c0\u03b5\u03b4\u03bf \u03b1\u03bd\u03c4\u03b9\u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03bf\u03c5\u00b7 \u03b4\u03b5\u03bd \u03ba\u03b1\u03bb\u03cd\u03c0\u03c4\u03b5\u03b9 \u03bf\u03bb\u03cc\u03ba\u03bb\u03b7\u03c1\u03b7 \u03c4\u03b7 \u03c3\u03c5\u03bb\u03bb\u03bf\u03b3\u03ae.\",\"b129\":\"<a href=\\\"https:\/\/www.mntr.ro\/\\\">\u0395\u03b8\u03bd\u03b9\u03ba\u03cc \u039c\u03bf\u03c5\u03c3\u03b5\u03af\u03bf \u03c4\u03bf\u03c5 \u03a1\u03bf\u03c5\u03bc\u03ac\u03bd\u03bf\u03c5 \u03a7\u03c9\u03c1\u03b9\u03ba\u03bf\u03cd, \u0392\u03bf\u03c5\u03ba\u03bf\u03c5\u03c1\u03ad\u03c3\u03c4\u03b9<\\\/a>: \u03c3\u03c5\u03bb\u03bb\u03bf\u03b3\u03ad\u03c2, \u03ba\u03b1\u03c4\u03ac\u03bb\u03bf\u03b3\u03bf\u03b9 \u03ba\u03b1\u03b9 \u03b5\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03b5\u03ba\u03b8\u03ad\u03c3\u03b5\u03c9\u03bd.\",\"b130\":\"<a href=\\\"https:\/\/imma.edu.gr\/en\/events\/imma-in-florina\/\\\">\u039c\u03bf\u03c5\u03c3\u03b5\u03af\u03bf \u039c\u03b1\u03ba\u03b5\u03b4\u03bf\u03bd\u03b9\u03ba\u03bf\u03cd \u0391\u03b3\u03ce\u03bd\u03b1, \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7<\\\/a>: \u03b5\u03ba\u03b8\u03b5\u03c3\u03b9\u03b1\u03ba\u03cc \u03c5\u03bb\u03b9\u03ba\u03cc \u03c0\u03bf\u03c5 \u03c3\u03c5\u03bd\u03b4\u03ad\u03b5\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c4\u03b7 \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ae \u03c3\u03c5\u03bb\u03bb\u03bf\u03b3\u03ae \u03c4\u03bf\u03c5 \u039b\u03b5\u03c9\u03bd\u03af\u03b4\u03b1 \u039c\u03b1\u03bd\u03ac\u03ba\u03b7.\",\"b131\":\"<a href=\\\"https:\/\/www.vlahoi.net\/bookreviews\/i-istoria-mprosta-sto-fako-ton-adelfon-manakia\\\">Vlahoi.net<\\\/a>, \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae \u03b2\u03bb\u03ac\u03c7\u03b9\u03ba\u03b7 \u03c0\u03cd\u03bb\u03b7: \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03ba\u03c1\u03b9\u03c3\u03af\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03bd\u03b1\u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2 \u03b9\u03c3\u03c4\u03bf\u03c1\u03b9\u03ba\u03bf\u03cd \u03c5\u03bb\u03b9\u03ba\u03bf\u03cd. \u039f\u03b9 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03ba\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03b8\u03bd\u03b9\u03ba\u03ad\u03c2 \u03c4\u03bf\u03c5 \u03c4\u03bf\u03c0\u03bf\u03b8\u03b5\u03c4\u03ae\u03c3\u03b5\u03b9\u03c2 \u03c0\u03c1\u03ad\u03c0\u03b5\u03b9 \u03bd\u03b1 \u03b4\u03b9\u03b1\u03b2\u03ac\u03b6\u03bf\u03bd\u03c4\u03b1\u03b9 \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ac.\",\"b132\":\"<a href=\\\"https:\/\/openaccess.osmaniye.edu.tr\/items\/b26ea43f-138f-426b-adc4-0442b0d71500\\\">\u03a4\u03bf\u03c5\u03c1\u03ba\u03b9\u03ba\u03cc \u03b1\u03c0\u03bf\u03b8\u03b5\u03c4\u03ae\u03c1\u03b9\u03bf \u03b4\u03b9\u03b1\u03c4\u03c1\u03b9\u03b2\u03ce\u03bd, \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf Osmaniye Korkut Ata<\\\/a>, \u03b1\u03bd\u03bf\u03b9\u03c7\u03c4\u03ae \u03c0\u03c1\u03cc\u03c3\u03b2\u03b1\u03c3\u03b7 \u03c3\u03c4\u03b7 \u03b4\u03b9\u03b1\u03c4\u03c1\u03b9\u03b2\u03ae \u03c4\u03bf\u03c5 2024 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03c5\u03c2 \u039c\u03b1\u03bd\u03ac\u03ba\u03b9\u03b1.\",\"b133\":\"<a href=\\\"https:\/\/apothesis.eap.gr\/archive\/item\/214019\\\">\u0395\u03c1\u03b5\u03c5\u03bd\u03b7\u03c4\u03b9\u03ba\u03cc \u03b1\u03c0\u03bf\u03b8\u03b5\u03c4\u03ae\u03c1\u03b9\u03bf \u03c4\u03bf\u03c5 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u03cd \u0391\u03bd\u03bf\u03b9\u03ba\u03c4\u03bf\u03cd \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5<\\\/a>, \u03b4\u03b9\u03b1\u03c4\u03c1\u03b9\u03b2\u03ae \u03c4\u03bf\u03c5 2024 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03b4\u03b9\u03b1\u03c7\u03b5\u03af\u03c1\u03b9\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03b1\u03c1\u03c7\u03b5\u03af\u03bf\u03c5.\",\"b134\":\"<a href=\\\"https:\/\/bibnat.ro\/\\\">\u0395\u03b8\u03bd\u03b9\u03ba\u03ae \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03ae\u03ba\u03b7 \u03c4\u03b7\u03c2 \u03a1\u03bf\u03c5\u03bc\u03b1\u03bd\u03af\u03b1\u03c2<\\\/a>, \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ae \u03b5\u03c0\u03b9\u03b2\u03b5\u03b2\u03b1\u03af\u03c9\u03c3\u03b7 \u03b3\u03b9\u03b1 \u03c0\u03c1\u03cc\u03c3\u03c6\u03b1\u03c4\u03b5\u03c2 \u03c1\u03bf\u03c5\u03bc\u03b1\u03bd\u03b9\u03ba\u03ad\u03c2 \u03b5\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2.\",\"b135\":\"<a href=\\\"\/journal\/\\\"><i>Beyond Yesterday<\\\/i>, \u0397\u03bc\u03b5\u03c1\u03bf\u03bb\u03cc\u03b3\u03b9\u03bf<\\\/a>: \u03c4\u03b1 \u03b1\u03c1\u03c7\u03b5\u03b9\u03b1\u03ba\u03ac \u03b5\u03c5\u03c1\u03ae\u03bc\u03b1\u03c4\u03b1 \u03ba\u03b1\u03b9 \u03b7 \u03bf\u03c0\u03c4\u03b9\u03ba\u03ae \u03ad\u03c1\u03b5\u03c5\u03bd\u03b1 \u03c0\u03b5\u03b4\u03af\u03bf\u03c5 \u03c4\u03bf\u03c5 C\u0103t\u0103lin D. Constantin.\",\"b136\":\"<a href=\\\"https:\/\/www.karamitsos.com\/el\/product\/lot-08892-8\/\\\">\u039a\u03b1\u03c4\u03ac\u03bb\u03bf\u03b3\u03bf\u03c2 \u03b4\u03b7\u03bc\u03bf\u03c0\u03c1\u03b1\u03c3\u03b9\u03ce\u03bd Karamitsos<\\\/a> \u03ba\u03b1\u03b9 <a href=\\\"https:\/\/www.istanbulmuzayede.com\/en\/auction\/5375\/58-muzayede-online\/page\/2?tagId=5190\\\">Istanbul M\u00fczayede, \u03bb\u03b1\u03c7\u03b5\u03af\u03b1 Resneli Niyazi<\\\/a>: \u03c0\u03c1\u03c9\u03c4\u03cc\u03c4\u03c5\u03c0\u03b5\u03c2 \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b5\u03c2 \u03ae \u03b1\u03c0\u03bf\u03b4\u03b9\u03b4\u03cc\u03bc\u03b5\u03bd\u03b1 \u03c4\u03c5\u03c0\u03ce\u03bc\u03b1\u03c4\u03b1 \u03c0\u03bf\u03c5 \u03b5\u03bc\u03c6\u03b1\u03bd\u03af\u03c3\u03c4\u03b7\u03ba\u03b1\u03bd \u03ad\u03be\u03c9 \u03b1\u03c0\u03cc \u03c4\u03b9\u03c2 \u03c3\u03c5\u03bb\u03bb\u03bf\u03b3\u03ad\u03c2 \u03c4\u03c9\u03bd \u03bc\u03bf\u03c5\u03c3\u03b5\u03af\u03c9\u03bd. \u039f\u03b9 \u03c0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ad\u03c2 \u03c4\u03c9\u03bd \u03ba\u03b1\u03c4\u03b1\u03bb\u03cc\u03b3\u03c9\u03bd \u03c0\u03b1\u03c1\u03b1\u03bc\u03ad\u03bd\u03bf\u03c5\u03bd \u03b4\u03b7\u03bb\u03ce\u03c3\u03b5\u03b9\u03c2 \u03c4\u03c9\u03bd \u03c0\u03c9\u03bb\u03b7\u03c4\u03ce\u03bd.\",\"b139\":\"\u03a3\u03b7\u03bc\u03b5\u03b9\u03ce\u03c3\u03b5\u03b9\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03b7 \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1\",\"b140\":\"\u0397 \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03b8\u03b1 \u03c3\u03c5\u03bd\u03b5\u03c7\u03af\u03c3\u03b5\u03b9 \u03bd\u03b1 \u03bc\u03b5\u03b3\u03b1\u03bb\u03ce\u03bd\u03b5\u03b9. \u039f\u03c1\u03b9\u03c3\u03bc\u03ad\u03bd\u03b5\u03c2 \u03c0\u03b1\u03bb\u03b1\u03b9\u03cc\u03c4\u03b5\u03c1\u03b5\u03c2 \u03c0\u03b1\u03c1\u03b1\u03c0\u03bf\u03bc\u03c0\u03ad\u03c2 \u03c3\u03b5 \u03c0\u03b5\u03c1\u03b9\u03bf\u03b4\u03b9\u03ba\u03ac \u03c0\u03c1\u03bf\u03ad\u03c1\u03c7\u03bf\u03bd\u03c4\u03b1\u03b9 \u03b1\u03c0\u03cc \u03c4\u03bf\u03bd \u039d\u03b9\u03ba\u03cc\u03bb\u03b1\u03bf \u03a3\u03b9\u03ce\u03ba\u03b7 (2024, \u03c3. 314\u2013322), \u03b1\u03c0\u03cc \u03c4\u03b9\u03c2 \u03c0\u03b1\u03c1\u03b1\u03c0\u03bf\u03bc\u03c0\u03ad\u03c2 \u03c4\u03bf\u03c5 Gu\u0161tin (2023) \u03ba\u03b1\u03b9 \u03b1\u03c0\u03cc \u03c4\u03bf \u03c0\u03b1\u03bb\u03b1\u03b9\u03cc\u03c4\u03b5\u03c1\u03bf \u03c3\u03c5\u03b3\u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03cc \u03ad\u03c1\u03b3\u03bf \u03c4\u03bf\u03c5 \u021au\u021bui. \u0395\u03af\u03bd\u03b1\u03b9 \u03c0\u03b1\u03c1\u03b1\u03c0\u03bf\u03bc\u03c0\u03ad\u03c2 \u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1\u03c2, \u03cc\u03c0\u03c9\u03c2 \u03c0\u03b1\u03c1\u03b1\u03bb\u03ae\u03c6\u03b8\u03b7\u03ba\u03b1\u03bd\u00b7 \u03c4\u03b1 \u03c0\u03c1\u03c9\u03c4\u03cc\u03c4\u03c5\u03c0\u03b1 \u03b4\u03b5\u03bd \u03ad\u03c7\u03bf\u03c5\u03bd \u03bc\u03b5\u03bb\u03b5\u03c4\u03b7\u03b8\u03b5\u03af \u03ac\u03bc\u03b5\u03c3\u03b1.\",\"nvrephotography\":\"\u0391\u03bd\u03b1\u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03b7\u03c3\u03b7\",\"nvaromanians\":\"\u039f\u03b9 \u0392\u03bb\u03ac\u03c7\u03bf\u03b9\",\"nvfield-method\":\"\u039c\u03ad\u03b8\u03bf\u03b4\u03bf\u03c2 \u03c0\u03b5\u03b4\u03af\u03bf\u03c5\",\"nvgazetteer\":\"\u0395\u03c5\u03c1\u03b5\u03c4\u03ae\u03c1\u03b9\u03bf \u03c4\u03bf\u03c0\u03c9\u03bd\u03c5\u03bc\u03af\u03c9\u03bd\",\"nvfilm-chronology\":\"\u03a7\u03c1\u03bf\u03bd\u03bf\u03bb\u03cc\u03b3\u03b9\u03bf \u03c4\u03c9\u03bd \u03c4\u03b1\u03b9\u03bd\u03b9\u03ce\u03bd\",\"nvbibliography\":\"\u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1\",\"nvarchives\":\"\u0391\u03c1\u03c7\u03b5\u03b9\u03b1\u03ba\u03ad\u03c2 \u03c0\u03b7\u03b3\u03ad\u03c2\",\"nvpapers\":\"\u0395\u03c1\u03b5\u03c5\u03bd\u03b7\u03c4\u03b9\u03ba\u03ac \u03ba\u03b5\u03af\u03bc\u03b5\u03bd\u03b1\",\"nvmethods\":\"\u039c\u03ad\u03b8\u03bf\u03b4\u03bf\u03b9 \u03ba\u03b1\u03b9 \u03c3\u03c5\u03b6\u03b7\u03c4\u03ae\u03c3\u03b5\u03b9\u03c2\",\"nvhow-to-cite\":\"\u03a0\u03ce\u03c2 \u03bd\u03b1 \u03c0\u03b1\u03c1\u03b1\u03c0\u03ad\u03bc\u03c0\u03b5\u03c4\u03b5\",\"c0\":\"\u0392\u03bb\u03ac\u03c7\u03bf\u03b9 \u03ba\u03b1\u03b9 \u0392\u03b1\u03bb\u03ba\u03ac\u03bd\u03b9\u03b1: \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03c0\u03bb\u03b1\u03b9\u03c3\u03af\u03bf\u03c5\",\"f0\":\"\u03a4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ad\u03c2 \u03b5\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2\"},\"sq\":{\"t\":\"Bibliografia\",\"l\":\"Nj\u00eb bibliografi pune p\u00ebr tem\u00ebn: libra, artikuj, teza, filma, shtyp dhe burime online, n\u00eb gjuh\u00ebt n\u00eb t\u00eb cilat ekzistojn\u00eb.\",\"bc\":\"K\u00ebrkimi\",\"b4\":\"Dy v\u00ebllez\u00ebr lan\u00eb nj\u00eb arkiv t\u00eb shp\u00ebrndar\u00eb p\u00ebrtej kufijve, institucioneve dhe gjuh\u00ebve, dhe literatura p\u00ebr ta \u00ebsht\u00eb e shp\u00ebrndar\u00eb n\u00eb t\u00eb nj\u00ebjt\u00ebn m\u00ebnyr\u00eb. Kjo bibliografi bashkon botime nga Rumania, Maqedonia e Veriut dhe ish-Jugosllavia, Greqia, Turqia, Shqip\u00ebria dhe k\u00ebrkimi nd\u00ebrkomb\u00ebtar.\",\"b5\":\"<b>\u00c7far\u00eb \u00ebsht\u00eb.<\\\/b> Nj\u00eb inventar i fush\u00ebs: d\u00ebshmi t\u00eb hershme, albume fotografike, monografi, katalog\u00eb ekspozitash, artikuj, teza, studime arkivore, filma, reportazhe gazetash dhe burime n\u00eb internet. Disa tituj u konsultuan drejtp\u00ebrdrejt; t\u00eb tjer\u00ebt njihen vet\u00ebm nga citimet n\u00eb vepra t\u00eb tjera; jo t\u00eb gjith\u00eb jan\u00eb lexuar. Lista \u00ebsht\u00eb nj\u00eb pun\u00eb n\u00eb vazhdim dhe synon t\u00eb jet\u00eb pik\u00ebnisje p\u00ebr studiuesin. Hyrjet grupohen n\u00eb literatur\u00eb p\u00ebr v\u00ebllez\u00ebrit Manaki, vepra kontekstuale dhe krahasuese, dhe burime par\u00ebsore. Pas nj\u00eb hyrjeje vjen nj\u00eb lidhje kur ekziston nj\u00eb regjistrim katalogu ose nj\u00eb tekst dixhital. P\u00ebrkthimet n\u00eb kllapa katrore jan\u00eb ndihma redaktoriale, jo tituj zyrtar\u00eb; drejtshkrimet origjinale dhe emrat historik\u00eb t\u00eb institucioneve ruhen.\",\"b6\":\"Lexime t\u00eb mira p\u00ebr fillim jan\u00eb studimi i Ioana Popescu-s p\u00ebr fotografit\u00eb etnografike rumune, k\u00ebrkimet e Igor Stardelov-it p\u00ebr filmin, analiza nd\u00ebrballkanike e Marian \u021au\u021bui-t, botimet arkivore t\u00eb Emil \u021a\u00eercomnicu-t, puna e Saadet \u00d6zen p\u00ebr Revolucionin xhonturk dhe v\u00ebshtrimi historiografik i Nikolaos Siokis-it.\",\"b7\":\"Literatura p\u00ebr v\u00ebllez\u00ebrit Manaki\",\"b99\":\"Vepra kontekstuale dhe krahasuese\",\"b112\":\"Burime par\u00ebsore\",\"b122\":\"Burime online\",\"b124\":\"<a href=\\\"https:\/\/eap.bl.uk\/project\/EAP1470\\\">British Library, Endangered Archives Programme, EAP1470<\\\/a>: katalog dixhital i imazheve dhe nj\u00ebsive arkivore t\u00eb p\u00ebrzgjedhura; DOI i projektit <a href=\\\"https:\/\/doi.org\/10.15130\/EAP1470\\\">10.15130\/EAP1470<\\\/a>.\",\"b125\":\"<a href=\\\"https:\/\/arhiv.gov.mk\/\\\">Arkivi Shtet\u00ebror i Maqedonis\u00eb s\u00eb Veriut<\\\/a>, Dega Manastir: ruajt\u00ebsi i <b>Fondit 580<\\\/b> t\u00eb v\u00ebllez\u00ebrve.\",\"b126\":\"<a href=\\\"https:\/\/kinoteka.mk\/filmski-arhiv\/\\\">Kinoteka e Maqedonis\u00eb s\u00eb Veriut, arkivi filmik<\\\/a>: elemente filmike dhe kopje dixhitale t\u00eb autorizuara.\",\"b127\":\"<a href=\\\"https:\/\/kinoteka.mk\/en\/chronologija\/\\\">Kronologjia e Kinotek\u00ebs<\\\/a>: datat <b>konvencionale<\\\/b>.\",\"b128\":\"<a href=\\\"https:\/\/arhiva.muzeultaranuluiroman.ro\/colectia\/fratii-manakia\\\">Arkivi i Imazhit Etnologjik i MN\u021aR: koleksioni Manaki<\\\/a>: nj\u00eb kampion i dixhitalizuar me identifikues n\u00eb nivel objekti; nuk e mbulon t\u00eb gjith\u00eb koleksionin.\",\"b129\":\"<a href=\\\"https:\/\/www.mntr.ro\/\\\">Muzeu Komb\u00ebtar i Fshatarit Rumun, Bukuresht<\\\/a>: koleksione, katalog\u00eb dhe botime ekspozitash.\",\"b130\":\"<a href=\\\"https:\/\/imma.edu.gr\/en\/events\/imma-in-florina\/\\\">Muzeu i Luft\u00ebs Maqedonase, Selanik<\\\/a>: materiale ekspozite t\u00eb lidhura me koleksionin fotografik Leonidas Manakis.\",\"b131\":\"<a href=\\\"https:\/\/www.vlahoi.net\/bookreviews\/i-istoria-mprosta-sto-fako-ton-adelfon-manakia\\\">Vlahoi.net<\\\/a>, nj\u00eb portal grek arumun: recensione librash dhe ribotime materialesh historike. Deklaratat e tij politike dhe komb\u00ebtare duhen lexuar me sy kritik.\",\"b132\":\"<a href=\\\"https:\/\/openaccess.osmaniye.edu.tr\/items\/b26ea43f-138f-426b-adc4-0442b0d71500\\\">Depoja turke e tezave, Universiteti Osmaniye Korkut Ata<\\\/a>, akses i hapur te teza e vitit 2024 p\u00ebr v\u00ebllez\u00ebrit Manaki.\",\"b133\":\"<a href=\\\"https:\/\/apothesis.eap.gr\/archive\/item\/214019\\\">Depoja k\u00ebrkimore e Universitetit t\u00eb Hapur Helen<\\\/a>, tez\u00eb e vitit 2024 p\u00ebr menaxhimin kulturor t\u00eb arkivit.\",\"b134\":\"<a href=\\\"https:\/\/bibnat.ro\/\\\">Biblioteka Komb\u00ebtare e Rumanis\u00eb<\\\/a>, konfirmim bibliografik p\u00ebr botimet e fundit rumune.\",\"b135\":\"<a href=\\\"\/journal\/\\\"><i>P\u00ebrtej s\u00eb djeshmes!<\\\/i>, Ditar<\\\/a>: gjetjet arkivore dhe k\u00ebrkimi vizual n\u00eb terren i C\u0103t\u0103lin D. Constantin.\",\"b136\":\"<a href=\\\"https:\/\/www.karamitsos.com\/el\/product\/lot-08892-8\/\\\">Katalogu i ankandit Karamitsos<\\\/a> dhe <a href=\\\"https:\/\/www.istanbulmuzayede.com\/en\/auction\/5375\/58-muzayede-online\/page\/2?tagId=5190\\\">Istanbul M\u00fczayede, lotet Resneli Niyazi<\\\/a>: fotografi origjinale ose kopje t\u00eb atribuuara q\u00eb jan\u00eb shfaqur jasht\u00eb koleksioneve muzeale. P\u00ebrshkrimet e katalog\u00ebve mbeten pohime t\u00eb shit\u00ebsve.\",\"b139\":\"Sh\u00ebnime p\u00ebr bibliografin\u00eb\",\"b140\":\"Bibliografia do t\u00eb vazhdoj\u00eb t\u00eb rritet. Disa referenca m\u00eb t\u00eb vjetra periodik\u00ebsh u mor\u00ebn nga Nikolaos Siokis (2024, f. 314\u2013322), nga referencat te Gu\u0161tin (2023) dhe nga puna e m\u00ebparshme krahasuese e \u021au\u021bui-t. Jan\u00eb referenca pune, t\u00eb marra ashtu si\u00e7 jan\u00eb; origjinalet nuk jan\u00eb konsultuar drejtp\u00ebrdrejt.\",\"nvrephotography\":\"Rifotografimi\",\"nvaromanians\":\"Arumun\u00ebt\",\"nvfield-method\":\"Metoda n\u00eb terren\",\"nvgazetteer\":\"Regjistri i toponimeve\",\"nvfilm-chronology\":\"Kronologjia e filmave\",\"nvbibliography\":\"Bibliografia\",\"nvarchives\":\"Burime arkivore\",\"nvpapers\":\"Studime k\u00ebrkimore\",\"nvmethods\":\"Metoda dhe debate\",\"nvhow-to-cite\":\"Si t\u00eb citohet\",\"c0\":\"Arumun\u00ebt dhe Ballkani: literatur\u00eb konteksti\",\"f0\":\"Filma dhe botime filmike\"},\"mk\":{\"t\":\"\u0411\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430\",\"l\":\"\u0420\u0430\u0431\u043e\u0442\u043d\u0430 \u0431\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430 \u043d\u0430 \u0442\u0435\u043c\u0430\u0442\u0430: \u043a\u043d\u0438\u0433\u0438, \u0441\u0442\u0430\u0442\u0438\u0438, \u0442\u0435\u0437\u0438, \u0444\u0438\u043b\u043c\u043e\u0432\u0438, \u043f\u0435\u0447\u0430\u0442 \u0438 \u0438\u0437\u0432\u043e\u0440\u0438 \u043d\u0430 \u0438\u043d\u0442\u0435\u0440\u043d\u0435\u0442, \u043d\u0430 \u0458\u0430\u0437\u0438\u0446\u0438\u0442\u0435 \u043d\u0430 \u043a\u043e\u0438 \u043f\u043e\u0441\u0442\u043e\u0458\u0430\u0442.\",\"bc\":\"\u0418\u0441\u0442\u0440\u0430\u0436\u0443\u0432\u0430\u045a\u0435\",\"b4\":\"\u0414\u0432\u0430\u0458\u0446\u0430 \u0431\u0440\u0430\u045c\u0430 \u043e\u0441\u0442\u0430\u0432\u0438\u043b\u0435 \u0430\u0440\u0445\u0438\u0432\u0430 \u0440\u0430\u0441\u0444\u0440\u043b\u0430\u043d\u0430 \u043f\u0440\u0435\u043a\u0443 \u0433\u0440\u0430\u043d\u0438\u0446\u0438, \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0446\u0438\u0438 \u0438 \u0458\u0430\u0437\u0438\u0446\u0438, \u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430\u0442\u0430 \u0437\u0430 \u043d\u0438\u0432 \u0435 \u0440\u0430\u0441\u0444\u0440\u043b\u0430\u043d\u0430 \u043d\u0430 \u0438\u0441\u0442 \u043d\u0430\u0447\u0438\u043d. \u041e\u0432\u0430\u0430 \u0431\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430 \u0433\u0438 \u0441\u043e\u0431\u0438\u0440\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438\u0442\u0435 \u043e\u0434 \u0420\u043e\u043c\u0430\u043d\u0438\u0458\u0430, \u0421\u0435\u0432\u0435\u0440\u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430 \u0438 \u043f\u043e\u0440\u0430\u043d\u0435\u0448\u043d\u0430 \u0408\u0443\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u0458\u0430, \u0413\u0440\u0446\u0438\u0458\u0430, \u0422\u0443\u0440\u0446\u0438\u0458\u0430, \u0410\u043b\u0431\u0430\u043d\u0438\u0458\u0430 \u0438 \u043e\u0434 \u043c\u0435\u0453\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u0438\u0442\u0435 \u0438\u0441\u0442\u0440\u0430\u0436\u0443\u0432\u0430\u045a\u0430.\",\"b5\":\"<b>\u0428\u0442\u043e \u0435 \u043e\u0432\u0430.<\\\/b> \u0418\u043d\u0432\u0435\u043d\u0442\u0430\u0440 \u043d\u0430 \u043f\u043e\u043b\u0435\u0442\u043e: \u0440\u0430\u043d\u0438 \u0441\u0432\u0435\u0434\u043e\u0448\u0442\u0432\u0430, \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0438 \u0430\u043b\u0431\u0443\u043c\u0438, \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0438, \u043a\u0430\u0442\u0430\u043b\u043e\u0437\u0438 \u043e\u0434 \u0438\u0437\u043b\u043e\u0436\u0431\u0438, \u0441\u0442\u0430\u0442\u0438\u0438, \u0442\u0435\u0437\u0438, \u0430\u0440\u0445\u0438\u0432\u0441\u043a\u0438 \u0441\u0442\u0443\u0434\u0438\u0438, \u0444\u0438\u043b\u043c\u043e\u0432\u0438, \u043d\u0430\u043f\u0438\u0441\u0438 \u0432\u043e \u0432\u0435\u0441\u043d\u0438\u0446\u0438 \u0438 \u0438\u0437\u0432\u043e\u0440\u0438 \u043d\u0430 \u0438\u043d\u0442\u0435\u0440\u043d\u0435\u0442. \u041d\u0435\u043a\u043e\u0438 \u043d\u0430\u0441\u043b\u043e\u0432\u0438 \u0441\u0435 \u043a\u043e\u043d\u0441\u0443\u043b\u0442\u0438\u0440\u0430\u043d\u0438 \u043d\u0435\u043f\u043e\u0441\u0440\u0435\u0434\u043d\u043e; \u0434\u0440\u0443\u0433\u0438 \u0441\u0435 \u043f\u043e\u0437\u043d\u0430\u0442\u0438 \u0441\u0430\u043c\u043e \u043e\u0434 \u0446\u0438\u0442\u0430\u0442\u0438 \u0432\u043e \u0434\u0440\u0443\u0433\u0438 \u0434\u0435\u043b\u0430; \u043d\u0435 \u0441\u0438\u0442\u0435 \u0441\u0435 \u043f\u0440\u043e\u0447\u0438\u0442\u0430\u043d\u0438. \u0421\u043f\u0438\u0441\u043e\u043a\u043e\u0442 \u0435 \u0440\u0430\u0431\u043e\u0442\u0430 \u0432\u043e \u0442\u0435\u043a \u0438 \u0435 \u0437\u0430\u043c\u0438\u0441\u043b\u0435\u043d \u043a\u0430\u043a\u043e \u043f\u043e\u0447\u0435\u0442\u043d\u0430 \u0442\u043e\u0447\u043a\u0430 \u0437\u0430 \u0438\u0441\u0442\u0440\u0430\u0436\u0443\u0432\u0430\u0447\u043e\u0442. \u0417\u0430\u043f\u0438\u0441\u0438\u0442\u0435 \u0441\u0435 \u0433\u0440\u0443\u043f\u0438\u0440\u0430\u043d\u0438 \u0432\u043e \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0437\u0430 \u0431\u0440\u0430\u045c\u0430\u0442\u0430 \u041c\u0430\u043d\u0430\u043a\u0438, \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443\u0430\u043b\u043d\u0438 \u0438 \u0441\u043f\u043e\u0440\u0435\u0434\u0431\u0435\u043d\u0438 \u0434\u0435\u043b\u0430 \u0438 \u043f\u0440\u0438\u043c\u0430\u0440\u043d\u0438 \u0438\u0437\u0432\u043e\u0440\u0438. \u041f\u043e \u0437\u0430\u043f\u0438\u0441\u043e\u0442 \u0441\u043b\u0435\u0434\u0443\u0432\u0430 \u0432\u0440\u0441\u043a\u0430 \u0442\u0430\u043c\u0443 \u043a\u0430\u0434\u0435 \u0448\u0442\u043e \u043f\u043e\u0441\u0442\u043e\u0438 \u043a\u0430\u0442\u0430\u043b\u043e\u0448\u043a\u0438 \u0437\u0430\u043f\u0438\u0441 \u0438\u043b\u0438 \u0434\u0438\u0433\u0438\u0442\u0430\u043b\u0435\u043d \u0442\u0435\u043a\u0441\u0442. \u041f\u0440\u0435\u0432\u043e\u0434\u0438\u0442\u0435 \u0432\u043e \u0430\u0433\u043b\u0435\u0441\u0442\u0438 \u0437\u0430\u0433\u0440\u0430\u0434\u0438 \u0441\u0435 \u0443\u0440\u0435\u0434\u043d\u0438\u0447\u043a\u0438 \u043f\u043e\u043c\u0430\u0433\u0430\u043b\u0430, \u0430 \u043d\u0435 \u043e\u0444\u0438\u0446\u0438\u0458\u0430\u043b\u043d\u0438 \u043d\u0430\u0441\u043b\u043e\u0432\u0438; \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u043d\u043e\u0442\u043e \u043f\u0438\u0448\u0443\u0432\u0430\u045a\u0435 \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0441\u043a\u0438\u0442\u0435 \u0438\u043c\u0438\u045a\u0430 \u043d\u0430 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0446\u0438\u0438\u0442\u0435 \u0441\u0435 \u0437\u0430\u0434\u0440\u0436\u0430\u043d\u0438.\",\"b6\":\"\u0414\u043e\u0431\u0440\u0438 \u043f\u0440\u0432\u0438 \u0447\u0438\u0442\u0430\u045a\u0430 \u0441\u0435 \u0441\u0442\u0443\u0434\u0438\u0458\u0430\u0442\u0430 \u043d\u0430 \u0418\u043e\u0430\u043d\u0430 \u041f\u043e\u043f\u0435\u0441\u043a\u0443 \u0437\u0430 \u0440\u043e\u043c\u0430\u043d\u0441\u043a\u0438\u0442\u0435 \u0435\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0438 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0438, \u0444\u0438\u043b\u043c\u0441\u043a\u0438\u0442\u0435 \u0438\u0441\u0442\u0440\u0430\u0436\u0443\u0432\u0430\u045a\u0430 \u043d\u0430 \u0418\u0433\u043e\u0440 \u0421\u0442\u0430\u0440\u0434\u0435\u043b\u043e\u0432, \u0442\u0440\u0430\u043d\u0441\u0431\u0430\u043b\u043a\u0430\u043d\u0441\u043a\u0430\u0442\u0430 \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u043d\u0430 \u041c\u0430\u0440\u0438\u0458\u0430\u043d \u0426\u0443\u0446\u0443\u0438, \u0430\u0440\u0445\u0438\u0432\u0441\u043a\u0438\u0442\u0435 \u0438\u0437\u0434\u0430\u043d\u0438\u0458\u0430 \u043d\u0430 \u0415\u043c\u0438\u043b \u0426\u0438\u0440\u043a\u043e\u043d\u0438\u043a\u0443, \u0442\u0440\u0443\u0434\u043e\u0432\u0438\u0442\u0435 \u043d\u0430 \u0421\u0430\u0434\u0435\u0442 \u041e\u0437\u0435\u043d \u0437\u0430 \u041c\u043b\u0430\u0434\u043e\u0442\u0443\u0440\u0441\u043a\u0430\u0442\u0430 \u0440\u0435\u0432\u043e\u043b\u0443\u0446\u0438\u0458\u0430 \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0438\u043e\u0442 \u043f\u0440\u0435\u0433\u043b\u0435\u0434 \u043d\u0430 \u041d\u0438\u043a\u043e\u043b\u0430\u043e\u0441 \u0421\u0438\u043e\u043a\u0438\u0441.\",\"b7\":\"\u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0437\u0430 \u0431\u0440\u0430\u045c\u0430\u0442\u0430 \u041c\u0430\u043d\u0430\u043a\u0438\",\"b112\":\"\u041f\u0440\u0438\u043c\u0430\u0440\u043d\u0438 \u0438\u0437\u0432\u043e\u0440\u0438\",\"b122\":\"\u0418\u0437\u0432\u043e\u0440\u0438 \u043d\u0430 \u0438\u043d\u0442\u0435\u0440\u043d\u0435\u0442\",\"b124\":\"<a href=\\\"https:\/\/eap.bl.uk\/project\/EAP1470\\\">British Library, Endangered Archives Programme, EAP1470<\\\/a>: \u0434\u0438\u0433\u0438\u0442\u0430\u043b\u0435\u043d \u043a\u0430\u0442\u0430\u043b\u043e\u0433 \u043d\u0430 \u043e\u0434\u0431\u0440\u0430\u043d\u0438 \u0441\u043b\u0438\u043a\u0438 \u0438 \u0430\u0440\u0445\u0438\u0432\u0441\u043a\u0438 \u0435\u0434\u0438\u043d\u0438\u0446\u0438; DOI \u043d\u0430 \u043f\u0440\u043e\u0435\u043a\u0442\u043e\u0442 <a href=\\\"https:\/\/doi.org\/10.15130\/EAP1470\\\">10.15130\/EAP1470<\\\/a>.\",\"b125\":\"<a href=\\\"https:\/\/arhiv.gov.mk\/\\\">\u0414\u0440\u0436\u0430\u0432\u0435\u043d \u0430\u0440\u0445\u0438\u0432 \u043d\u0430 \u0421\u0435\u0432\u0435\u0440\u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430<\\\/a>, \u041e\u0434\u0434\u0435\u043b\u0435\u043d\u0438\u0435 \u0411\u0438\u0442\u043e\u043b\u0430: \u0447\u0443\u0432\u0430\u0440 \u043d\u0430 <b>\u0424\u043e\u043d\u0434\u043e\u0442 580<\\\/b> \u043d\u0430 \u0431\u0440\u0430\u045c\u0430\u0442\u0430.\",\"b126\":\"<a href=\\\"https:\/\/kinoteka.mk\/filmski-arhiv\/\\\">\u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u0421\u0435\u0432\u0435\u0440\u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u0458\u0430, \u0444\u0438\u043b\u043c\u0441\u043a\u0430 \u0430\u0440\u0445\u0438\u0432\u0430<\\\/a>: \u0444\u0438\u043b\u043c\u0441\u043a\u0438 \u0435\u043b\u0435\u043c\u0435\u043d\u0442\u0438 \u0438 \u043e\u0432\u043b\u0430\u0441\u0442\u0435\u043d\u0438 \u0434\u0438\u0433\u0438\u0442\u0430\u043b\u043d\u0438 \u043a\u043e\u043f\u0438\u0438.\",\"b127\":\"<a href=\\\"https:\/\/kinoteka.mk\/en\/chronologija\/\\\">\u0425\u0440\u043e\u043d\u043e\u043b\u043e\u0433\u0438\u0458\u0430 \u043d\u0430 \u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430\u0442\u0430<\\\/a>: <b>\u043a\u043e\u043d\u0432\u0435\u043d\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438\u0442\u0435<\\\/b> \u0434\u0430\u0442\u0443\u043c\u0438.\",\"b128\":\"<a href=\\\"https:\/\/arhiva.muzeultaranuluiroman.ro\/colectia\/fratii-manakia\\\">\u0415\u0442\u043d\u043e\u043b\u043e\u0448\u043a\u0430 \u0430\u0440\u0445\u0438\u0432\u0430 \u043d\u0430 \u0441\u043b\u0438\u043a\u0438 \u043d\u0430 MN\u021aR: \u0437\u0431\u0438\u0440\u043a\u0430 \u041c\u0430\u043d\u0430\u043a\u0438<\\\/a>: \u0434\u0438\u0433\u0438\u0442\u0430\u043b\u0438\u0437\u0438\u0440\u0430\u043d \u043f\u0440\u0438\u043c\u0435\u0440\u043e\u043a \u0441\u043e \u0438\u0434\u0435\u043d\u0442\u0438\u0444\u0438\u043a\u0430\u0442\u043e\u0440\u0438 \u043d\u0430 \u043d\u0438\u0432\u043e \u043d\u0430 \u043f\u0440\u0435\u0434\u043c\u0435\u0442; \u043d\u0435 \u0458\u0430 \u043e\u043f\u0444\u0430\u045c\u0430 \u0446\u0435\u043b\u0430\u0442\u0430 \u0437\u0431\u0438\u0440\u043a\u0430.\",\"b129\":\"<a href=\\\"https:\/\/www.mntr.ro\/\\\">\u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u0435\u043d \u043c\u0443\u0437\u0435\u0458 \u043d\u0430 \u0440\u0443\u043c\u0443\u043d\u0441\u043a\u0438\u043e\u0442 \u0441\u0435\u043b\u0430\u043d\u0435\u0446, \u0411\u0443\u043a\u0443\u0440\u0435\u0448\u0442<\\\/a>: \u0437\u0431\u0438\u0440\u043a\u0438, \u043a\u0430\u0442\u0430\u043b\u043e\u0437\u0438 \u0438 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438 \u043e\u0434 \u0438\u0437\u043b\u043e\u0436\u0431\u0438.\",\"b130\":\"<a href=\\\"https:\/\/imma.edu.gr\/en\/events\/imma-in-florina\/\\\">\u041c\u0443\u0437\u0435\u0458 \u043d\u0430 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0430\u0442\u0430 \u0431\u043e\u0440\u0431\u0430, \u0421\u043e\u043b\u0443\u043d<\\\/a>: \u043c\u0430\u0442\u0435\u0440\u0438\u0458\u0430\u043b\u0438 \u043e\u0434 \u0438\u0437\u043b\u043e\u0436\u0431\u0438 \u043f\u043e\u0432\u0440\u0437\u0430\u043d\u0438 \u0441\u043e \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0430\u0442\u0430 \u0437\u0431\u0438\u0440\u043a\u0430 \u043d\u0430 \u041b\u0435\u043e\u043d\u0438\u0434\u0430\u0441 \u041c\u0430\u043d\u0430\u043a\u0438\u0441.\",\"b131\":\"<a href=\\\"https:\/\/www.vlahoi.net\/bookreviews\/i-istoria-mprosta-sto-fako-ton-adelfon-manakia\\\">Vlahoi.net<\\\/a>, \u0433\u0440\u0447\u043a\u0438 \u0430\u0440\u043e\u043c\u0430\u043d\u0441\u043a\u0438 \u043f\u043e\u0440\u0442\u0430\u043b: \u043f\u0440\u0438\u043a\u0430\u0437\u0438 \u043d\u0430 \u043a\u043d\u0438\u0433\u0438 \u0438 \u043f\u0440\u0435\u043f\u0435\u0447\u0430\u0442\u0435\u043d\u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0441\u043a\u0438 \u043c\u0430\u0442\u0435\u0440\u0438\u0458\u0430\u043b\u0438. \u041d\u0435\u0433\u043e\u0432\u0438\u0442\u0435 \u043f\u043e\u043b\u0438\u0442\u0438\u0447\u043a\u0438 \u0438 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438 \u0441\u0442\u0430\u0432\u043e\u0432\u0438 \u0442\u0440\u0435\u0431\u0430 \u0434\u0430 \u0441\u0435 \u0447\u0438\u0442\u0430\u0430\u0442 \u043a\u0440\u0438\u0442\u0438\u0447\u043a\u0438.\",\"b132\":\"<a href=\\\"https:\/\/openaccess.osmaniye.edu.tr\/items\/b26ea43f-138f-426b-adc4-0442b0d71500\\\">\u0422\u0443\u0440\u0441\u043a\u0438 \u0440\u0435\u043f\u043e\u0437\u0438\u0442\u043e\u0440\u0438\u0443\u043c \u043d\u0430 \u0442\u0435\u0437\u0438, \u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442 \u201e\u041e\u0441\u043c\u0430\u043d\u0438\u0458\u0435 \u041a\u043e\u0440\u043a\u0443\u0442 \u0410\u0442\u0430\u201c<\\\/a>, \u043e\u0442\u0432\u043e\u0440\u0435\u043d \u043f\u0440\u0438\u0441\u0442\u0430\u043f \u0434\u043e \u0442\u0435\u0437\u0430\u0442\u0430 \u0437\u0430 \u0431\u0440\u0430\u045c\u0430\u0442\u0430 \u041c\u0430\u043d\u0430\u043a\u0438 \u043e\u0434 2024 \u0433\u043e\u0434\u0438\u043d\u0430.\",\"b133\":\"<a href=\\\"https:\/\/apothesis.eap.gr\/archive\/item\/214019\\\">\u0418\u0441\u0442\u0440\u0430\u0436\u0443\u0432\u0430\u0447\u043a\u0438 \u0440\u0435\u043f\u043e\u0437\u0438\u0442\u043e\u0440\u0438\u0443\u043c \u043d\u0430 \u0413\u0440\u0447\u043a\u0438\u043e\u0442 \u043e\u0442\u0432\u043e\u0440\u0435\u043d \u0443\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442<\\\/a>, \u0442\u0435\u0437\u0430 \u043e\u0434 2024 \u0433\u043e\u0434\u0438\u043d\u0430 \u0437\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u043e\u0442\u043e \u0443\u043f\u0440\u0430\u0432\u0443\u0432\u0430\u045a\u0435 \u0441\u043e \u0430\u0440\u0445\u0438\u0432\u0430\u0442\u0430.\",\"b134\":\"<a href=\\\"https:\/\/bibnat.ro\/\\\">\u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0430 \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u0420\u043e\u043c\u0430\u043d\u0438\u0458\u0430<\\\/a>, \u0431\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0430 \u043f\u043e\u0442\u0432\u0440\u0434\u0430 \u0437\u0430 \u043f\u043e\u043d\u043e\u0432\u0438\u0442\u0435 \u0440\u043e\u043c\u0430\u043d\u0441\u043a\u0438 \u0438\u0437\u0434\u0430\u043d\u0438\u0458\u0430.\",\"b135\":\"<a href=\\\"\/journal\/\\\"><i>\u041e\u0442\u0430\u0434\u0435 \u0432\u0447\u0435\u0440\u0430<\\\/i>, \u0414\u043d\u0435\u0432\u043d\u0438\u043a<\\\/a>: \u0430\u0440\u0445\u0438\u0432\u0441\u043a\u0438\u0442\u0435 \u043d\u0430\u043e\u0434\u0438 \u0438 \u0432\u0438\u0437\u0443\u0435\u043b\u043d\u0438\u0442\u0435 \u0442\u0435\u0440\u0435\u043d\u0441\u043a\u0438 \u0438\u0441\u0442\u0440\u0430\u0436\u0443\u0432\u0430\u045a\u0430 \u043d\u0430 C\u0103t\u0103lin D. Constantin.\",\"b136\":\"<a href=\\\"https:\/\/www.karamitsos.com\/el\/product\/lot-08892-8\/\\\">\u0410\u0443\u043a\u0446\u0438\u0441\u043a\u0438 \u043a\u0430\u0442\u0430\u043b\u043e\u0433 Karamitsos<\\\/a> \u0438 <a href=\\\"https:\/\/www.istanbulmuzayede.com\/en\/auction\/5375\/58-muzayede-online\/page\/2?tagId=5190\\\">Istanbul M\u00fczayede, \u043b\u043e\u0442\u043e\u0432\u0438 Resneli Niyazi<\\\/a>: \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u043d\u0438 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0438 \u0438\u043b\u0438 \u0430\u0442\u0440\u0438\u0431\u0443\u0438\u0440\u0430\u043d\u0438 \u043e\u0442\u043f\u0435\u0447\u0430\u0442\u043e\u0446\u0438 \u0448\u0442\u043e \u0441\u0435 \u043f\u043e\u0458\u0430\u0432\u0438\u043b\u0435 \u043d\u0430\u0434\u0432\u043e\u0440 \u043e\u0434 \u043c\u0443\u0437\u0435\u0458\u0441\u043a\u0438\u0442\u0435 \u0437\u0431\u0438\u0440\u043a\u0438. \u041e\u043f\u0438\u0441\u0438\u0442\u0435 \u0432\u043e \u043a\u0430\u0442\u0430\u043b\u043e\u0437\u0438\u0442\u0435 \u043e\u0441\u0442\u0430\u043d\u0443\u0432\u0430\u0430\u0442 \u0442\u0432\u0440\u0434\u0435\u045a\u0430 \u043d\u0430 \u043f\u0440\u043e\u0434\u0430\u0432\u0430\u0447\u0438\u0442\u0435.\",\"b139\":\"\u0411\u0435\u043b\u0435\u0448\u043a\u0438 \u0437\u0430 \u0431\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430\u0442\u0430\",\"b140\":\"\u0411\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430\u0442\u0430 \u045c\u0435 \u043f\u0440\u043e\u0434\u043e\u043b\u0436\u0438 \u0434\u0430 \u0440\u0430\u0441\u0442\u0435. \u041d\u0435\u043a\u043e\u0438 \u043f\u043e\u0441\u0442\u0430\u0440\u0438 \u0440\u0435\u0444\u0435\u0440\u0435\u043d\u0446\u0438 \u043e\u0434 \u043f\u0435\u0440\u0438\u043e\u0434\u0438\u043a\u0430\u0442\u0430 \u0441\u0435 \u043f\u0440\u0435\u0437\u0435\u043c\u0435\u043d\u0438 \u043e\u0434 \u041d\u0438\u043a\u043e\u043b\u0430\u043e\u0441 \u0421\u0438\u043e\u043a\u0438\u0441 (2024, \u0441\u0442\u0440. 314\u2013322), \u043e\u0434 \u0440\u0435\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0442\u0435 \u043a\u0430\u0458 \u0413\u0443\u0448\u0442\u0438\u043d (2023) \u0438 \u043e\u0434 \u043f\u043e\u0440\u0430\u043d\u0435\u0448\u043d\u0438\u0442\u0435 \u0441\u043f\u043e\u0440\u0435\u0434\u0431\u0435\u043d\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0438 \u043d\u0430 \u0426\u0443\u0446\u0443\u0438. \u0422\u043e\u0430 \u0441\u0435 \u0440\u0430\u0431\u043e\u0442\u043d\u0438 \u0440\u0435\u0444\u0435\u0440\u0435\u043d\u0446\u0438, \u043f\u0440\u0435\u0437\u0435\u043c\u0435\u043d\u0438 \u043a\u0430\u043a\u043e \u0442\u0430\u043a\u0432\u0438; \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u0438\u0442\u0435 \u043d\u0435 \u0441\u0435 \u043a\u043e\u043d\u0441\u0443\u043b\u0442\u0438\u0440\u0430\u043d\u0438 \u043d\u0435\u043f\u043e\u0441\u0440\u0435\u0434\u043d\u043e.\",\"nvrephotography\":\"\u0420\u0435\u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0440\u0430\u045a\u0435\",\"nvaromanians\":\"\u0410\u0440\u043e\u043c\u0430\u043d\u0446\u0438\u0442\u0435\",\"nvfield-method\":\"\u0422\u0435\u0440\u0435\u043d\u0441\u043a\u0438 \u043c\u0435\u0442\u043e\u0434\",\"nvgazetteer\":\"\u0418\u043c\u0435\u043d\u0438\u043a \u043d\u0430 \u043c\u0435\u0441\u0442\u0430\",\"nvfilm-chronology\":\"\u0425\u0440\u043e\u043d\u043e\u043b\u043e\u0433\u0438\u0458\u0430 \u043d\u0430 \u0444\u0438\u043b\u043c\u043e\u0432\u0438\u0442\u0435\",\"nvbibliography\":\"\u0411\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430\",\"nvarchives\":\"\u0410\u0440\u0445\u0438\u0432\u0441\u043a\u0438 \u0438\u0437\u0432\u043e\u0440\u0438\",\"nvpapers\":\"\u0418\u0441\u0442\u0440\u0430\u0436\u0443\u0432\u0430\u0447\u043a\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0438\",\"nvmethods\":\"\u041c\u0435\u0442\u043e\u0434\u0438 \u0438 \u0434\u0435\u0431\u0430\u0442\u0438\",\"nvhow-to-cite\":\"\u041a\u0430\u043a\u043e \u0434\u0430 \u0441\u0435 \u0446\u0438\u0442\u0438\u0440\u0430\",\"b99\":\"\u041a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443\u0430\u043b\u043d\u0438 \u0438 \u0441\u043f\u043e\u0440\u0435\u0434\u0431\u0435\u043d\u0438 \u0434\u0435\u043b\u0430\",\"c0\":\"\u0410\u0440\u043e\u043c\u0430\u043d\u0446\u0438\u0442\u0435 \u0438 \u0411\u0430\u043b\u043a\u0430\u043d\u043e\u0442: \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443\u0430\u043b\u043d\u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430\",\"f0\":\"\u0424\u0438\u043b\u043c\u043e\u0432\u0438 \u0438 \u0444\u0438\u043b\u043c\u0441\u043a\u0438 \u0438\u0437\u0434\u0430\u043d\u0438\u0458\u0430\"},\"tr\":{\"t\":\"Kaynak\u00e7a\",\"l\":\"Konunun \u00e7al\u0131\u015fma kaynak\u00e7as\u0131: kitaplar, makaleler, tezler, filmler, bas\u0131n ve \u00e7evrimi\u00e7i kaynaklar, var olduklar\u0131 dillerde.\",\"bc\":\"Ara\u015ft\u0131rma\",\"b4\":\"\u0130ki karde\u015f s\u0131n\u0131rlara, kurumlara ve dillere da\u011f\u0131lm\u0131\u015f bir ar\u015fiv b\u0131rakt\u0131; onlar hakk\u0131ndaki literat\u00fcr de ayn\u0131 bi\u00e7imde da\u011f\u0131n\u0131k. Bu kaynak\u00e7a Romanya\u2019dan, Kuzey Makedonya\u2019dan ve eski Yugoslavya\u2019dan, Yunanistan\u2019dan, T\u00fcrkiye\u2019den, Arnavutluk\u2019tan ve uluslararas\u0131 ara\u015ft\u0131rmalardan yay\u0131nlar\u0131 bir araya getiriyor.\",\"b5\":\"<b>Bu nedir.<\\\/b> Alan\u0131n bir envanteri: erken tan\u0131kl\u0131klar, foto\u011fraf alb\u00fcmleri, monografiler, sergi kataloglar\u0131, makaleler, tezler, ar\u015fiv \u00e7al\u0131\u015fmalar\u0131, filmler, gazete haberleri ve internet kaynaklar\u0131. Baz\u0131 ba\u015fl\u0131klara do\u011frudan bak\u0131ld\u0131; baz\u0131lar\u0131 yaln\u0131zca ba\u015fka \u00e7al\u0131\u015fmalardaki at\u0131flardan biliniyor; hepsi okunmu\u015f de\u011fil. Liste s\u00fcrmekte olan bir \u00e7al\u0131\u015fmad\u0131r ve bir ara\u015ft\u0131rmac\u0131n\u0131n ba\u015flang\u0131\u00e7 noktas\u0131 olarak d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015ft\u00fcr. Kay\u0131tlar Manaki karde\u015fler \u00fczerine literat\u00fcr, ba\u011flam ve kar\u015f\u0131la\u015ft\u0131rmal\u0131 \u00e7al\u0131\u015fmalar ve birincil kaynaklar olarak gruplanm\u0131\u015ft\u0131r. Bir katalog kayd\u0131 ya da dijital metin varsa kayd\u0131n ard\u0131ndan bir ba\u011flant\u0131 gelir. K\u00f6\u015feli parantez i\u00e7indeki \u00e7eviriler resm\u00ee ba\u015fl\u0131klar de\u011fil, editoryal yard\u0131mlard\u0131r; \u00f6zg\u00fcn yaz\u0131mlar ve kurumlar\u0131n tarih\u00ee adlar\u0131 korunur.\",\"b6\":\"\u0130lk okumalar i\u00e7in iyi ba\u015flang\u0131\u00e7lar: Ioana Popescu\u2019nun Rumen etnografik foto\u011fraflar\u0131 \u00fczerine \u00e7al\u0131\u015fmas\u0131, Igor Stardelov\u2019un film ara\u015ft\u0131rmalar\u0131, Marian \u021au\u021bui\u2019nin Balkanlar \u00f6tesi analizi, Emil \u021a\u00eercomnicu\u2019nun ar\u015fiv edisyonlar\u0131, Saadet \u00d6zen\u2019in J\u00f6n T\u00fcrk Devrimi \u00fczerine \u00e7al\u0131\u015fmalar\u0131 ve Nikolaos Siokis\u2019in tarih yaz\u0131m\u0131 incelemesi.\",\"b7\":\"Manaki karde\u015fler \u00fczerine literat\u00fcr\",\"b112\":\"Birincil kaynaklar\",\"b122\":\"\u00c7evrimi\u00e7i kaynaklar\",\"b124\":\"<a href=\\\"https:\/\/eap.bl.uk\/project\/EAP1470\\\">British Library, Endangered Archives Programme, EAP1470<\\\/a>: se\u00e7ilmi\u015f g\u00f6r\u00fcnt\u00fclerin ve ar\u015fiv birimlerinin dijital katalo\u011fu; proje DOI\u2019si <a href=\\\"https:\/\/doi.org\/10.15130\/EAP1470\\\">10.15130\/EAP1470<\\\/a>.\",\"b125\":\"<a href=\\\"https:\/\/arhiv.gov.mk\/\\\">Kuzey Makedonya Devlet Ar\u015fivi<\\\/a>, Bitola \u015eubesi: karde\u015flerin <b>Fon 580<\\\/b>\u2019ini saklayan kurum.\",\"b126\":\"<a href=\\\"https:\/\/kinoteka.mk\/filmski-arhiv\/\\\">Kuzey Makedonya Sinemateki, film ar\u015fivi<\\\/a>: film \u00f6\u011feleri ve yetkili dijital kopyalar.\",\"b127\":\"<a href=\\\"https:\/\/kinoteka.mk\/en\/chronologija\/\\\">Sinematek kronolojisi<\\\/a>: <b>geleneksel<\\\/b> tarihler.\",\"b128\":\"<a href=\\\"https:\/\/arhiva.muzeultaranuluiroman.ro\/colectia\/fratii-manakia\\\">MN\u021aR Etnolojik G\u00f6r\u00fcnt\u00fc Ar\u015fivi: Manaki koleksiyonu<\\\/a>: nesne d\u00fczeyinde tan\u0131mlay\u0131c\u0131larla dijitalle\u015ftirilmi\u015f bir \u00f6rneklem; koleksiyonun tamam\u0131n\u0131 kapsamaz.\",\"b129\":\"<a href=\\\"https:\/\/www.mntr.ro\/\\\">Ulusal Rumen K\u00f6yl\u00fc M\u00fczesi, B\u00fckre\u015f<\\\/a>: koleksiyonlar, kataloglar ve sergi yay\u0131nlar\u0131.\",\"b130\":\"<a href=\\\"https:\/\/imma.edu.gr\/en\/events\/imma-in-florina\/\\\">Makedonya M\u00fccadelesi M\u00fczesi, Selanik<\\\/a>: Leonidas Manakis foto\u011fraf koleksiyonuyla ili\u015fkili sergi malzemeleri.\",\"b131\":\"<a href=\\\"https:\/\/www.vlahoi.net\/bookreviews\/i-istoria-mprosta-sto-fako-ton-adelfon-manakia\\\">Vlahoi.net<\\\/a>, Yunanistan\u2019dan bir Aroman portal\u0131: kitap ele\u015ftirileri ve tarih\u00ee malzemenin yeniden yay\u0131mlar\u0131. Siyasi ve ulusal a\u00e7\u0131klamalar\u0131 ele\u015ftirel bi\u00e7imde okunmal\u0131d\u0131r.\",\"b132\":\"<a href=\\\"https:\/\/openaccess.osmaniye.edu.tr\/items\/b26ea43f-138f-426b-adc4-0442b0d71500\\\">T\u00fcrk tez deposu, Osmaniye Korkut Ata \u00dcniversitesi<\\\/a>: Manaki \u00fczerine 2024 tarihli teze a\u00e7\u0131k eri\u015fim.\",\"b133\":\"<a href=\\\"https:\/\/apothesis.eap.gr\/archive\/item\/214019\\\">Yunanistan A\u00e7\u0131k \u00dcniversitesi ara\u015ft\u0131rma deposu<\\\/a>: ar\u015fivin k\u00fclt\u00fcrel y\u00f6netimi \u00fczerine 2024 tarihli tez.\",\"b134\":\"<a href=\\\"https:\/\/bibnat.ro\/\\\">Romanya Ulusal K\u00fct\u00fcphanesi<\\\/a>: yak\u0131n tarihli Rumence edisyonlar i\u00e7in bibliyografik do\u011frulama.\",\"b135\":\"<a href=\\\"\/journal\/\\\"><i>D\u00fcn\u00fcn \u00d6tesinde<\\\/i>, G\u00fcnl\u00fck<\\\/a>: C\u0103t\u0103lin D. Constantin\u2019in ar\u015fiv bulgular\u0131 ve sahadaki g\u00f6rsel ara\u015ft\u0131rmalar\u0131.\",\"b136\":\"<a href=\\\"https:\/\/www.karamitsos.com\/el\/product\/lot-08892-8\/\\\">Karamitsos m\u00fczayede katalo\u011fu<\\\/a> ve <a href=\\\"https:\/\/www.istanbulmuzayede.com\/en\/auction\/5375\/58-muzayede-online\/page\/2?tagId=5190\\\">\u0130stanbul M\u00fczayede, Resneli Niyazi lotlar\u0131<\\\/a>: m\u00fcze koleksiyonlar\u0131n\u0131n d\u0131\u015f\u0131nda ortaya \u00e7\u0131km\u0131\u015f \u00f6zg\u00fcn foto\u011fraflar ya da atfedilmi\u015f bask\u0131lar. Katalog tan\u0131mlar\u0131 sat\u0131c\u0131lar\u0131n beyanlar\u0131 olarak kal\u0131r.\",\"b139\":\"Kaynak\u00e7a \u00fczerine notlar\",\"b140\":\"Kaynak\u00e7a b\u00fcy\u00fcmeye devam edecek. Daha eski baz\u0131 s\u00fcreli yay\u0131n k\u00fcnyeleri Nikolaos Siokis\u2019ten (2024, s. 314\u2013322), Gu\u0161tin\u2019in (2023) kaynak\u00e7as\u0131ndan ve \u021au\u021bui\u2019nin daha \u00f6nceki kar\u015f\u0131la\u015ft\u0131rmal\u0131 \u00e7al\u0131\u015fmas\u0131ndan al\u0131nm\u0131\u015ft\u0131r. Bunlar oldu\u011fu gibi devral\u0131nm\u0131\u015f \u00e7al\u0131\u015fma k\u00fcnyeleridir; \u00f6zg\u00fcnlerine do\u011frudan bak\u0131lmam\u0131\u015ft\u0131r.\",\"nvrephotography\":\"Yeniden foto\u011fraflama\",\"nvaromanians\":\"Aromanlar\",\"nvfield-method\":\"Saha y\u00f6ntemi\",\"nvhow-to-cite\":\"Nas\u0131l at\u0131f yap\u0131l\u0131r\",\"nvgazetteer\":\"Yer adlar\u0131 dizini\",\"nvfilm-chronology\":\"Film kronolojisi\",\"nvarchives\":\"Ar\u015fiv kaynaklar\u0131\",\"nvpapers\":\"Ara\u015ft\u0131rma yaz\u0131lar\u0131\",\"nvmethods\":\"Y\u00f6ntemler ve tart\u0131\u015fmalar\",\"nvbibliography\":\"Kaynak\u00e7a\",\"b99\":\"Ba\u011flamsal ve kar\u015f\u0131la\u015ft\u0131rmal\u0131 \u00e7al\u0131\u015fmalar\",\"c0\":\"Aromanlar ve Balkanlar: ba\u011flam okumalar\u0131\",\"f0\":\"Filmler ve film yay\u0131nlar\u0131\"},\"bg\":{\"t\":\"\u0411\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f\",\"l\":\"\u0420\u0430\u0431\u043e\u0442\u043d\u0430 \u0431\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u043f\u043e \u0442\u0435\u043c\u0430\u0442\u0430: \u043a\u043d\u0438\u0433\u0438, \u0441\u0442\u0430\u0442\u0438\u0438, \u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u0438, \u0444\u0438\u043b\u043c\u0438, \u043f\u0440\u0435\u0441\u0430 \u0438 \u043e\u043d\u043b\u0430\u0439\u043d \u0438\u0437\u0442\u043e\u0447\u043d\u0438\u0446\u0438, \u043d\u0430 \u0435\u0437\u0438\u0446\u0438\u0442\u0435, \u043d\u0430 \u043a\u043e\u0438\u0442\u043e \u0441\u044a\u0449\u0435\u0441\u0442\u0432\u0443\u0432\u0430\u0442.\",\"bc\":\"\u0418\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0438\u044f\",\"b4\":\"\u0414\u0432\u0430\u043c\u0430 \u0431\u0440\u0430\u0442\u044f \u043e\u0441\u0442\u0430\u0432\u044f\u0442 \u0430\u0440\u0445\u0438\u0432, \u043f\u0440\u044a\u0441\u043d\u0430\u0442 \u043f\u0440\u0435\u0437 \u0433\u0440\u0430\u043d\u0438\u0446\u0438, \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0446\u0438\u0438 \u0438 \u0435\u0437\u0438\u0446\u0438, \u0438 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430\u0442\u0430 \u0437\u0430 \u0442\u044f\u0445 \u0435 \u043f\u0440\u044a\u0441\u043d\u0430\u0442\u0430 \u043f\u043e \u0441\u044a\u0449\u0438\u044f \u043d\u0430\u0447\u0438\u043d. \u0422\u0430\u0437\u0438 \u0431\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u0441\u044a\u0431\u0438\u0440\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438 \u043e\u0442 \u0420\u0443\u043c\u044a\u043d\u0438\u044f, \u0421\u0435\u0432\u0435\u0440\u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u044f \u0438 \u0431\u0438\u0432\u0448\u0430 \u042e\u0433\u043e\u0441\u043b\u0430\u0432\u0438\u044f, \u0413\u044a\u0440\u0446\u0438\u044f, \u0422\u0443\u0440\u0446\u0438\u044f, \u0410\u043b\u0431\u0430\u043d\u0438\u044f \u0438 \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u0438 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0438\u044f.\",\"b5\":\"<b>\u041a\u0430\u043a\u0432\u043e \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0432\u0430.<\\\/b> \u041e\u043f\u0438\u0441 \u043d\u0430 \u043e\u0431\u043b\u0430\u0441\u0442\u0442\u0430: \u0440\u0430\u043d\u043d\u0438 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0441\u0442\u0432\u0430, \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0438 \u0430\u043b\u0431\u0443\u043c\u0438, \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0438, \u043a\u0430\u0442\u0430\u043b\u043e\u0437\u0438 \u043d\u0430 \u0438\u0437\u043b\u043e\u0436\u0431\u0438, \u0441\u0442\u0430\u0442\u0438\u0438, \u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u0438, \u0430\u0440\u0445\u0438\u0432\u043d\u0438 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0438\u044f, \u0444\u0438\u043b\u043c\u0438, \u0432\u0435\u0441\u0442\u043d\u0438\u043a\u0430\u0440\u0441\u043a\u0438 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0438 \u0438 \u0438\u043d\u0442\u0435\u0440\u043d\u0435\u0442 \u0438\u0437\u0442\u043e\u0447\u043d\u0438\u0446\u0438. \u041d\u044f\u043a\u043e\u0438 \u0437\u0430\u0433\u043b\u0430\u0432\u0438\u044f \u0441\u0430 \u043a\u043e\u043d\u0441\u0443\u043b\u0442\u0438\u0440\u0430\u043d\u0438 \u043f\u0440\u044f\u043a\u043e; \u0434\u0440\u0443\u0433\u0438 \u0441\u0430 \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u0438 \u0441\u0430\u043c\u043e \u043e\u0442 \u0446\u0438\u0442\u0430\u0442\u0438 \u0432 \u0434\u0440\u0443\u0433\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0435; \u043d\u0435 \u0432\u0441\u0438\u0447\u043a\u0438 \u0441\u0430 \u043f\u0440\u043e\u0447\u0435\u0442\u0435\u043d\u0438. \u0421\u043f\u0438\u0441\u044a\u043a\u044a\u0442 \u0435 \u0432 \u043f\u0440\u043e\u0446\u0435\u0441 \u043d\u0430 \u0440\u0430\u0431\u043e\u0442\u0430 \u0438 \u0435 \u0437\u0430\u043c\u0438\u0441\u043b\u0435\u043d \u043a\u0430\u0442\u043e \u043e\u0442\u043f\u0440\u0430\u0432\u043d\u0430 \u0442\u043e\u0447\u043a\u0430 \u0437\u0430 \u0438\u0437\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u044f. \u0417\u0430\u043f\u0438\u0441\u0438\u0442\u0435 \u0441\u0430 \u0433\u0440\u0443\u043f\u0438\u0440\u0430\u043d\u0438 \u043a\u0430\u0442\u043e \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0437\u0430 \u0431\u0440\u0430\u0442\u044f \u041c\u0430\u043d\u0430\u043a\u0438, \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442 \u0438 \u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u043d\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0435, \u0438 \u043f\u044a\u0440\u0432\u0438\u0447\u043d\u0438 \u0438\u0437\u0442\u043e\u0447\u043d\u0438\u0446\u0438. \u0421\u043b\u0435\u0434 \u0437\u0430\u043f\u0438\u0441\u0430 \u0441\u043b\u0435\u0434\u0432\u0430 \u0432\u0440\u044a\u0437\u043a\u0430, \u043a\u043e\u0433\u0430\u0442\u043e \u0438\u043c\u0430 \u043a\u0430\u0442\u0430\u043b\u043e\u0436\u0435\u043d \u0437\u0430\u043f\u0438\u0441 \u0438\u043b\u0438 \u0434\u0438\u0433\u0438\u0442\u0430\u043b\u0435\u043d \u0442\u0435\u043a\u0441\u0442. \u041f\u0440\u0435\u0432\u043e\u0434\u0438\u0442\u0435 \u0432 \u043a\u0432\u0430\u0434\u0440\u0430\u0442\u043d\u0438 \u0441\u043a\u043e\u0431\u0438 \u0441\u0430 \u043f\u043e\u043c\u043e\u0449 \u043e\u0442 \u0440\u0435\u0434\u0430\u043a\u0446\u0438\u044f\u0442\u0430, \u0430 \u043d\u0435 \u043e\u0444\u0438\u0446\u0438\u0430\u043b\u043d\u0438 \u0437\u0430\u0433\u043b\u0430\u0432\u0438\u044f; \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u043d\u043e\u0442\u043e \u0438\u0437\u043f\u0438\u0441\u0432\u0430\u043d\u0435 \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0442\u0435 \u0438\u043c\u0435\u043d\u0430 \u043d\u0430 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0446\u0438\u0438\u0442\u0435 \u0441\u0430 \u0437\u0430\u043f\u0430\u0437\u0435\u043d\u0438.\",\"b6\":\"\u0414\u043e\u0431\u0440\u043e \u043d\u0430\u0447\u0430\u043b\u043e \u0437\u0430 \u0447\u0435\u0442\u0435\u043d\u0435 \u0441\u0430 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u0419\u043e\u0430\u043d\u0430 \u041f\u043e\u043f\u0435\u0441\u043a\u0443 \u0437\u0430 \u0440\u0443\u043c\u044a\u043d\u0441\u043a\u0438\u0442\u0435 \u0435\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0438 \u0441\u043d\u0438\u043c\u043a\u0438, \u0444\u0438\u043b\u043c\u043e\u0432\u0438\u0442\u0435 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0438\u044f \u043d\u0430 \u0418\u0433\u043e\u0440 \u0421\u0442\u0430\u0440\u0434\u0435\u043b\u043e\u0432, \u0442\u0440\u0430\u043d\u0441\u0431\u0430\u043b\u043a\u0430\u043d\u0441\u043a\u0438\u044f\u0442 \u0430\u043d\u0430\u043b\u0438\u0437 \u043d\u0430 \u041c\u0430\u0440\u0438\u0430\u043d \u0426\u0443\u0446\u0443\u0439, \u0430\u0440\u0445\u0438\u0432\u043d\u0438\u0442\u0435 \u0438\u0437\u0434\u0430\u043d\u0438\u044f \u043d\u0430 \u0415\u043c\u0438\u043b \u0426\u044a\u0440\u043a\u043e\u043c\u043d\u0438\u0446\u0443, \u0440\u0430\u0431\u043e\u0442\u0430\u0442\u0430 \u043d\u0430 \u0421\u0430\u0430\u0434\u0435\u0442 \u0419\u043e\u0437\u0435\u043d \u0437\u0430 \u041c\u043b\u0430\u0434\u043e\u0442\u0443\u0440\u0441\u043a\u0430\u0442\u0430 \u0440\u0435\u0432\u043e\u043b\u044e\u0446\u0438\u044f \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0438\u044f\u0442 \u043f\u0440\u0435\u0433\u043b\u0435\u0434 \u043d\u0430 \u041d\u0438\u043a\u043e\u043b\u0430\u043e\u0441 \u0421\u0438\u043e\u043a\u0438\u0441.\",\"b7\":\"\u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0437\u0430 \u0431\u0440\u0430\u0442\u044f \u041c\u0430\u043d\u0430\u043a\u0438\",\"b112\":\"\u041f\u044a\u0440\u0432\u0438\u0447\u043d\u0438 \u0438\u0437\u0442\u043e\u0447\u043d\u0438\u0446\u0438\",\"b122\":\"\u041e\u043d\u043b\u0430\u0439\u043d \u0440\u0435\u0441\u0443\u0440\u0441\u0438\",\"b124\":\"<a href=\\\"https:\/\/eap.bl.uk\/project\/EAP1470\\\">\u0411\u0440\u0438\u0442\u0430\u043d\u0441\u043a\u0430 \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0430, \u041f\u0440\u043e\u0433\u0440\u0430\u043c\u0430 \u0437\u0430 \u0437\u0430\u0441\u0442\u0440\u0430\u0448\u0435\u043d\u0438 \u0430\u0440\u0445\u0438\u0432\u0438, EAP1470<\\\/a>: \u0434\u0438\u0433\u0438\u0442\u0430\u043b\u0435\u043d \u043a\u0430\u0442\u0430\u043b\u043e\u0433 \u043d\u0430 \u0438\u0437\u0431\u0440\u0430\u043d\u0438 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u044f \u0438 \u0430\u0440\u0445\u0438\u0432\u043d\u0438 \u0435\u0434\u0438\u043d\u0438\u0446\u0438; DOI \u043d\u0430 \u043f\u0440\u043e\u0435\u043a\u0442\u0430 <a href=\\\"https:\/\/doi.org\/10.15130\/EAP1470\\\">10.15130\/EAP1470<\\\/a>.\",\"b125\":\"<a href=\\\"https:\/\/arhiv.gov.mk\/\\\">\u0414\u044a\u0440\u0436\u0430\u0432\u0435\u043d \u0430\u0440\u0445\u0438\u0432 \u043d\u0430 \u0421\u0435\u0432\u0435\u0440\u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u044f<\\\/a>, \u043e\u0442\u0434\u0435\u043b\u0435\u043d\u0438\u0435 \u0411\u0438\u0442\u043e\u043b\u044f: \u043f\u0430\u0437\u0438\u0442\u0435\u043b \u043d\u0430 <b>\u0444\u043e\u043d\u0434 580<\\\/b> \u043d\u0430 \u0431\u0440\u0430\u0442\u044f\u0442\u0430.\",\"b126\":\"<a href=\\\"https:\/\/kinoteka.mk\/filmski-arhiv\/\\\">\u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u0421\u0435\u0432\u0435\u0440\u043d\u0430 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0438\u044f, \u0444\u0438\u043b\u043c\u043e\u0432 \u0430\u0440\u0445\u0438\u0432<\\\/a>: \u0444\u0438\u043b\u043c\u043e\u0432\u0438 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0438 \u0438 \u0440\u0430\u0437\u0440\u0435\u0448\u0435\u043d\u0438 \u0434\u0438\u0433\u0438\u0442\u0430\u043b\u043d\u0438 \u043a\u043e\u043f\u0438\u044f.\",\"b127\":\"<a href=\\\"https:\/\/kinoteka.mk\/en\/chronologija\/\\\">\u0425\u0440\u043e\u043d\u043e\u043b\u043e\u0433\u0438\u044f \u043d\u0430 \u041a\u0438\u043d\u043e\u0442\u0435\u043a\u0430\u0442\u0430<\\\/a>: <b>\u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u0438\u0442\u0435<\\\/b> \u0434\u0430\u0442\u0438.\",\"b128\":\"<a href=\\\"https:\/\/arhiva.muzeultaranuluiroman.ro\/colectia\/fratii-manakia\\\">\u0415\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u043d \u0430\u0440\u0445\u0438\u0432 \u043d\u0430 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u044f \u043d\u0430 MN\u021aR: \u043a\u043e\u043b\u0435\u043a\u0446\u0438\u044f \u041c\u0430\u043d\u0430\u043a\u0438<\\\/a>: \u0434\u0438\u0433\u0438\u0442\u0430\u043b\u0438\u0437\u0438\u0440\u0430\u043d\u0430 \u0438\u0437\u0432\u0430\u0434\u043a\u0430 \u0441 \u0438\u0434\u0435\u043d\u0442\u0438\u0444\u0438\u043a\u0430\u0442\u043e\u0440\u0438 \u043d\u0430 \u043d\u0438\u0432\u043e \u043e\u0431\u0435\u043a\u0442; \u043d\u0435 \u043e\u0431\u0445\u0432\u0430\u0449\u0430 \u0446\u044f\u043b\u0430\u0442\u0430 \u043a\u043e\u043b\u0435\u043a\u0446\u0438\u044f.\",\"b129\":\"<a href=\\\"https:\/\/www.mntr.ro\/\\\">\u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u0435\u043d \u043c\u0443\u0437\u0435\u0439 \u043d\u0430 \u0440\u0443\u043c\u044a\u043d\u0441\u043a\u0438\u044f \u0441\u0435\u043b\u044f\u043d\u0438\u043d, \u0411\u0443\u043a\u0443\u0440\u0435\u0449<\\\/a>: \u043a\u043e\u043b\u0435\u043a\u0446\u0438\u0438, \u043a\u0430\u0442\u0430\u043b\u043e\u0437\u0438 \u0438 \u0438\u0437\u0434\u0430\u043d\u0438\u044f \u043a\u044a\u043c \u0438\u0437\u043b\u043e\u0436\u0431\u0438.\",\"b130\":\"<a href=\\\"https:\/\/imma.edu.gr\/en\/events\/imma-in-florina\/\\\">\u041c\u0443\u0437\u0435\u0439 \u043d\u0430 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0430\u0442\u0430 \u0431\u043e\u0440\u0431\u0430, \u0421\u043e\u043b\u0443\u043d<\\\/a>: \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0438 \u043e\u0442 \u0438\u0437\u043b\u043e\u0436\u0431\u0438, \u0441\u0432\u044a\u0440\u0437\u0430\u043d\u0438 \u0441 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0430\u0442\u0430 \u043a\u043e\u043b\u0435\u043a\u0446\u0438\u044f \u043d\u0430 \u041b\u0435\u043e\u043d\u0438\u0434\u0430\u0441 \u041c\u0430\u043d\u0430\u043a\u0438\u0441.\",\"b131\":\"<a href=\\\"https:\/\/www.vlahoi.net\/bookreviews\/i-istoria-mprosta-sto-fako-ton-adelfon-manakia\\\">Vlahoi.net<\\\/a>, \u0433\u0440\u044a\u0446\u043a\u0438 \u0430\u0440\u0443\u043c\u044a\u043d\u0441\u043a\u0438 \u043f\u043e\u0440\u0442\u0430\u043b: \u0440\u0435\u0446\u0435\u043d\u0437\u0438\u0438 \u043d\u0430 \u043a\u043d\u0438\u0433\u0438 \u0438 \u043f\u0440\u0435\u043f\u0435\u0447\u0430\u0442\u043a\u0438 \u043d\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0438. \u041f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0442\u0435 \u0438 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438\u0442\u0435 \u043c\u0443 \u043f\u043e\u0437\u0438\u0446\u0438\u0438 \u0442\u0440\u044f\u0431\u0432\u0430 \u0434\u0430 \u0441\u0435 \u0447\u0435\u0442\u0430\u0442 \u043a\u0440\u0438\u0442\u0438\u0447\u043d\u043e.\",\"b132\":\"<a href=\\\"https:\/\/openaccess.osmaniye.edu.tr\/items\/b26ea43f-138f-426b-adc4-0442b0d71500\\\">\u0422\u0443\u0440\u0441\u043a\u043e \u0445\u0440\u0430\u043d\u0438\u043b\u0438\u0449\u0435 \u043d\u0430 \u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u0438, \u0423\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u201e\u041e\u0441\u043c\u0430\u043d\u0438\u0435 \u041a\u043e\u0440\u043a\u0443\u0442 \u0410\u0442\u0430\u201c<\\\/a>, \u0441\u0432\u043e\u0431\u043e\u0434\u0435\u043d \u0434\u043e\u0441\u0442\u044a\u043f \u0434\u043e \u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u044f\u0442\u0430 \u0437\u0430 \u041c\u0430\u043d\u0430\u043a\u0438 \u043e\u0442 2024 \u0433.\",\"b133\":\"<a href=\\\"https:\/\/apothesis.eap.gr\/archive\/item\/214019\\\">\u0418\u0437\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u0441\u043a\u043e \u0445\u0440\u0430\u043d\u0438\u043b\u0438\u0449\u0435 \u043d\u0430 \u0413\u0440\u044a\u0446\u043a\u0438\u044f \u043e\u0442\u0432\u043e\u0440\u0435\u043d \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442<\\\/a>, \u0434\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u044f \u043e\u0442 2024 \u0433. \u0437\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u043e\u0442\u043e \u0443\u043f\u0440\u0430\u0432\u043b\u0435\u043d\u0438\u0435 \u043d\u0430 \u0430\u0440\u0445\u0438\u0432\u0430.\",\"b134\":\"<a href=\\\"https:\/\/bibnat.ro\/\\\">\u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0430 \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0430 \u043d\u0430 \u0420\u0443\u043c\u044a\u043d\u0438\u044f<\\\/a>, \u0431\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u043e \u043f\u043e\u0442\u0432\u044a\u0440\u0436\u0434\u0435\u043d\u0438\u0435 \u0437\u0430 \u0441\u043a\u043e\u0440\u043e\u0448\u043d\u0438 \u0440\u0443\u043c\u044a\u043d\u0441\u043a\u0438 \u0438\u0437\u0434\u0430\u043d\u0438\u044f.\",\"b135\":\"<a href=\\\"\/journal\/\\\"><i>\u041e\u0442\u0432\u044a\u0434 \u0432\u0447\u0435\u0440\u0430<\\\/i>, \u0414\u043d\u0435\u0432\u043d\u0438\u043a<\\\/a>: \u0430\u0440\u0445\u0438\u0432\u043d\u0438\u0442\u0435 \u043e\u0442\u043a\u0440\u0438\u0442\u0438\u044f \u0438 \u0432\u0438\u0437\u0443\u0430\u043b\u043d\u0438\u0442\u0435 \u0442\u0435\u0440\u0435\u043d\u043d\u0438 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0438\u044f \u043d\u0430 \u041a\u0430\u0442\u0430\u043b\u0438\u043d \u0414. \u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d.\",\"b136\":\"<a href=\\\"https:\/\/www.karamitsos.com\/el\/product\/lot-08892-8\/\\\">\u041a\u0430\u0442\u0430\u043b\u043e\u0433 \u043d\u0430 \u0442\u044a\u0440\u0433\u043e\u0432\u0435\u0442\u0435 Karamitsos<\\\/a> \u0438 <a href=\\\"https:\/\/www.istanbulmuzayede.com\/en\/auction\/5375\/58-muzayede-online\/page\/2?tagId=5190\\\">Istanbul M\u00fczayede, \u043b\u043e\u0442\u043e\u0432\u0435 \u043d\u0430 \u0420\u0435\u0441\u0435\u043d\u043b\u0438 \u041d\u0438\u044f\u0437\u0438<\\\/a>: \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u043d\u0438 \u0441\u043d\u0438\u043c\u043a\u0438 \u0438\u043b\u0438 \u043f\u0440\u0438\u043f\u0438\u0441\u0432\u0430\u043d\u0438 \u043e\u0442\u043f\u0435\u0447\u0430\u0442\u044a\u0446\u0438, \u043f\u043e\u044f\u0432\u0438\u043b\u0438 \u0441\u0435 \u0438\u0437\u0432\u044a\u043d \u043c\u0443\u0437\u0435\u0439\u043d\u0438\u0442\u0435 \u043a\u043e\u043b\u0435\u043a\u0446\u0438\u0438. \u041e\u043f\u0438\u0441\u0430\u043d\u0438\u044f\u0442\u0430 \u0432 \u043a\u0430\u0442\u0430\u043b\u043e\u0437\u0438\u0442\u0435 \u043e\u0441\u0442\u0430\u0432\u0430\u0442 \u0442\u0432\u044a\u0440\u0434\u0435\u043d\u0438\u044f \u043d\u0430 \u043f\u0440\u043e\u0434\u0430\u0432\u0430\u0447\u0438\u0442\u0435.\",\"b139\":\"\u0411\u0435\u043b\u0435\u0436\u043a\u0438 \u043a\u044a\u043c \u0431\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0442\u0430\",\"b140\":\"\u0411\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0442\u0430 \u0449\u0435 \u043f\u0440\u043e\u0434\u044a\u043b\u0436\u0430\u0432\u0430 \u0434\u0430 \u0440\u0430\u0441\u0442\u0435. \u041d\u044f\u043a\u043e\u0438 \u043f\u043e-\u0441\u0442\u0430\u0440\u0438 \u043f\u0440\u0435\u043f\u0440\u0430\u0442\u043a\u0438 \u043a\u044a\u043c \u043f\u0435\u0440\u0438\u043e\u0434\u0438\u0447\u043d\u0438 \u0438\u0437\u0434\u0430\u043d\u0438\u044f \u0441\u0430 \u0432\u0437\u0435\u0442\u0438 \u043e\u0442 \u041d\u0438\u043a\u043e\u043b\u0430\u043e\u0441 \u0421\u0438\u043e\u043a\u0438\u0441 (2024, \u0441. 314\u2013322), \u043e\u0442 \u043f\u0440\u0435\u043f\u0440\u0430\u0442\u043a\u0438\u0442\u0435 \u0443 \u0413\u0443\u0449\u0438\u043d (2023) \u0438 \u043e\u0442 \u043f\u043e-\u0440\u0430\u043d\u043d\u0438\u044f \u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u0435\u043d \u0442\u0440\u0443\u0434 \u043d\u0430 \u0426\u0443\u0446\u0443\u0439. \u0422\u0435 \u0441\u0430 \u0440\u0430\u0431\u043e\u0442\u043d\u0438 \u043f\u0440\u0435\u043f\u0440\u0430\u0442\u043a\u0438, \u0432\u044a\u0437\u043f\u0440\u0438\u0435\u0442\u0438 \u0432\u044a\u0432 \u0432\u0438\u0434\u0430, \u0432 \u043a\u043e\u0439\u0442\u043e \u0441\u0430; \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u0438\u0442\u0435 \u043d\u0435 \u0441\u0430 \u043a\u043e\u043d\u0441\u0443\u043b\u0442\u0438\u0440\u0430\u043d\u0438 \u043f\u0440\u044f\u043a\u043e.\",\"nvrephotography\":\"\u0420\u0435\u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0440\u0430\u043d\u0435\",\"nvaromanians\":\"\u0410\u0440\u0443\u043c\u044a\u043d\u0438\u0442\u0435\",\"nvfield-method\":\"\u0422\u0435\u0440\u0435\u043d\u0435\u043d \u043c\u0435\u0442\u043e\u0434\",\"nvhow-to-cite\":\"\u041a\u0430\u043a \u0434\u0430 \u0441\u0435 \u0446\u0438\u0442\u0438\u0440\u0430\",\"nvgazetteer\":\"\u0423\u043a\u0430\u0437\u0430\u0442\u0435\u043b \u043d\u0430 \u0441\u0435\u043b\u0438\u0449\u0430\u0442\u0430\",\"nvfilm-chronology\":\"\u0425\u0440\u043e\u043d\u043e\u043b\u043e\u0433\u0438\u044f \u043d\u0430 \u0444\u0438\u043b\u043c\u0438\u0442\u0435\",\"nvarchives\":\"\u0410\u0440\u0445\u0438\u0432\u043d\u0438 \u0438\u0437\u0442\u043e\u0447\u043d\u0438\u0446\u0438\",\"nvpapers\":\"\u0418\u0437\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u0441\u043a\u0438 \u0442\u0435\u043a\u0441\u0442\u043e\u0432\u0435\",\"nvmethods\":\"\u041c\u0435\u0442\u043e\u0434\u0438 \u0438 \u0434\u0435\u0431\u0430\u0442\u0438\",\"nvbibliography\":\"\u0411\u0438\u0431\u043b\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f\",\"b99\":\"\u041a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443\u0430\u043b\u043d\u0438 \u0438 \u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u043d\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0435\",\"c0\":\"\u0410\u0440\u0443\u043c\u044a\u043d\u0438\u0442\u0435 \u0438 \u0411\u0430\u043b\u043a\u0430\u043d\u0438\u0442\u0435: \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443\u0430\u043b\u043d\u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430\",\"f0\":\"\u0424\u0438\u043b\u043c\u0438 \u0438 \u0444\u0438\u043b\u043c\u043e\u0432\u0438 \u0438\u0437\u0434\u0430\u043d\u0438\u044f\"},\"ka\":{\"t\":\"\u10d1\u10d8\u10d1\u10da\u10d8\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10d0\",\"l\":\"\u10d7\u10d4\u10db\u10d8\u10e1 \u10e1\u10d0\u10db\u10e3\u10e8\u10d0\u10dd \u10d1\u10d8\u10d1\u10da\u10d8\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10d0: \u10ec\u10d8\u10d2\u10dc\u10d4\u10d1\u10d8, \u10e1\u10e2\u10d0\u10e2\u10d8\u10d4\u10d1\u10d8, \u10d3\u10d8\u10e1\u10d4\u10e0\u10e2\u10d0\u10ea\u10d8\u10d4\u10d1\u10d8, \u10e4\u10d8\u10da\u10db\u10d4\u10d1\u10d8, \u10de\u10e0\u10d4\u10e1\u10d0 \u10d3\u10d0 \u10dd\u10dc\u10da\u10d0\u10d8\u10dc \u10ec\u10e7\u10d0\u10e0\u10dd\u10d4\u10d1\u10d8, \u10d8\u10db \u10d4\u10dc\u10d4\u10d1\u10d6\u10d4, \u10e0\u10dd\u10db\u10da\u10d4\u10d1\u10d6\u10d4\u10ea \u10d8\u10e1\u10d8\u10dc\u10d8 \u10d0\u10e0\u10e1\u10d4\u10d1\u10dd\u10d1\u10e1.\",\"bc\":\"\u10d9\u10d5\u10da\u10d4\u10d5\u10d0\",\"b4\":\"\u10dd\u10e0\u10db\u10d0 \u10eb\u10db\u10d0\u10db \u10e1\u10d0\u10d6\u10e6\u10d5\u10e0\u10d4\u10d1\u10e1, \u10d8\u10dc\u10e1\u10e2\u10d8\u10e2\u10e3\u10ea\u10d8\u10d4\u10d1\u10e1\u10d0 \u10d3\u10d0 \u10d4\u10dc\u10d4\u10d1\u10e1 \u10e8\u10dd\u10e0\u10d8\u10e1 \u10d2\u10d0\u10e4\u10d0\u10dc\u10e2\u10e3\u10da\u10d8 \u10d0\u10e0\u10e5\u10d8\u10d5\u10d8 \u10d3\u10d0\u10e2\u10dd\u10d5\u10d0, \u10d3\u10d0 \u10db\u10d0\u10d7 \u10e8\u10d4\u10e1\u10d0\u10ee\u10d4\u10d1 \u10da\u10d8\u10e2\u10d4\u10e0\u10d0\u10e2\u10e3\u10e0\u10d0\u10ea \u10d0\u10e1\u10d4\u10d5\u10d4\u10d0 \u10d2\u10d0\u10e4\u10d0\u10dc\u10e2\u10e3\u10da\u10d8. \u10d4\u10e1 \u10d1\u10d8\u10d1\u10da\u10d8\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10d0 \u10d0\u10d4\u10e0\u10d7\u10d8\u10d0\u10dc\u10d4\u10d1\u10e1 \u10e0\u10e3\u10db\u10d8\u10dc\u10d4\u10d7\u10d8\u10e1, \u10e9\u10e0\u10d3\u10d8\u10da\u10dd\u10d4\u10d7 \u10db\u10d0\u10d9\u10d4\u10d3\u10dd\u10dc\u10d8\u10d8\u10e1\u10d0 \u10d3\u10d0 \u10e7\u10dd\u10e4\u10d8\u10da\u10d8 \u10d8\u10e3\u10d2\u10dd\u10e1\u10da\u10d0\u10d5\u10d8\u10d8\u10e1, \u10e1\u10d0\u10d1\u10d4\u10e0\u10eb\u10dc\u10d4\u10d7\u10d8\u10e1, \u10d7\u10e3\u10e0\u10e5\u10d4\u10d7\u10d8\u10e1, \u10d0\u10da\u10d1\u10d0\u10dc\u10d4\u10d7\u10d8\u10e1 \u10de\u10e3\u10d1\u10da\u10d8\u10d9\u10d0\u10ea\u10d8\u10d4\u10d1\u10e1\u10d0 \u10d3\u10d0 \u10e1\u10d0\u10d4\u10e0\u10d7\u10d0\u10e8\u10dd\u10e0\u10d8\u10e1\u10dd \u10d9\u10d5\u10da\u10d4\u10d5\u10d4\u10d1\u10e1.\",\"b5\":\"<b>\u10e0\u10d0 \u10d0\u10e0\u10d8\u10e1 \u10d4\u10e1.<\\\/b> \u10e1\u10e4\u10d4\u10e0\u10dd\u10e1 \u10d8\u10dc\u10d5\u10d4\u10dc\u10e2\u10d0\u10e0\u10d8: \u10d0\u10d3\u10e0\u10d4\u10e3\u10da\u10d8 \u10db\u10dd\u10ec\u10db\u10dd\u10d1\u10d4\u10d1\u10d8, \u10e4\u10dd\u10e2\u10dd\u10d0\u10da\u10d1\u10dd\u10db\u10d4\u10d1\u10d8, \u10db\u10dd\u10dc\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10d4\u10d1\u10d8, \u10d2\u10d0\u10db\u10dd\u10e4\u10d4\u10dc\u10d4\u10d1\u10d8\u10e1 \u10d9\u10d0\u10e2\u10d0\u10da\u10dd\u10d2\u10d4\u10d1\u10d8, \u10e1\u10e2\u10d0\u10e2\u10d8\u10d4\u10d1\u10d8, \u10d3\u10d8\u10e1\u10d4\u10e0\u10e2\u10d0\u10ea\u10d8\u10d4\u10d1\u10d8, \u10e1\u10d0\u10d0\u10e0\u10e5\u10d8\u10d5\u10dd \u10d9\u10d5\u10da\u10d4\u10d5\u10d4\u10d1\u10d8, \u10e4\u10d8\u10da\u10db\u10d4\u10d1\u10d8, \u10e1\u10d0\u10d2\u10d0\u10d6\u10d4\u10d7\u10dd \u10ea\u10dc\u10dd\u10d1\u10d4\u10d1\u10d8 \u10d3\u10d0 \u10d8\u10dc\u10e2\u10d4\u10e0\u10dc\u10d4\u10e2\u10ec\u10e7\u10d0\u10e0\u10dd\u10d4\u10d1\u10d8. \u10d6\u10dd\u10d2\u10d8 \u10e1\u10d0\u10d7\u10d0\u10e3\u10e0\u10d8 \u10e3\u10e8\u10e3\u10d0\u10da\u10dd\u10d3 \u10d0\u10e0\u10d8\u10e1 \u10d2\u10d0\u10ea\u10dc\u10dd\u10d1\u10d8\u10da\u10d8; \u10d6\u10dd\u10d2\u10d8 \u10db\u10ee\u10dd\u10da\u10dd\u10d3 \u10e1\u10ee\u10d5\u10d0 \u10dc\u10d0\u10e8\u10e0\u10dd\u10db\u10d4\u10d1\u10e8\u10d8 \u10db\u10d8\u10d7\u10d8\u10d7\u10d4\u10d1\u10d4\u10d1\u10d8\u10d3\u10d0\u10dc\u10d0\u10d0 \u10ea\u10dc\u10dd\u10d1\u10d8\u10da\u10d8; \u10e7\u10d5\u10d4\u10da\u10d0 \u10ec\u10d0\u10d9\u10d8\u10d7\u10ee\u10e3\u10da\u10d8 \u10d0\u10e0 \u10d0\u10e0\u10d8\u10e1. \u10e1\u10d8\u10d0 \u10ef\u10d4\u10e0 \u10db\u10d6\u10d0\u10d3\u10d3\u10d4\u10d1\u10d0 \u10d3\u10d0 \u10db\u10d9\u10d5\u10da\u10d4\u10d5\u10e0\u10d8\u10e1\u10d7\u10d5\u10d8\u10e1 \u10e1\u10d0\u10ec\u10e7\u10d8\u10e1 \u10ec\u10d4\u10e0\u10e2\u10d8\u10da\u10d0\u10d3 \u10d0\u10e0\u10d8\u10e1 \u10d2\u10d0\u10dc\u10d9\u10e3\u10d7\u10d5\u10dc\u10d8\u10da\u10d8. \u10e9\u10d0\u10dc\u10d0\u10ec\u10d4\u10e0\u10d4\u10d1\u10d8 \u10d3\u10d0\u10ef\u10d2\u10e3\u10e4\u10d4\u10d1\u10e3\u10da\u10d8\u10d0 \u10d0\u10e1\u10d4: \u10da\u10d8\u10e2\u10d4\u10e0\u10d0\u10e2\u10e3\u10e0\u10d0 \u10eb\u10db\u10d4\u10d1 \u10db\u10d0\u10dc\u10d0\u10d9\u10d4\u10d1\u10d6\u10d4, \u10d9\u10dd\u10dc\u10e2\u10d4\u10e5\u10e1\u10e2\u10d8 \u10d3\u10d0 \u10e8\u10d4\u10d3\u10d0\u10e0\u10d4\u10d1\u10d8\u10d7\u10d8 \u10dc\u10d0\u10e8\u10e0\u10dd\u10db\u10d4\u10d1\u10d8, \u10de\u10d8\u10e0\u10d5\u10d4\u10da\u10d0\u10d3\u10d8 \u10ec\u10e7\u10d0\u10e0\u10dd\u10d4\u10d1\u10d8. \u10e9\u10d0\u10dc\u10d0\u10ec\u10d4\u10e0\u10e1 \u10d1\u10db\u10e3\u10da\u10d8 \u10db\u10dd\u10e1\u10d3\u10d4\u10d5\u10e1, \u10d7\u10e3 \u10d9\u10d0\u10e2\u10d0\u10da\u10dd\u10d2\u10d8\u10e1 \u10e9\u10d0\u10dc\u10d0\u10ec\u10d4\u10e0\u10d8 \u10d0\u10dc \u10ea\u10d8\u10e4\u10e0\u10e3\u10da\u10d8 \u10e2\u10d4\u10e5\u10e1\u10e2\u10d8 \u10d0\u10e0\u10e1\u10d4\u10d1\u10dd\u10d1\u10e1. \u10d9\u10d5\u10d0\u10d3\u10e0\u10d0\u10e2\u10e3\u10da \u10e4\u10e0\u10e9\u10ee\u10d8\u10da\u10d4\u10d1\u10e8\u10d8 \u10db\u10dd\u10ea\u10d4\u10db\u10e3\u10da\u10d8 \u10d7\u10d0\u10e0\u10d2\u10db\u10d0\u10dc\u10d4\u10d1\u10d8 \u10e0\u10d4\u10d3\u10d0\u10e5\u10ea\u10d8\u10e3\u10da\u10d8 \u10d3\u10d0\u10db\u10ee\u10db\u10d0\u10e0\u10d4 \u10e1\u10d0\u10e8\u10e3\u10d0\u10da\u10d4\u10d1\u10d0\u10d0 \u10d3\u10d0 \u10d0\u10e0\u10d0 \u10dd\u10e4\u10d8\u10ea\u10d8\u10d0\u10da\u10e3\u10e0\u10d8 \u10e1\u10d0\u10d7\u10d0\u10e3\u10e0\u10d4\u10d1\u10d8; \u10dd\u10e0\u10d8\u10d2\u10d8\u10dc\u10d0\u10da\u10d8 \u10db\u10d0\u10e0\u10d7\u10da\u10ec\u10d4\u10e0\u10d0 \u10d3\u10d0 \u10d8\u10dc\u10e1\u10e2\u10d8\u10e2\u10e3\u10ea\u10d8\u10d4\u10d1\u10d8\u10e1 \u10d8\u10e1\u10e2\u10dd\u10e0\u10d8\u10e3\u10da\u10d8 \u10e1\u10d0\u10ee\u10d4\u10da\u10d4\u10d1\u10d8 \u10e8\u10d4\u10dc\u10d0\u10e0\u10e9\u10e3\u10dc\u10d4\u10d1\u10e3\u10da\u10d8\u10d0.\",\"b6\":\"\u10d3\u10d0\u10e1\u10d0\u10ec\u10e7\u10d8\u10e1\u10d8\u10e1\u10d7\u10d5\u10d8\u10e1 \u10d9\u10d0\u10e0\u10d2\u10d8 \u10e1\u10d0\u10d9\u10d8\u10d7\u10ee\u10d0\u10d5\u10d8\u10d0 \u10d8\u10dd\u10d0\u10dc\u10d0 \u10de\u10dd\u10de\u10d4\u10e1\u10d9\u10e3\u10e1 \u10d9\u10d5\u10da\u10d4\u10d5\u10d0 \u10e0\u10e3\u10db\u10d8\u10dc\u10e3\u10da \u10d4\u10d7\u10dc\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10e3\u10da \u10e4\u10dd\u10e2\u10dd\u10d4\u10d1\u10d6\u10d4, \u10d8\u10d2\u10dd\u10e0 \u10e1\u10e2\u10d0\u10e0\u10d3\u10d4\u10da\u10dd\u10d5\u10d8\u10e1 \u10d9\u10d8\u10dc\u10dd\u10d9\u10d5\u10da\u10d4\u10d5\u10d4\u10d1\u10d8, \u10db\u10d0\u10e0\u10d8\u10d0\u10dc \u10ea\u10e3\u10ea\u10e3\u10d8\u10e1 \u10e2\u10e0\u10d0\u10dc\u10e1\u10d1\u10d0\u10da\u10d9\u10d0\u10dc\u10e3\u10e0\u10d8 \u10d0\u10dc\u10d0\u10da\u10d8\u10d6\u10d8, \u10d4\u10db\u10d8\u10da \u10ea\u10d8\u10e0\u10d9\u10dd\u10db\u10dc\u10d8\u10ea\u10e3\u10e1 \u10e1\u10d0\u10d0\u10e0\u10e5\u10d8\u10d5\u10dd \u10d2\u10d0\u10db\u10dd\u10ea\u10d4\u10db\u10d4\u10d1\u10d8, \u10e1\u10d0\u10d0\u10d3\u10d4\u10d7 \u10dd\u10d6\u10d4\u10dc\u10d8\u10e1 \u10dc\u10d0\u10e8\u10e0\u10dd\u10db\u10d4\u10d1\u10d8 \u10d0\u10ee\u10d0\u10da\u10d2\u10d0\u10d6\u10e0\u10d3\u10d0 \u10d7\u10e3\u10e0\u10e5\u10d7\u10d0 \u10e0\u10d4\u10d5\u10dd\u10da\u10e3\u10ea\u10d8\u10d0\u10d6\u10d4 \u10d3\u10d0 \u10dc\u10d8\u10d9\u10dd\u10da\u10d0\u10dd\u10e1 \u10e1\u10d8\u10dd\u10d9\u10d8\u10e1\u10d8\u10e1 \u10d8\u10e1\u10e2\u10dd\u10e0\u10d8\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10e3\u10da\u10d8 \u10db\u10d8\u10db\u10dd\u10ee\u10d8\u10da\u10d5\u10d0.\",\"b7\":\"\u10da\u10d8\u10e2\u10d4\u10e0\u10d0\u10e2\u10e3\u10e0\u10d0 \u10eb\u10db\u10d4\u10d1 \u10db\u10d0\u10dc\u10d0\u10d9\u10d4\u10d1\u10d6\u10d4\",\"b112\":\"\u10de\u10d8\u10e0\u10d5\u10d4\u10da\u10d0\u10d3\u10d8 \u10ec\u10e7\u10d0\u10e0\u10dd\u10d4\u10d1\u10d8\",\"b122\":\"\u10dd\u10dc\u10da\u10d0\u10d8\u10dc \u10e0\u10d4\u10e1\u10e3\u10e0\u10e1\u10d4\u10d1\u10d8\",\"b124\":\"<a href=\\\"https:\/\/eap.bl.uk\/project\/EAP1470\\\">British Library, Endangered Archives Programme, EAP1470<\\\/a>: \u10e8\u10d4\u10e0\u10e9\u10d4\u10e3\u10da\u10d8 \u10d2\u10d0\u10db\u10dd\u10e1\u10d0\u10ee\u10e3\u10da\u10d4\u10d1\u10d4\u10d1\u10d8\u10e1\u10d0 \u10d3\u10d0 \u10e1\u10d0\u10d0\u10e0\u10e5\u10d8\u10d5\u10dd \u10d4\u10e0\u10d7\u10d4\u10e3\u10da\u10d4\u10d1\u10d8\u10e1 \u10ea\u10d8\u10e4\u10e0\u10e3\u10da\u10d8 \u10d9\u10d0\u10e2\u10d0\u10da\u10dd\u10d2\u10d8; \u10de\u10e0\u10dd\u10d4\u10e5\u10e2\u10d8\u10e1 DOI <a href=\\\"https:\/\/doi.org\/10.15130\/EAP1470\\\">10.15130\/EAP1470<\\\/a>.\",\"b125\":\"<a href=\\\"https:\/\/arhiv.gov.mk\/\\\">\u10e9\u10e0\u10d3\u10d8\u10da\u10dd\u10d4\u10d7 \u10db\u10d0\u10d9\u10d4\u10d3\u10dd\u10dc\u10d8\u10d8\u10e1 \u10e1\u10d0\u10ee\u10d4\u10da\u10db\u10ec\u10d8\u10e4\u10dd \u10d0\u10e0\u10e5\u10d8\u10d5\u10d8<\\\/a>, \u10d1\u10d8\u10e2\u10dd\u10da\u10d8\u10e1 \u10d2\u10d0\u10dc\u10e7\u10dd\u10e4\u10d8\u10da\u10d4\u10d1\u10d0: \u10eb\u10db\u10d4\u10d1\u10d8\u10e1 <b>\u10e4\u10dd\u10dc\u10d3\u10d8 580<\\\/b>-\u10d8\u10e1 \u10db\u10ea\u10d5\u10d4\u10da\u10d8.\",\"b126\":\"<a href=\\\"https:\/\/kinoteka.mk\/filmski-arhiv\/\\\">\u10e9\u10e0\u10d3\u10d8\u10da\u10dd\u10d4\u10d7 \u10db\u10d0\u10d9\u10d4\u10d3\u10dd\u10dc\u10d8\u10d8\u10e1 \u10d9\u10d8\u10dc\u10dd\u10d7\u10d4\u10d9\u10d0, \u10d9\u10d8\u10dc\u10dd\u10d0\u10e0\u10e5\u10d8\u10d5\u10d8<\\\/a>: \u10d9\u10d8\u10dc\u10dd\u10d4\u10da\u10d4\u10db\u10d4\u10dc\u10e2\u10d4\u10d1\u10d8 \u10d3\u10d0 \u10d0\u10d5\u10e2\u10dd\u10e0\u10d8\u10d6\u10d4\u10d1\u10e3\u10da\u10d8 \u10ea\u10d8\u10e4\u10e0\u10e3\u10da\u10d8 \u10d0\u10e1\u10da\u10d4\u10d1\u10d8.\",\"b127\":\"<a href=\\\"https:\/\/kinoteka.mk\/en\/chronologija\/\\\">\u10d9\u10d8\u10dc\u10dd\u10d7\u10d4\u10d9\u10d8\u10e1 \u10e5\u10e0\u10dd\u10dc\u10dd\u10da\u10dd\u10d2\u10d8\u10d0<\\\/a>: <b>\u10e2\u10e0\u10d0\u10d3\u10d8\u10ea\u10d8\u10e3\u10da\u10d8<\\\/b> \u10d7\u10d0\u10e0\u10d8\u10e6\u10d4\u10d1\u10d8.\",\"b128\":\"<a href=\\\"https:\/\/arhiva.muzeultaranuluiroman.ro\/colectia\/fratii-manakia\\\">MN\u021aR-\u10d8\u10e1 \u10d4\u10d7\u10dc\u10dd\u10da\u10dd\u10d2\u10d8\u10e3\u10e0\u10d8 \u10d2\u10d0\u10db\u10dd\u10e1\u10d0\u10ee\u10e3\u10da\u10d4\u10d1\u10d4\u10d1\u10d8\u10e1 \u10d0\u10e0\u10e5\u10d8\u10d5\u10d8: \u10db\u10d0\u10dc\u10d0\u10d9\u10d4\u10d1\u10d8\u10e1 \u10d9\u10dd\u10da\u10d4\u10e5\u10ea\u10d8\u10d0<\\\/a>: \u10d2\u10d0\u10ea\u10d8\u10e4\u10e0\u10e3\u10da\u10d8 \u10dc\u10d8\u10db\u10e3\u10e8\u10d8 \u10dd\u10d1\u10d8\u10d4\u10e5\u10e2\u10d8\u10e1 \u10d3\u10dd\u10dc\u10d8\u10e1 \u10d8\u10d3\u10d4\u10dc\u10e2\u10d8\u10e4\u10d8\u10d9\u10d0\u10e2\u10dd\u10e0\u10d4\u10d1\u10d8\u10d7; \u10db\u10d7\u10d4\u10da \u10d9\u10dd\u10da\u10d4\u10e5\u10ea\u10d8\u10d0\u10e1 \u10d0\u10e0 \u10db\u10dd\u10d8\u10ea\u10d0\u10d5\u10e1.\",\"b129\":\"<a href=\\\"https:\/\/www.mntr.ro\/\\\">\u10e0\u10e3\u10db\u10d8\u10dc\u10d4\u10da\u10d8 \u10d2\u10da\u10d4\u10ee\u10d8\u10e1 \u10d4\u10e0\u10dd\u10d5\u10dc\u10e3\u10da\u10d8 \u10db\u10e3\u10d6\u10d4\u10e3\u10db\u10d8, \u10d1\u10e3\u10e5\u10d0\u10e0\u10d4\u10e1\u10e2\u10d8<\\\/a>: \u10d9\u10dd\u10da\u10d4\u10e5\u10ea\u10d8\u10d4\u10d1\u10d8, \u10d9\u10d0\u10e2\u10d0\u10da\u10dd\u10d2\u10d4\u10d1\u10d8 \u10d3\u10d0 \u10d2\u10d0\u10db\u10dd\u10e4\u10d4\u10dc\u10d4\u10d1\u10d8\u10e1 \u10de\u10e3\u10d1\u10da\u10d8\u10d9\u10d0\u10ea\u10d8\u10d4\u10d1\u10d8.\",\"b130\":\"<a href=\\\"https:\/\/imma.edu.gr\/en\/events\/imma-in-florina\/\\\">\u10db\u10d0\u10d9\u10d4\u10d3\u10dd\u10dc\u10d8\u10d8\u10e1\u10d7\u10d5\u10d8\u10e1 \u10d1\u10e0\u10eb\u10dd\u10da\u10d8\u10e1 \u10db\u10e3\u10d6\u10d4\u10e3\u10db\u10d8, \u10d7\u10d4\u10e1\u10d0\u10da\u10dd\u10dc\u10d8\u10d9\u10d8<\\\/a>: \u10d2\u10d0\u10db\u10dd\u10e4\u10d4\u10dc\u10d8\u10e1 \u10db\u10d0\u10e1\u10d0\u10da\u10d4\u10d1\u10d8, \u10d3\u10d0\u10d9\u10d0\u10d5\u10e8\u10d8\u10e0\u10d4\u10d1\u10e3\u10da\u10d8 \u10da\u10d4\u10dd\u10dc\u10d8\u10d3\u10d0\u10e1 \u10db\u10d0\u10dc\u10d0\u10d9\u10d8\u10e1\u10d8\u10e1 \u10e4\u10dd\u10e2\u10dd\u10d9\u10dd\u10da\u10d4\u10e5\u10ea\u10d8\u10d0\u10e1\u10d7\u10d0\u10dc.\",\"b131\":\"<a href=\\\"https:\/\/www.vlahoi.net\/bookreviews\/i-istoria-mprosta-sto-fako-ton-adelfon-manakia\\\">Vlahoi.net<\\\/a>, \u10d1\u10d4\u10e0\u10eb\u10dc\u10e3\u10da\u10d8 \u10d0\u10e0\u10dd\u10db\u10d0\u10dc\u10e3\u10da\u10d8 \u10de\u10dd\u10e0\u10e2\u10d0\u10da\u10d8: \u10ec\u10d8\u10d2\u10dc\u10d4\u10d1\u10d8\u10e1 \u10e0\u10d4\u10ea\u10d4\u10dc\u10d6\u10d8\u10d4\u10d1\u10d8 \u10d3\u10d0 \u10d8\u10e1\u10e2\u10dd\u10e0\u10d8\u10e3\u10da\u10d8 \u10db\u10d0\u10e1\u10d0\u10da\u10d8\u10e1 \u10ee\u10d4\u10da\u10d0\u10ee\u10d0\u10da\u10d8 \u10de\u10e3\u10d1\u10da\u10d8\u10d9\u10d0\u10ea\u10d8\u10d4\u10d1\u10d8. \u10db\u10d8\u10e1\u10d8 \u10de\u10dd\u10da\u10d8\u10e2\u10d8\u10d9\u10e3\u10e0\u10d8 \u10d3\u10d0 \u10d4\u10e0\u10dd\u10d5\u10dc\u10e3\u10da\u10d8 \u10d2\u10d0\u10dc\u10ea\u10ee\u10d0\u10d3\u10d4\u10d1\u10d4\u10d1\u10d8 \u10d9\u10e0\u10d8\u10e2\u10d8\u10d9\u10e3\u10da\u10d0\u10d3 \u10e3\u10dc\u10d3\u10d0 \u10ec\u10d0\u10d5\u10d8\u10d9\u10d8\u10d7\u10ee\u10dd\u10d7.\",\"b132\":\"<a href=\\\"https:\/\/openaccess.osmaniye.edu.tr\/items\/b26ea43f-138f-426b-adc4-0442b0d71500\\\">\u10dd\u10e1\u10db\u10d0\u10dc\u10d8\u10d4\u10e1 \u10e5\u10dd\u10e0\u10e5\u10e3\u10d7 \u10d0\u10d7\u10d0\u10e1 \u10e3\u10dc\u10d8\u10d5\u10d4\u10e0\u10e1\u10d8\u10e2\u10d4\u10e2\u10d8\u10e1 \u10d7\u10e3\u10e0\u10e5\u10e3\u10da\u10d8 \u10d3\u10d8\u10e1\u10d4\u10e0\u10e2\u10d0\u10ea\u10d8\u10d4\u10d1\u10d8\u10e1 \u10e0\u10d4\u10de\u10dd\u10d6\u10d8\u10e2\u10dd\u10e0\u10d8\u10d0<\\\/a>, 2024 \u10ec\u10da\u10d8\u10e1 \u10d3\u10d8\u10e1\u10d4\u10e0\u10e2\u10d0\u10ea\u10d8\u10d0 \u10db\u10d0\u10dc\u10d0\u10d9\u10d4\u10d1\u10d6\u10d4 \u10e6\u10d8\u10d0 \u10ec\u10d5\u10d3\u10dd\u10db\u10d8\u10d7.\",\"b133\":\"<a href=\\\"https:\/\/apothesis.eap.gr\/archive\/item\/214019\\\">\u10e1\u10d0\u10d1\u10d4\u10e0\u10eb\u10dc\u10d4\u10d7\u10d8\u10e1 \u10e6\u10d8\u10d0 \u10e3\u10dc\u10d8\u10d5\u10d4\u10e0\u10e1\u10d8\u10e2\u10d4\u10e2\u10d8\u10e1 \u10d9\u10d5\u10da\u10d4\u10d5\u10d8\u10d7\u10d8 \u10e0\u10d4\u10de\u10dd\u10d6\u10d8\u10e2\u10dd\u10e0\u10d8\u10d0<\\\/a>, 2024 \u10ec\u10da\u10d8\u10e1 \u10d3\u10d8\u10e1\u10d4\u10e0\u10e2\u10d0\u10ea\u10d8\u10d0 \u10d0\u10e0\u10e5\u10d8\u10d5\u10d8\u10e1 \u10d9\u10e3\u10da\u10e2\u10e3\u10e0\u10e3\u10da \u10db\u10d4\u10dc\u10d4\u10ef\u10db\u10d4\u10dc\u10e2\u10d6\u10d4.\",\"b134\":\"<a href=\\\"https:\/\/bibnat.ro\/\\\">\u10e0\u10e3\u10db\u10d8\u10dc\u10d4\u10d7\u10d8\u10e1 \u10d4\u10e0\u10dd\u10d5\u10dc\u10e3\u10da\u10d8 \u10d1\u10d8\u10d1\u10da\u10d8\u10dd\u10d7\u10d4\u10d9\u10d0<\\\/a>, \u10d1\u10dd\u10da\u10dd\u10d3\u10e0\u10dd\u10d8\u10dc\u10d3\u10d4\u10da\u10d8 \u10e0\u10e3\u10db\u10d8\u10dc\u10e3\u10da\u10d8 \u10d2\u10d0\u10db\u10dd\u10ea\u10d4\u10db\u10d4\u10d1\u10d8\u10e1 \u10d1\u10d8\u10d1\u10da\u10d8\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10e3\u10da\u10d8 \u10d3\u10d0\u10d3\u10d0\u10e1\u10e2\u10e3\u10e0\u10d4\u10d1\u10d0.\",\"b135\":\"<a href=\\\"\/journal\/\\\"><i>Beyond Yesterday<\\\/i>, \u10d3\u10e6\u10d8\u10e3\u10e0\u10d8<\\\/a>: \u10d9\u10d0\u10e2\u10d0\u10da\u10d8\u10dc \u10d3. \u10d9\u10dd\u10dc\u10e1\u10e2\u10d0\u10dc\u10e2\u10d8\u10dc\u10d8\u10e1 \u10e1\u10d0\u10d0\u10e0\u10e5\u10d8\u10d5\u10dd \u10d0\u10e6\u10db\u10dd\u10e9\u10d4\u10dc\u10d4\u10d1\u10d8 \u10d3\u10d0 \u10e1\u10d0\u10d5\u10d4\u10da\u10d4 \u10d5\u10d8\u10d6\u10e3\u10d0\u10da\u10e3\u10e0\u10d8 \u10d9\u10d5\u10da\u10d4\u10d5\u10d0.\",\"b136\":\"<a href=\\\"https:\/\/www.karamitsos.com\/el\/product\/lot-08892-8\/\\\">Karamitsos-\u10d8\u10e1 \u10d0\u10e3\u10e5\u10ea\u10d8\u10dd\u10dc\u10d8\u10e1 \u10d9\u10d0\u10e2\u10d0\u10da\u10dd\u10d2\u10d8<\\\/a> \u10d3\u10d0 <a href=\\\"https:\/\/www.istanbulmuzayede.com\/en\/auction\/5375\/58-muzayede-online\/page\/2?tagId=5190\\\">Istanbul M\u00fczayede, \u10e0\u10d4\u10e1\u10dc\u10d4\u10da\u10d8 \u10dc\u10d8\u10d0\u10d6\u10d8\u10e1 \u10da\u10dd\u10e2\u10d4\u10d1\u10d8<\\\/a>: \u10dd\u10e0\u10d8\u10d2\u10d8\u10dc\u10d0\u10da\u10d8 \u10e4\u10dd\u10e2\u10dd\u10d4\u10d1\u10d8 \u10d0\u10dc \u10db\u10d8\u10d9\u10e3\u10d7\u10d5\u10dc\u10d4\u10d1\u10e3\u10da\u10d8 \u10d0\u10dc\u10d0\u10d1\u10d4\u10ed\u10d3\u10d4\u10d1\u10d8, \u10e0\u10dd\u10db\u10da\u10d4\u10d1\u10d8\u10ea \u10db\u10e3\u10d6\u10d4\u10e3\u10db\u10d4\u10d1\u10d8\u10e1 \u10d9\u10dd\u10da\u10d4\u10e5\u10ea\u10d8\u10d4\u10d1\u10d8\u10e1 \u10d2\u10d0\u10e0\u10d4\u10d7 \u10d2\u10d0\u10db\u10dd\u10e9\u10dc\u10d3\u10d0. \u10d9\u10d0\u10e2\u10d0\u10da\u10dd\u10d2\u10d8\u10e1 \u10d0\u10e6\u10ec\u10d4\u10e0\u10d8\u10da\u10dd\u10d1\u10d4\u10d1\u10d8 \u10d2\u10d0\u10db\u10e7\u10d8\u10d3\u10d5\u10d4\u10da\u10d7\u10d0 \u10d0\u10e6\u10ec\u10d4\u10e0\u10d0\u10d3 \u10e0\u10e9\u10d4\u10d1\u10d0.\",\"b139\":\"\u10e8\u10d4\u10dc\u10d8\u10e8\u10d5\u10dc\u10d4\u10d1\u10d8 \u10d1\u10d8\u10d1\u10da\u10d8\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10d0\u10d6\u10d4\",\"b140\":\"\u10d1\u10d8\u10d1\u10da\u10d8\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10d0 \u10d9\u10d5\u10da\u10d0\u10d5 \u10e8\u10d4\u10d8\u10d5\u10e1\u10d4\u10d1\u10d0. \u10d6\u10dd\u10d2\u10d8\u10d4\u10e0\u10d7\u10d8 \u10eb\u10d5\u10d4\u10da\u10d8 \u10de\u10d4\u10e0\u10d8\u10dd\u10d3\u10d8\u10d9\u10d8\u10e1 \u10db\u10d8\u10d7\u10d8\u10d7\u10d4\u10d1\u10d0 \u10d0\u10e6\u10d4\u10d1\u10e3\u10da\u10d8\u10d0 \u10dc\u10d8\u10d9\u10dd\u10da\u10d0\u10dd\u10e1 \u10e1\u10d8\u10dd\u10d9\u10d8\u10e1\u10d8\u10e1\u10d2\u10d0\u10dc (2024, \u10d2\u10d5. 314\u2013322), \u10d2\u10e3\u10e8\u10e2\u10d8\u10dc\u10d8\u10e1 (2023) \u10db\u10d8\u10d7\u10d8\u10d7\u10d4\u10d1\u10d4\u10d1\u10d8\u10d3\u10d0\u10dc \u10d3\u10d0 \u10ea\u10e3\u10ea\u10e3\u10d8\u10e1 \u10d0\u10d3\u10e0\u10d4\u10e3\u10da\u10d8 \u10e8\u10d4\u10d3\u10d0\u10e0\u10d4\u10d1\u10d8\u10d7\u10d8 \u10dc\u10d0\u10e8\u10e0\u10dd\u10db\u10d8\u10d3\u10d0\u10dc. \u10d4\u10e1 \u10e1\u10d0\u10db\u10e3\u10e8\u10d0\u10dd \u10db\u10d8\u10d7\u10d8\u10d7\u10d4\u10d1\u10d4\u10d1\u10d8\u10d0, \u10e0\u10dd\u10d2\u10dd\u10e0\u10ea \u10d0\u10e0\u10d8\u10e1, \u10d8\u10e1\u10d4 \u10d2\u10d0\u10d3\u10db\u10dd\u10e2\u10d0\u10dc\u10d8\u10da\u10d8; \u10dd\u10e0\u10d8\u10d2\u10d8\u10dc\u10d0\u10da\u10d4\u10d1\u10d8 \u10e3\u10e8\u10e3\u10d0\u10da\u10dd\u10d3 \u10d0\u10e0 \u10d0\u10e0\u10d8\u10e1 \u10d2\u10d0\u10ea\u10dc\u10dd\u10d1\u10d8\u10da\u10d8.\",\"nvrephotography\":\"\u10e0\u10d4\u10e4\u10dd\u10e2\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10e0\u10d4\u10d1\u10d0\",\"nvaromanians\":\"\u10d0\u10e0\u10dd\u10db\u10d0\u10dc\u10d4\u10da\u10d4\u10d1\u10d8\",\"nvfield-method\":\"\u10e1\u10d0\u10d5\u10d4\u10da\u10d4 \u10db\u10d4\u10d7\u10dd\u10d3\u10d8\",\"nvhow-to-cite\":\"\u10e0\u10dd\u10d2\u10dd\u10e0 \u10db\u10d8\u10d5\u10e3\u10d7\u10d8\u10d7\u10dd\u10d7 \u10ec\u10e7\u10d0\u10e0\u10dd\",\"nvgazetteer\":\"\u10e2\u10dd\u10de\u10dd\u10dc\u10d8\u10db\u10d7\u10d0 \u10ea\u10dc\u10dd\u10d1\u10d0\u10e0\u10d8\",\"nvfilm-chronology\":\"\u10e4\u10d8\u10da\u10db\u10d4\u10d1\u10d8\u10e1 \u10e5\u10e0\u10dd\u10dc\u10dd\u10da\u10dd\u10d2\u10d8\u10d0\",\"nvarchives\":\"\u10e1\u10d0\u10d0\u10e0\u10e5\u10d8\u10d5\u10dd \u10ec\u10e7\u10d0\u10e0\u10dd\u10d4\u10d1\u10d8\",\"nvpapers\":\"\u10d9\u10d5\u10da\u10d4\u10d5\u10d8\u10d7\u10d8 \u10dc\u10d0\u10e8\u10e0\u10dd\u10db\u10d4\u10d1\u10d8\",\"nvmethods\":\"\u10db\u10d4\u10d7\u10dd\u10d3\u10d4\u10d1\u10d8 \u10d3\u10d0 \u10d3\u10d4\u10d1\u10d0\u10e2\u10d4\u10d1\u10d8\",\"nvbibliography\":\"\u10d1\u10d8\u10d1\u10da\u10d8\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10d0\",\"b99\":\"\u10d9\u10dd\u10dc\u10e2\u10d4\u10e5\u10e1\u10e2\u10e3\u10d0\u10da\u10e3\u10e0\u10d8 \u10d3\u10d0 \u10e8\u10d4\u10d3\u10d0\u10e0\u10d4\u10d1\u10d8\u10d7\u10d8 \u10dc\u10d0\u10e8\u10e0\u10dd\u10db\u10d4\u10d1\u10d8\",\"c0\":\"\u10d0\u10e0\u10dd\u10db\u10d0\u10dc\u10d4\u10da\u10d4\u10d1\u10d8 \u10d3\u10d0 \u10d1\u10d0\u10da\u10d9\u10d0\u10dc\u10d4\u10d7\u10d8: \u10d9\u10dd\u10dc\u10e2\u10d4\u10e5\u10e1\u10e2\u10e3\u10e0\u10d8 \u10da\u10d8\u10e2\u10d4\u10e0\u10d0\u10e2\u10e3\u10e0\u10d0\",\"f0\":\"\u10e4\u10d8\u10da\u10db\u10d4\u10d1\u10d8 \u10d3\u10d0 \u10d9\u10d8\u10dc\u10dd\u10d2\u10d0\u10db\u10dd\u10ea\u10d4\u10db\u10d4\u10d1\u10d8\"}}<\/script>\n<script>(function(){var pg=document.querySelector('.rsp');if(!pg)return;\nvar m=location.pathname.match(\/^\\\/(ro|el|sq|mk|tr|bg|ka)(\\\/|$)\/);var lg=m?m[1]:'en';\nif(lg==='en')return;var T=null;\ntry{T=JSON.parse(document.getElementById('rsI18N').textContent)[lg]||null;}catch(e){}\nif(!T)return;\n[].slice.call(pg.querySelectorAll('[data-k]')).forEach(function(el){var v=T[el.getAttribute('data-k')];if(typeof v==='string')el.innerHTML=v;});\n[].slice.call(pg.querySelectorAll('a[href^=\"\/research\/\"],a[href^=\"\/journal\/\"],a[href^=\"\/over-time\/\"],a[href^=\"\/the-old-map\/\"]')).forEach(function(a){a.setAttribute('href','\/'+lg+a.getAttribute('href'));});\ntry{document.title=T.t.replace(\/<[^>]*>\/g,'')+' \\u2014 Beyond Yesterday';document.documentElement.lang=lg;}catch(e){}\n})();<\/script>\n","protected":false},"excerpt":{"rendered":"<p>Research Bibliography A working bibliography of the subject: books, articles, theses, films, press and online sources, in the languages in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1973,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1983","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.6","language":"ka","enabled_languages":["en","ro","el","sq","mk","tr","bg","ka"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"ro":{"title":true,"content":false,"excerpt":false},"el":{"title":true,"content":false,"excerpt":false},"sq":{"title":true,"content":false,"excerpt":false},"mk":{"title":true,"content":false,"excerpt":false},"tr":{"title":true,"content":false,"excerpt":false},"bg":{"title":true,"content":false,"excerpt":false},"ka":{"title":true,"content":false,"excerpt":false}}},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/beyondyesterday.org\/ka\/wp-json\/wp\/v2\/pages\/1983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beyondyesterday.org\/ka\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beyondyesterday.org\/ka\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beyondyesterday.org\/ka\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/beyondyesterday.org\/ka\/wp-json\/wp\/v2\/comments?post=1983"}],"version-history":[{"count":25,"href":"https:\/\/beyondyesterday.org\/ka\/wp-json\/wp\/v2\/pages\/1983\/revisions"}],"predecessor-version":[{"id":2375,"href":"https:\/\/beyondyesterday.org\/ka\/wp-json\/wp\/v2\/pages\/1983\/revisions\/2375"}],"up":[{"embeddable":true,"href":"https:\/\/beyondyesterday.org\/ka\/wp-json\/wp\/v2\/pages\/1973"}],"wp:attachment":[{"href":"https:\/\/beyondyesterday.org\/ka\/wp-json\/wp\/v2\/media?parent=1983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}